REVIEW: Rudolph the Red-Hosed Reindeer

Definitely not your father’s Rudolph

From left- Yukon Cornelia meets runaways Rudolph and Herbie (in Hell in a Handbag's Ruolph the Red-Hosed Reindeer. Photo credit- Rick Aguilar

Hell in a Handbag Productions presents:

Rudolph the Red-Hosed Reindeer

 

Book and Lyrics by David Cerda
Music by David Cerda with Scott Lamberty
Directed by
Derek Czaplewski
At
Mary’s Attic (5400 N. Clark Street) thru January 2nd (ticket info)

Reviewed by Katy Walsh

From left- Rudolph, Yukon, and Herbiesee the Island of Misfit Toys in the distance in Hell in a Handbag's Ruolph the Red-Hosed Reindeer.Photo by Rick Aguilar A red panty-wearing reindeer, a boozy hag Mrs. Claus, and an elf with dental aspirations: two of these three character traits weren’t apparent in the traditional holiday classic. Hell in a Handbag Productions presents Rudolph the Red-Hosed Reindeer, a parody on the children’s television show “Rudolph the Red-Nosed Reindeer.” The campy story tells the struggles of Rudolph (Alex Grelle), a transvestite reindeer born to wear Chanel silk in a J.C. Penney overalls world. In its 12th year, David Cerda has updated his Christmas town misfits’ story with topical jokes about Michael Jackson, the Catholic Church and healthcare. Cerda has unwrapped his imagination to create back stories for the residents of Christmas Town: a pedophile reindeer coach, a tyrant money-hungry Santa, enslaved go-go dancing elves, and a cosmetic surgery drag-queen victim as the snow beast. Not quite the hot-cocoa-by-the-fireplace-on-a-snowy-evening, this Rudolph is more like tequila shots at the bar on a bitter cold night.

In any Hell in a Handbag production, Ed Jones transforms his small supporting role into huge laughs. As a drunken Mrs. Claus, Jones’ facial expressions are hysterical. Joined by Rudolph, Herbie (Chris Walsh), and Clarice (Jennifer Shine), Jones’ quartet belts out the catchy tune “Christmas Makes Me Bitter.” It’s the perfect melody for holiday commercialism burn-outs. The witty combination of the television show’s familiar moments mixed with the dark and disturbing create a warped alternative to the “It’s a Wonderful Life” crowd. Walsh (no relation) nails Herbie the elf in pitch and robotic movement. From the moment she steps on the stage, Lori Lee (Yukon Cornelia) becomes a hilarious version of the simpleton prospector. Her traveling destination song “I Don’t Know” is an amusing rendition of an Abbott-Costello ‘who’s on first’.

From left- Santa Claus, loses patience with flamboyant Rudolph as Score the Elf looks on in horror in Hell in a Handbag's Rudolph the Red-Hosed Reindeer. Photo by Rick Aguilar The greedy capitalist, Santa Claus, threatens one of his elves ( to work faster or suffer the consequences in Hell in a Handbag Productions 'Rudolph the Red-Hosed Reindeer' at Mary's Attic. Photo by Rick Aguilar-

Over the last several years, I’ve made three trips to Cerda’s Christmas Town. Like Christmas cookies, I like to sample all of them but I have my favorites. This production comes in third with some awkward pauses. It’s unclear if it’s new material or new actors mixing with veterans. Regardless, Rudolph the Red-Hosed Reindeer is still a great escape from songs like “I’ll Have a Blue Christmas Without You” for the more realistic sentiment “They’ll Hate You If You’re Different.” The 2009 version may not be my favorite but it’s still a tasty holiday treat.

 

Rating: ★★★

 
Herbie, the 'not gay enough ' elf that has dreams of dentistry in Hell in a Handbag Production's Rudolph the Red-Hosed Reindeer opening Dec. 5 at Mary's Attic. Photo by Rick Aguilar Score, the not so bright elf in Hell in a Handbag's Rudolph The Red-Hosed Reindeer. Photo by Rick Augilar

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Review: “Carpenter’s Halloween” at Mary’s Attic

Definitely a treat!

myersKnifesmall

The Scooty & Jojo Show presents:

Carpenters Halloween

created by Scott Bradley and Jonny Stax
directed by Scott Bradley
music-directed by Brent Moore
thru November 7th (buy tickets)

reviewed by Katy Walsh

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Light their way when the darkness surrounds them…

Is this the beginning narration of a story about a beast or a line from a 1970’s pop song? In Carpenter’s Halloween Scott Bradley and Jonny Stax re-imagine John Carpenter’s 1978 Halloween movie as a musical. The Scooty & Jojo Show’s production uses the lyrics of Karen and Richard Carpenter to tell the tale of Michael Myer’s psycho ward escape and killing-spree homecoming. The results? Carpenter’s Halloween is a hilarious slasher reproduction.

a kind of hush all over the world tonight”

Performed at Mary’s Attic, the show starts with and uses film footage projected on televisions to illustrate Michael Myer’s childhood transformation into psycho killer.  The multi-talented cast, cardboard cars, live band and puppets transport you back to the familiar cult classic. The fear factor is gone as the campy show pokes fun of the movie’s scary elements 30+ year ago that, in hindsight, seem ridiculous.

“We’ve only just begun….”

Some of the best moments are new lines on the familiar script; “he always looks like that. He’s a puppet.” And “would Karen Carpenter have a second bowl of popcorn?”  Leading the laughter is the stand out performance of Scott Bradley as Laurie Strode. Playing up the Laurie’s “Solitaire’s the only game in town loneliness,” Bradley hilariously mimics Jamie Lee Curtis’ memorable performance. One of many giggle-fests occurs when Lindsey (Ryan Guhde) and Tommy (Libby Lane) re-interpret the phrase “go upstairs and change your clothes.” Baby, baby, baby, aw baby I love Carpenter’s Halloween I really do!

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Examples of comments heard from audience members include – Steve:  Muppets meet Python; Tom: campy, funny, songy; Shawn: scream queen lives; Scott: song slash dance; Jen: well-delivered, witty, wicked; Paul: camp built well; and James: Karen would approve!

Rating: «««

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