David Cromer’s "Our Town" coming to NYC

Cromer_inOurTown

As reported on Playbill.com and the Chicago Tribune’s blog “The Theater Loop” by Chris Jones, David Cromer’s acclaimed Chicago production of Our Town, by Thorton Wilder, will make a reappearance in Spring 2009 at an Off-Broadway theatre.  This is becoming something of a trend for David Cromer, as his production of The Adding Machine recently finished an award-winning run at Off-Broadway’s Minetta Lane Theatre.

Other info:

  • Auditions are currently under way
  • Ont The Town will be produced by Scott Morfee (who also financially-backed Adding Machine)
  • Begins in February at the Barrow Street Theatre in Greenwich Village.
  • The cast is expected to be a mix of Chicago and New York actors.
  • Cromer directed and played the Stage Manager in the Windy City run, but it is not yet known whether Cromer will reprise the Stage Manager role.
  • In regards to the set, the Barrow Street stage will be stripped bare to echo Cromer’s earlier concept.

As for The Adding Machine, which premiered at Evanston’s Next Theatre (see my review here), Playbill relays:

Cromer’s intensely visual staging of the musical Adding Machine was one of the best-reviewed productions of the 2007-08 season in New York City. The musical by composer and co-librettist Josh Schmidt and co-librettist Jason Loewith played the Minetta Lane Theatre Feb. 8-July 20.

For its New York run Adding Machine was awarded two Outer Critics Circle Awards (Outstanding New Off-Broadway Musical, Outstanding New Score), four Lucille Lortel Awards (Outstanding Musical, Outstanding Director, Outstanding Lead Actor, Outstanding Lighting Design) and four Obie Awards as well as nominations from the Drama Desk and Drama League awards.

More links of interest:

Closing – "No Darkness…" and "Radium Girls". Don’t miss!

 By Venus Zarris

This weekend marks the closing of a couple of shows that, if you haven’t seen them yet, you should make every effort to see because they are terrific and this is your LAST CHANCE!

No Darkness Round My Stone

nodark_front-268x300 Trap Door Theatre’s brilliantly dark and atmospheric macabre masterpiece about the fate of two gravedigger brothers is a rare and unusual treat that shouldn’t be missed as well as a bizarre addition to your Halloween celebrations.

No Darkness Around My Stone is a spellbinding, poignant, chilling and profound mix of existential destitution and sweet tenderness. Do not miss this unique opportunity to experience a challenging, chilling, peculiar and incomparably haunting production.

Rating: ««««

(“No Darkness Round My Stone” runs through October 11 at Trap Door Theatre, 1655 W. Cortland Ave. 773-384-0494.)

For the full review go to

www.chicagostagereview.com

 

Radium Girls

radiumgirlsposter2-194x300 Quite simply, the Chicago premier of Radium Girls, presented by Point of Contention Theatre, raises the bar for black box theater productions. Not with dazzling effects or innovative conceptualization, but rather by doing something so simple and yet so powerfully profound. It makes you care.

This is one of those hidden treasure productions that you will be thrilled that you uncovered before the time ran out! Do not miss the opportunity to experience this deceptively spellbinding, unique and wonderful production.

 

 

Rating: ««««

(“Radium Girls” runs through October 12 at The Side Project, 1439 W. Jarvis. 630-220-0730.) *tickets ONLY $15

For the full review go to

www.chicagostagereview.com

poc_radiumgirls_pressphoto3-300x225

Also closing this weekend:

(“Weekend” runs through October 12 at TimeLine Theatre, 615 W. Wellington. 773-281-8463.)  See our review here.

– Timeline Theatre’s Chicago premiere of Gore Vidal’s political classic.

(“The Threepenny Opera” runs through October 12 at Steppenwolf Merle Reskin Garage Theatre, 1624 N. Halsted St. 312-335-1650.)

The Hypocrites’ take on the Bertolt Brecht classic.

(“The U.N. Inspector” runs through October 12 at the Noyes Cultural Arts Center, 927 Noyes Street, Evanston. 847-475-1875.)

– the American Premiere by Next Theatre in Evanston.

