Review: Theories of the Sun (Sideshow Theatre)

Yep, it is possible to laugh at Death

 

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Sideshow Theatre presents
  
Theories of the Sun
   
Written by Kathleen Akerley
Directed by Jonathan L. Green and Megan A. Smith
at Theater Wit, 1229 W. Belmont (map)
through October 3rd  |  tickets: $15- $20  |  more info

Reviewed by Katy Walsh

Where does Death take a holiday? Apparently, a remote hotel in France! Sideshow Theatre presents the Midwestern premiere of Theories of the Sun. A mother and daughter duo seek medical advice from a quirky doctor. The doctor is in residence at a boutique inn. Also vacationing at the locale are a couple of playwrights, a scotch- infused Tennessee Williams and a frothy-wine sipping Tom Stoppard. Another hotel guest, Mr. Asher, collects theories about the sun from different cultures. Looming invisibly to most of the guests, Death waits for someone. Theories of the Sun is a mysterious gathering of a hodge-podge of characters. Each confronts TheoriesoftheSun-02Death and puts in a special order for preferred exit timing. Despite the primary storyline being the unusual circumstances surrounding the mother and daughter, its boys’ night! Individually and collectively, the guys overshadow with eclipsing humor and vibrant movement. Sideshow Theatre’s Theories of the Sun proves the hypothesis that is possible to laugh at Death.

Directed by Jonathan L. Green and Megan A. Smith, with choreographer Katie Spelman, theories of the sun are illuminated with poetic, fluid motion. The synchronization is the bright spot to the story. A game of blindman’s bluff is an effervescent dance with Death. The ensemble, sporting a variety of accents, is dazzling. Matt Fletcher (Stoppard) delivers his British wit with a droll smugness. Uttering lines like ‘being not in tune,’ Fletcher is hilarious as an insipid playwright caught up in semantics. Andy Luther (Williams) plays it perfectly understated as the southern-speaking, unapologetic drunk. Luther’s face-off with Death is a deliciously defiant monologue of fearlessness that unexpectedly ends in tenderness. Jesse Young (Dr. Giraud) is hysterical as an eccentric doctor conducting a series of odd tests. Young deadpans ludicrous statements for riotous results. The storyteller of sun theories, Dylan Stuckey (Asher) is most engaging when he silently reacts to other characters. The entire cast revolves around Death in stunning visuals in a mime-type ballet and exquisite fifties finery (Costume Designer David Hyman).

 

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Playwright Kathleen Akerley has penned a life-and-death tale with eclectic characters. Although the mother-daughter storyline loses some of its luster from recently being Hollywood-ized, Akerley’s provides intrigue in her other character choices and surprising twists. Theories of the Sun is a thought-provoking, entertaining dance to the death. With the finale’s hindsight, you’ll want to relive it for Death’s subtle entrance.

   
   
Rating: ★★★
   
   

Running Time: Two hours and thirty minutes includes a thirty minute intermission

Nora Dunn and her buddy Jesse Young

 

 

SHOW SIDENOTE: “Saturday Night Live” alum Nora Dunn was in the audience on opening night. Pictured here with her buddy, Jesse Young 

 

 

 

 

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About Face announces 2010-2011 Season, future plans

Artistic Director Bonnie Metzgar Announces 15th Season

 

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Including Three World Premieres, New Artistic Associates, and XYZ Festival

Celebrating the 15th anniversary of About Face Theatre, it looks like Artistic Director Bonnie Metzgar and new Executive Director Jason Held have upped the ante for the start of their next 15 years.  Included in the upcoming season is Float by Patricia Kane, Pony by Sally Oswald and The Homosexuals by Phillip Dawkins, are their second annual XYZ Festival of New Works

 

 

 

 

About Face is excited to roll out our 15th anniversary with a season that examines individuals at the precipice of change,” says Bonnie Metzgar. “As our organization and society at large both make pivotal choices, this season looks at the risks and exhilarating possibilities available to us in periods of transformation.

