REVIEW: The Four of Us (Theater Wit)

   
  

Rare find: a sophisticated comedy for bros!

  
  

(from left) Usman Ally, Collin Geraghty, Usman Ally and Collin Geraghty in the Midwest premiere of The Four of Us

   
Theater Wit presents
  
The Four of Us
   
Written by Itamar Moses
Directed by Jeremy Wechsler
at Theater Wit, 1229 W. Belmont (map)
Extended thru Dec 18  |  tickets: $30   |  more info

Review by Paige Listerud

Who among your friends do you measure yourself against? Theater Wit’s critically acclaimed production, The Four of Us, by award-winning playwright Itamar Moses, knowingly and humorously examines the shifting fortunes and friendship between two writers in search of artistic and worldly success–a quixotic and mercurial adventure if ever there was. Who could ever be prepared for the toll success may take when one writer receives unforeseen recognition in the cultural economy while the other flounders in the sea of struggling-to-make-it? For those unfamiliar with the Usman Ally and Collin Geraghty in The Four of Us by Itamar Mosesconcept of writer’s envy, Kathryn Chetkovich’s classic essay, which originally appeared in the magazine “Granta”, remains excellent background material for this drama.

David (Usman Ally), a struggling playwright, takes his old buddy, Benjamin (Collin Geraghty), out to lunch to celebrate the upcoming publication of Benjamin’s very first novel. It’s all part of the pact that they had made back in college – whoever makes it first, whether first novel or first play, has to buy the other lunch at a restaurant of their choice. But Benjamin’s novel getting published is not simply one man’s goal achieved—it’s success at a spectacularly obscene level. Huge bid by a major publisher, sold movie rights, a famous Hollywood actor looking to direct it—all of which, to David’s thunderstruck reaction, his long-time pal Benjamin writes off as nothing. Is it artistic integrity on Benjamin’s part or a victory won too easily to appreciate? Is his diffidence a slight indication of low self-esteem or another way to garner David’s attention for his achievement? Whatever the motive, David gets bitten by the envy bug but still buys Benjamin’s lunch.

Jeremy Wechsler’s direction keeps the witty back-and-forth between Ally and Geraghty crisp and taut. In fact, Moses script is reminiscent of Mamet in that each beat and inflection between actors requires rapid-fire interaction and two complementary mindsets practically joined at the third eye. David’s relationship with Benjamin may be a little too close for comfort, since Benjamin’s pronouncements on literature, women, relationships and life perpetually override David’s own judgment and lived experience. The playwright has a keen eye for the worshipful man-crush, supported by underlying structures of insecurity and crippling self-doubt. The Four of Us demonstrates intense emotional maturity about the immature reasons guys subtly compete with each other and compare the progress of their lives with the friends they are closest to.

 

(from left) Usman Ally plays David and Collin Geraghty portrays Benjamin in the Midwest premiere of The Four of Us, Collin Geraghty and Usman Ally in Theater Wit's The Four of Us

The play also jumps about between the current, alternating trials and triumphs of the characters and their college days—a summer in Prague, sharing a joint in their dorm room the year before and, for the grand finale, the first time they met as counselors in summer band camp. If the production has a weakness, it’s in the portrayal of David and Benjamin in their more youthful and idealistic years. Ally and Geraghty spar brilliantly with each other, but fail to bring the nuanced edge of jejune enthusiasm for life ahead of them that is the hallmark of college days. Given that this ultra-talky play constructs the evolution each goes through about the other, the production needs to demonstrate greater contrast between past and present. Without that, David and Benjamin’s relationship only comes across as one big gabfest with slightly distinct variations.

Playful scene changes and Joseph Fosco’s smart sound design keeps the energy lively from scene to scene. The Four of Us is fast-paced and cunning. Whether he digs theater or not, catch your best bud and drag him to see it. This is one of the most sophisticated comedies for the bros that I’ve seen in while. One can only hope that it will get made into a movie to wow the audiences at Sundance or Telluride.

 
   
Rating: ★★★½   
   
  

The Four Of Us - Theater Wit - Collin Geraghty and Usman Ally

     
itama moses

Playwright Itamar Moses

Production Personnel

Playwright: Itamar Moses
Director: Jeremy Wechsler 
Cast: Usman Ally, Collin Geraghty
Light Design:  Scott Pillsbury
Sound Design: Joseph Fosco 
Set Design: Roger Wykes
Costumes: Christine Pascual
Stage Manager: Wendye Clarendon

All production photos by Johnny Knight

      
      

ATC celebrates 25th Anniversary with SILVER PROJECT

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American Theater Company will be presenting their first installment of the company’s 25th Anniversary celebration, The Silver Project, which will include world premiere plays by playwrights Steven Belber, Itamar Moses, Yussef El Guindi, Stephen Karam and Brian Tucker. The first Silver Project presentation will take place at American Theater Company, 1909 W. Byron Street, Chicago on Monday, February 8th at 7:30 p.m.  (more info)

A little background

To celebrate the company’s 25th Anniversary, Artistic Director PJ Paparelli asked over 30 playwrights across the country to choose a year between 1985 and 2010 and write a short play that explores the company’s mission: “what does it mean to be an American?Directed and performed by over 50 Chicago artists, the plays will be presented in five parts throughout the year and as a complete cycle during the National Theatre Communications Group Conference June 16-20, 2010 here in Chicago.