For the full reviews go to

www.chicagostagereview.com

2008 After Dark Awards Announced!

Gay Chicago Magazine has just announced this year’s After Dark AwardsBelow is an abbreviated list.  For the complete list, as well as production photos, go to Venus Zarris’s website: Chicago State Review

 

2008 After Dark Awards.  For more information go to ChicagoStageReviews.com

Best Production

Passion Play: A Cycle in Three Parts (Goodman Theatre)

The Mark of Zorro (Lifeline Theatre)

Hunchback (Redmoon Theatre)

 

Outstanding New Work

Sarah Ruhl – Passion Play: A Cycle in Three Parts (Goodman Theatre)

Anna CariniSweet Confinement (SiNNERMAN Ensemble)

Tracy LettsSuperior Donuts (Steppenwolf Theatre)

 

Outstanding Adaptation

Shishir KurupMerchant on Venice (Silk Road Project)

Devon de Mayo and Ensemble – As Told By The Vivian Girls (Dog & Pony Theatre)

 

Outstanding Musical

Old Town (Strawdog Theatre)

 

Outstanding Direction

David Cromer – Our Town  (Hypocrites Theatre)

John MossmanJuno and the Paycock (Artistic Home)

Anna Bahow – Sweet Confinement  (SiNNERMAN Ensemble)

Peter Robel – Merchant of Venice (Bohemian Theatre Ensemble)

 

Outstanding Direction of a Musical

Fred Anzevino – “Cabaret” and Jacque Brel’s Lonesome Losers of the Night  (Theo Ubique Theatre)

 

Outstanding Musical Direction

Joshua Stephen Kartes – Jacque Brel’s Lonesome Losers of the Night  (Theo Ubique Theatre)

 

Outstanding Performance in a Play

Jennifer Grace – Our Town  (Hypocrites Theatre)

Mark Ulrich – Juno and the Paycock  (Artistic Home)

Nicole Wiesner – Passion Play: A Cycle in Three Parts (Goodman Theatre)

Keland Scher – Much Ado About Nothing  (First Folio Theatre)

Madeline Long – Soldiers: The Desert Stand (LiveWire Chicago Theatre)

Sadieh Rafai – Speech and Debate (American Theatre Company)

Jeremy Sher – Hunchback (Redmoon Theatre)

Annabel Armour – Fiction  (Remy Bumppo)

Jenn Remke – Resort 76  (Infamous Commonwealth)

Andy Hager – Red Light Winter (Thunder and Lightning Ensemble)

Polly Noonan – Passion Play: A Cycle in Three Parts  (Goodman Theatre)

Nick Vatterott – Love is Dead: A NecRomantic Musical Comedy  (Annoyance Theatre)

Adam Kander – The Merchant of Venice (Bohemian Theatre Ensemble)

 

Outstanding Performance in a Musical or Review

E. Faye Butler – Ain’t Misbehavin’   (Goodman Theatre)

Kat McDonnell – Old Town (Strawdog Theatre)

Summer Smart – Sweet Charity  (Drury Lane Oakbrook)

Bethany Thomas – Nine  (Porchlight Music Theatre)

 

Outstanding Ensemble

Emma  (Trapdoor Theatre)

As Told by the Vivian Girls  (Dog & Pony Theatre)

Juno and the Paycock  (The Artistic Home)

Sweet Confinement  (SiNNERMAN Ensemble)

Superior Donuts  (Steppenwolf Theatre)

 

For the complete listing of all 2008 After Dark Awards, including full descriptions and great pictures, go to my friend Venus Zarris’s theatre blog: www.chicagostagereview.com.   Go Venus!!

New Artistic Director for Barrel of Monkeys

New Artistic Director for BOM

Barrel of Monkeys announces their new, permanent Artistic Director will be long- time company member Luke Hatton, as of the beginning of the eleventh anniversary, 2008-2009 season on September 1st. He started with the ensemble in fall 2000, right after graduating with a BS in Theatre from Northwestern University, and began performing and teaching for many of BOM’s in-school residencies. Hatton then served as a member of the Teacher Corps, a select group of lead teachers within the company, and as a Program Officer. In 2003, he began directing in-school and public performances for BOM, and in 2007, he served as Artistic Associate for the company. Hatton has also worked extensively as a performer in Chicago with Steppenwolf Theatre, The Neo-Futurists, The Hypocrites, The Gift, Lifeline, and with Geva Theatre Center in New York. He has directed acclaimed theatrical productions with Steep Theatre and Phalanx Theaters. As an arts educator, Luke has developed and taught curriculum with After School Matters and Adventure Stage Chicago.

weirdgrandma Interim Artistic Director Laura Grey will leave the position to continue to perform with Second City etc’s “Campaign Supernova” (and will also continue to perform in the BOM ensemble), and founding Artistic Director Halena Kays will begin a University of Texas, Austin, MFA, after recently returning to Chicago to direct The Neo-Futurists’ “Fake Lake.”

After three years as Production Stage Manager for BOM’s Monday night show “That’s Weird, Grandma,” Maggie Fullilove-Nugent joins the staff as part-time Company Manager. She is also the Production Manager for The Hypocrites and North Park University Theatre. As a freelance lighting designer and technician, she has worked on over 50 productions with companies including 500 Clown, House, Building Stage, Lifeline and Artistic Home.

Best of luck to Luke!!

Luke Hatton, as seen in "Big Riders"