 

October 2010

XYZ Festival

The XYZ Festival will introduce Chicago audiences to the most innovative LGBTQA artists and artworks at all stages of development. Presented over the month of October, projects will include a workshop production of TINY ROOMS by Carson Kreitzer, and new works from AFT About Face Artistic Associates Tanya Saracho and Patrick Andrews, as well as a performance lounge series featuring AFT Artistic Associate Dan Stermer’s performance art/dance trio Double DJ, curated by AFT Marketing Director Jane Beachy. From the hundreds of scripts received for the XYZ Readings Series, four new plays by acclaimed emerging playwrights round out the festival.

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November 11 – December 12

Float

FLOAT, a new play written by About Face Theatre (AFT) Artistic Associate Patricia Kane and directed by 500 Clown founder Leslie Danzig with dramaturgy by Jessica Thebus. The all-female cast includes Wendy Robie, Adrianne Cury, Peggy Roeder, Rengin Altay and AFT Artistic Associate Amy Matheny. FLOAT will run from November 11 – December 12 at Theater Wit (1229 West Belmont).

 

April-May 2011 

Pony

 

In April/May, About Face Theatre will present the world premiere of PONY by Sally Oswald, a play inspired by Georg Büchner, at the Chopin Theatre. Directed by Bonnie Metzgar, PONY will be featured as part of The Woyzeck Project, a city-wide festival hosted by About Face Theatre, The Hypocrites, and Collaboraction in which artists around the city will produce hybrid works inspired by the classic anti-war play. Set near the location of the famous murder scene in Woyzeck, PONY is a tale of shifting gender roles and the dangers of obsessive love.

 

June/July 2011

The Homosexuals

About Face Theatre will conclude its season in June/July with The Homosexuals by Chicago playwright Phillip Dawkins, starring Patrick Andrews at Victory Gardens Studio. The Homosexuals presents the interwoven lives, friendships, and relationships among six homosexual men over six years. Set at present time in a Midwestern city, Dawkins’ comedic and heartbreaking work examines the fears, doubts, and hope among the gay community in a 21st century perspective on the queer classic, The Boys in the Band.

About Face Theatre’s 15th Anniversary Season exemplifies how far the LGBTQ community has come from being defined by one issue to being seen as complex. In our 15 years, AFT has given voice to that changing dialogue around issues facing the queer community. As we move forward, we understand the need to bring the conversation around sexuality and gender to all people,” says Executive Director Jason Held.

 

 

 

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ATC celebrates 25th Anniversary with SILVER PROJECT

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American Theater Company will be presenting their first installment of the company’s 25th Anniversary celebration, The Silver Project, which will include world premiere plays by playwrights Steven Belber, Itamar Moses, Yussef El Guindi, Stephen Karam and Brian Tucker. The first Silver Project presentation will take place at American Theater Company, 1909 W. Byron Street, Chicago on Monday, February 8th at 7:30 p.m.  (more info)

A little background

To celebrate the company’s 25th Anniversary, Artistic Director PJ Paparelli asked over 30 playwrights across the country to choose a year between 1985 and 2010 and write a short play that explores the company’s mission: “what does it mean to be an American?Directed and performed by over 50 Chicago artists, the plays will be presented in five parts throughout the year and as a complete cycle during the National Theatre Communications Group Conference June 16-20, 2010 here in Chicago.

"ATC is proud to launch our Silver Project with world premieres from five of the country’s most innovative playwrights. From Rudy Guilliani’s radical clean up of New York City to a school satire sparked from the Bush/Kerry debate to collateral damage caused by Hurricane Katrina and 9/11, Part I explores pivotal American events in the 00’s from five diverse perspectives," Paparelli says.

 

The Program

The program for the initial showcase on February 8th will include:

 

Year 2000:  Quality of Life, written by Steven Belber, directed by Jason W. Gerace.
   
