Review: Sense and Sensibility (Northlight Theatre)

     
      

An enchanting happily-ever-after saga

  
  

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Northlight Theatre presents
  
Sense and Sensibility
  
Adapted and Directed by Jon Jory
Based on the novel by Jane Austen
at North Shore Center for the Performing Arts, Skokie (map)
through April 27  |  tickets: $40-$45  |  more info

Reviewed by Katy Walsh 

One sister driven by passions.  One sister steering by intellect. Eighteenth century husband-shopping rips the heart with mind games.  Northlight Theatre presents the world-premiere of Sense and Sensibility from the book by Jane Austen.  The death of their father leaves the Dashwood sisters financially-strapped.  Without a proper dowry, marriage prospects dwindle.  Still, the sisters muse potential suitors.  Marianne falls quickly and hard for her dashing rescuer.  Elinor connects wittingly with  her sister-in-law’s brother.  Love gets complicated when ‘marrying for money‘ cashes in on the sisters‘ happiness.  Sense and Sensibility is love by the book…Austen style.

Sense and Sensibility - Northlight Theatre 008Jon Jory puts his heart and head into a complicated adaptation.  The Austen novel has a bounty of characters with complex lineages speaking in formal prose.  Directing the adaptation too, Jory devises a dynamic play boasting multiple love stories.  On a simplistic set (scenic designer Tom Burch), Jory smoothly and quickly moves in or out chairs, love seats, even a buffet table to show location changes.  (Kudos to stage manager Laura D. Glenn for the ever-shifting action cued up by a piece of furniture or article of clothing).  Jory orchestrates a page-turner pace with a mega-talented cast.

In the leads, these sisters are perfectly novel to the plot.  Helen Sadler (Marianne) is delightfully impulsive and lively.  Sadler punches up the humor with brutal assessments of people’s virtues.  Heidi Kettenring (Elinor) is lovely as the reserved sister.  In contrast to Sadler’s exaggerated drama, Kettenring contains her emotions with subtle nuisances:  clasped hands, half-smile, dead-pan delivery.  Kettenring delivers one of my favorite responses to an inquiry of her sister’s illness.  Kettenring dryly states, ‘she is a victim of expectations.’ Classic wit!  Their mother, Penny Slusher, is adorably maternal.  Slusher frets with a charming romantic simplicity.  Playing her sensibility contrast, Wendy Robie (Mrs. Jennings) is hilarious as the meddling wannabe marriage broker.  Robie zings delivering deliciously improper barbs without malice intent. 

     
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The bevy of men make the husband selection difficult.  Greg Matthew Anderson (Willoughby) is dashingly charismatic. Anderson pulls on the heart strings as a drunken scoundrel with a hint of remorse.  His opposite, Jay Whittaker (Colonel Brandon) is quiet, handsome dignity.  Whittaker’s non-emotional and abrupt reactions are amusing and endearing.  Understudying the part of Edward Ferrars, Derek Czaplewski does a splendid job as the awkward and honorable man of engagement.  V Craig Heidenreich (Sir John Middleton) is a hearty serving of humorous hospitality. The entire, ever-moving, excellent ensemble performs and schlepps props for a sublime illustration.      

Sense and Sensibility is an enchanting happily-ever-after story.  As a woman with a little of both, the sophisticated dialogue is intellectually riveting and the known outcome still made me weepy.     

  
  
Rating: ★★★½
    
  

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Sense and Sensibility continues through April 27th, with performances Tuesdays, Wednesdays, Thursdays at 7:30pm; Fridays and Saturdays at 8pm; Sundays at 7pm; Saturdays and Sundays at 2:30pm, and Wednesdays at 1pm. Tickets are $40-$45, and can be purchased online or by calling 847-673-6300.  More info at www.northlight.org. Running time:  Two hours and thirty minutes with a fifteen minute intermission.

3 words: A newbie to Austen’s tale, Jasleen describes it with ‘dear sisterly love.’

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REVIEW: Big River (Bohemian Theatre Ensemble)

 

BoHo takes a heartwarming trip down the Mississippi

 

 A scene from Boho Theatre Ensemble's "Big River", performing now at Theater Wit thru October 10th

 
Bohemian Theatre Ensemble presents
 
Big River: The Adventures of Huckleberry Finn
 
Music/Lyrics: Roger Miller, Book: William Hauptman
Adapted from the novel by Mark Twain
Directed by
P. Marston Sullivan
Theater Wit, 1229 W. Belmont, Chicago (map)
Through Oct. 10 |
Tickets: $25 |  more info

Reviewed by Leah A. Zeldes

Widely considered the greatest American novel ever written, Mark Twain’s 1884 coming-of-age tale, “The Adventures of Huckleberry Finn”, received a lively musical treatment 100 years after its publication in Big River. The Tony Award-winning musical, which ran 1,000 performances on Broadway, captures the charm and  A scene from Boho Theatre Ensemble's "Big River", performing now at Theater Wit thru October 10thpoignancy of the original, as we follow Huck and the escaped slave Jim down the "Muddy Water" of the Mississippi River, "Waitin’ for the Light to Shine" — as the songs put it. Although no stage production could possibly encompass all the nuances of Twain’s masterpiece, this well-cut adaptation by William Hauptman delivers the essence, paired with a fitting, catchy score by country-music star Roger Miller that blends foot-stompin’ bluegrass, powerful spirituals, vaudevillian comedy numbers and such memorable ballads as "River in the Rain."

Bohemian Theatre Ensemble mounts a warm, intimate and beautifully sung revival in their handsome new home at Lakeview’s Theater Wit, full of bouyant humor and touching moments.

Andrew Mueller gives us a gamin-faced, thoughtful Huck with a fine tenor. As Jim, the richly voiced Brian-Alwyn Newland provides the backbone of the music, smooth and soulful, combined with a dignified stage presence that reveals the mature and feeling man behind the tattered clothes and uneducated language of the slave.

Sean Thomas makes a wicked Pap Finn, hilarious in his drunken denouncement of "Guv’ment," and a diabolical king and "Royal Nonesuch," aided by the elegant John B. Leen as the sly and histrionic duke. Courtney Crouse is boyishly mischievous as Tom Sawyer, always ready for adventure and adorable as he calls for a "Hand for the Hog."

Rashada Dawan brings a soaring voice to gospel numbers such as "How Blest We Are," and Mike Tepeli adds a comic turn as the young fool, with a zany, washboard-accompanied rendition of "Arkansas."

A scene from Boho Theatre Ensemble's "Big River", performing now at Theater Wit thru October 10th A scene from Boho Theatre Ensemble's "Big River", performing now at Theater Wit thru October 10th
A scene from Boho Theatre Ensemble's "Big River", performing now at Theater Wit thru October 10th A scene from Boho Theatre Ensemble's "Big River", performing now at Theater Wit thru October 10th

Much of the cast supplements the orchestra at different points, picking up guitars,box, or a tambourine to effectively back Musical Director Nicholas Davio playing a variety of instruments, Hilary Holbrook on fiddle and Cam McIntyre on bass. Davio and Holbrook also act small parts. Christa Buck, Anna Hammonds and James Williams fill out the ensemble.

Director P. Marston Sullivan’s deceptively simple staging and Anders Jacobson and Judy Radovsky’s stylized set put the talented cast and Twain’s potent story foremost. You don’t need to have read "Huckleberry Finn" to enjoy this musical, although everybody ought to read it … again and again.

   
  
Rating: ★★★½
  
  

A scene from Boho Theatre Ensemble's "Big River", performing now at Theater Wit thru October 10th

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