"ATC is proud to launch our Silver Project with world premieres from five of the country’s most innovative playwrights. From Rudy Guilliani’s radical clean up of New York City to a school satire sparked from the Bush/Kerry debate to collateral damage caused by Hurricane Katrina and 9/11, Part I explores pivotal American events in the 00’s from five diverse perspectives," Paparelli says.

 

The Program

The program for the initial showcase on February 8th will include:

 

Year 2000:  Quality of Life, written by Steven Belber, directed by Jason W. Gerace.
   
Year 2001: There Was So Much We Were Going To Do, written by Itamar Moses, directed by Jeremy Wechsler
   
Year 2003: So Unlike Me, written by Yussef El Guindi, directed by Eric Ziegenhagen
   
Year 2004: Pee in the School by Stephen Karam, directed by Jesse Young
   
Year 2005: Famous Blue Raincoat, written by Brian Tucker, directed by Derrick Sanders

 

Playwrights’ Bios

Steve Belber Stephen Belber’s work as a playwright has been produced on Broadway and in over 25 countries. His plays include Match (Tony nomination for Frank Langella); Tape (Time Out’s Top Ten Plays 2001); McReele (Roundabout Theater); Geometry of Fire, (Rattlestick); Fault Lines (Cherry Lane) and A Small, Melodramatic Story (Labyrinth Theater Company). He was an Associate Writer on The Laramie Project (Drama Desk and Lortel nominations), and co-writer on the more recent Laramie Project Epilogue. Movies include Tape, directed by Richard Linklater; The Laramie Project (Associate Writer/Emmy Nomination for screenwriting); Drifting Elegant and Management, which he also directed, starring Jennifer Aniston and Steve Zahn. Currently developing screen adaptations of both Match and McReele. Television includes Rescue Me and Law and Order SVU (staff writer). He is a proud member of both Tectonic Theater Project and the Labyrinth Theater Company.

Yussef El Guindi Yussef El Guindi’s plays include Jihad Jones and the Kalashnikov Babes, (Golden Thread Productions, InterAct Theater, and Kitchen Dog Theater), Our Enemies: Lively Scenes of Love and Combat (Silk Road Theatre Project, Jeff Nominated), Ten Acrobats in an Amazing Leap of Faith (Silk Road Theatre Project), Back of the Throat (Theater Schmeater), and an upcoming production of Language Rooms (Wilma Theater). His play, Ten Acrobats in an Amazing Leap of Faith, is included in Salaam/Peace: An Anthology of Middle-Eastern-American Playwrights, published by TCG in 2009. Yussef holds an MFA from Carnegie-Mellon University and was playwright-in-residence at Duke University.

Stephen Karam Stephen Karam is the author of Speech & Debate which was produced off-broadway by Roundabout Theatre Company as the inaugural production of Roundabout Underground.  He is the co-author of columbinus (2006 Helen Hayes nomination), which ran off-broadway at New York Theatre Workshop following a co-production by Round House/Perseverance Theaters.  His latest play was commissioned by Roundabout Theatre Company and will have its world premiere in their 2010-2011 season.  Current projects:  screenplay of Speech & Debate for Overture Films and the libretto for an original chamber opera with composer Nico Muhly.

Itamar Moses 3 Itamar Moses is the author of the full-length plays Outrage, Bach At Leipzig, Celebrity Row, The Four of Us, Yellowjackets, Back Back Back, and Completeness, and various short plays and one-acts. His work has appeared Off-Broadway and at regional theatres across the U.S. and Canada. Moses holds an MFA in Dramatic Writing from NYU and has taught playwriting at Yale and NYU. He is a member of the Dramatists Guild, MCC Playwrights Coalition, Naked Angels Mag 7, and is a New York Theatre Workshop Usual Suspect. He was born in Berkeley, California, and now lives in Brooklyn, New York.

Brian Tucker is a graduate of The Juilliard School’s Playwrights Program, in New York, where he was a Lila Acheson Wallace American Playwrights Fellow.  Tucker’s other plays include The St. James Infirmary, Sins of the Father, The Great Defeat of Coltrane Grey, and Bathing Van Gogh.  Tucker’s work in film includes Broken City, currently in development with Mandate Pictures, and an adaptation of the Korean film Sympathy For Mr. Vengeance for Warner Bros.  He resides in New York City.

 

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