Year 2001: There Was So Much We Were Going To Do, written by Itamar Moses, directed by Jeremy Wechsler
   
Year 2003: So Unlike Me, written by Yussef El Guindi, directed by Eric Ziegenhagen
   
Year 2004: Pee in the School by Stephen Karam, directed by Jesse Young
   
Year 2005: Famous Blue Raincoat, written by Brian Tucker, directed by Derrick Sanders

 

Playwrights’ Bios

Steve Belber Stephen Belber’s work as a playwright has been produced on Broadway and in over 25 countries. His plays include Match (Tony nomination for Frank Langella); Tape (Time Out’s Top Ten Plays 2001); McReele (Roundabout Theater); Geometry of Fire, (Rattlestick); Fault Lines (Cherry Lane) and A Small, Melodramatic Story (Labyrinth Theater Company). He was an Associate Writer on The Laramie Project (Drama Desk and Lortel nominations), and co-writer on the more recent Laramie Project Epilogue. Movies include Tape, directed by Richard Linklater; The Laramie Project (Associate Writer/Emmy Nomination for screenwriting); Drifting Elegant and Management, which he also directed, starring Jennifer Aniston and Steve Zahn. Currently developing screen adaptations of both Match and McReele. Television includes Rescue Me and Law and Order SVU (staff writer). He is a proud member of both Tectonic Theater Project and the Labyrinth Theater Company.

Yussef El Guindi Yussef El Guindi’s plays include Jihad Jones and the Kalashnikov Babes, (Golden Thread Productions, InterAct Theater, and Kitchen Dog Theater), Our Enemies: Lively Scenes of Love and Combat (Silk Road Theatre Project, Jeff Nominated), Ten Acrobats in an Amazing Leap of Faith (Silk Road Theatre Project), Back of the Throat (Theater Schmeater), and an upcoming production of Language Rooms (Wilma Theater). His play, Ten Acrobats in an Amazing Leap of Faith, is included in Salaam/Peace: An Anthology of Middle-Eastern-American Playwrights, published by TCG in 2009. Yussef holds an MFA from Carnegie-Mellon University and was playwright-in-residence at Duke University.

Stephen Karam Stephen Karam is the author of Speech & Debate which was produced off-broadway by Roundabout Theatre Company as the inaugural production of Roundabout Underground.  He is the co-author of columbinus (2006 Helen Hayes nomination), which ran off-broadway at New York Theatre Workshop following a co-production by Round House/Perseverance Theaters.  His latest play was commissioned by Roundabout Theatre Company and will have its world premiere in their 2010-2011 season.  Current projects:  screenplay of Speech & Debate for Overture Films and the libretto for an original chamber opera with composer Nico Muhly.

Itamar Moses 3 Itamar Moses is the author of the full-length plays Outrage, Bach At Leipzig, Celebrity Row, The Four of Us, Yellowjackets, Back Back Back, and Completeness, and various short plays and one-acts. His work has appeared Off-Broadway and at regional theatres across the U.S. and Canada. Moses holds an MFA in Dramatic Writing from NYU and has taught playwriting at Yale and NYU. He is a member of the Dramatists Guild, MCC Playwrights Coalition, Naked Angels Mag 7, and is a New York Theatre Workshop Usual Suspect. He was born in Berkeley, California, and now lives in Brooklyn, New York.

Brian Tucker is a graduate of The Juilliard School’s Playwrights Program, in New York, where he was a Lila Acheson Wallace American Playwrights Fellow.  Tucker’s other plays include The St. James Infirmary, Sins of the Father, The Great Defeat of Coltrane Grey, and Bathing Van Gogh.  Tucker’s work in film includes Broken City, currently in development with Mandate Pictures, and an adaptation of the Korean film Sympathy For Mr. Vengeance for Warner Bros.  He resides in New York City.

 

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