REVIEW: Spamalot (Drury Lane)

  
  

Drury Lane’s ‘Spamalot’ is a merry night of dancing and singing!

  
  

SPAMALOT--James Earl Jones II, Grant Thomas, Gary Carlson, Matthew Crowle, Brandon Springman and Richard Strimer

   
Drury Lane Theatre presents
  
Spamalot
   
Book and Lyrics by Eric Idle
Music by John Du Prez
Directed by William Osetek
at
Drury Lane Theatre, Oak Brook (map)
through March 6  |  tickets: $31-$45  |  more info

Reviewed by Allegra Gallian

Monty Python began as a British comedy group that created the television show Monty Python’s Flying Circus. Ensemble members included Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones, and Michael Palin. The success of the show led to feature films including “Monty Python and the Holy Grail,” which is loosely based on the legend of King Arthur and his knights of the round table. With its witty and sometimes absurdist humor, Monty Python became a cultural phenomenon and “Holy Grail” was the basis for the musical Spamalot.

SPAMALOT--Gina Milo and David KortemeierThe set for Spamalot at Drury Lane Theatre resembles a traditional castle, with a castle gate center stage flanked by large wooden castle doors on other side, surrounded by stone bricks and gated windows. As the show progresses, scene changes are seamless and quick, never disrupting the momentum or action of the show.

Spamalot opens with an historian (Jackson Evans) explaining the history of Britain. He’s initially both relatable and charming, instantly pulling the audience into the action. The story the historian relates then comes to life as King Arthur (David Kortemeier) enters. Arthur is searching for knights for his round table and is traveling throughout England in search of them. He puts together what seems like somewhat of a motley crew consisting of Sir Lancelot (John Sanders), Sir Robin (Adam Pelty), Sir Galahad (Sean Allan Krill) and Sir Bedevere (Bradley Mott).

All of the actors are fully charismatic and bring a ton of characterization to their parts: Robin (Pelty) is sweet and funny with his fear of actual fighting. Galahad (Krill) is charming but not irritating with his pretty boy looks and demeanor. Lancelot (Sanders) is entertaining with his tough boy act to hide his hidden interests and Bedevere (Mott) works well to round out to the cast.

Not only is the acting stellar, but the singing is strong and clear and the music is just fun. Each actor’s range is suited to their character, allowing their singing talents to really shine. This is especially the case with The Lady of the Lake (Gina Milo). Milo’s voice is stunning and powerful, and her ability to hit so many runs in the music is SPAMALOT--John Sanders and Jackson Evanscaptivating. The only minor complaint is that, on occasion, vibratos in the cast are a bit too heavy.

As a show with a triple threat, the dancing is also well choreographed and shows of the dancing talents of the cast. Minus a few missed landings and mishaps, the dancing is quite spectacular, especially Patsy’s tap number (Matthew Crowle) during “Always Look on the Bright Side of Life.” It’s clear that Crowle has a talent for it and he shows it off spectacularly.

Once the crew is assembled, they are given a task directly from God: find the Holy Grail. With this task at hand, the group, led by Arthur, goes in search of the Grail. Encountering various other knights and obstacles, the action flows quickly with a lively energy, pulling our attention towards the stage. The actors play up the comedy, doing well with the laugh lines and the hilarity of the writing.

Spamalot is a fun-filled, hilarious show that fits for anyone who loves Monty Python and the tale of the Holy Grail. Highly recommended!

  
  
Rating: ★★★½
  
  

Spamalot plays at Drury Lane Theatre, 100 Drury Lane, Oak Brook, IL, through March 6. Tickets are $31 to $45 with lunch/dinner packages ranging from $45.75 to $68. Student and senior prices available. Ticket can be purchased through the box office by calling 630-530-0111.

SPAMALOT--Gina Milo, now at Drury Lane Theatre in Oakbrook

        
        

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REVIEW: Writers’ Theatre’s “Oh Coward!”

Mad about the boy!!

 

Doug,_John,_Kate_on_piano,_Rob-H 

Writers’ Theatre presents:

OH COWARD!

A Musical Comedy Revue

Words and music by Noel Coward
Devised by
Roderick Cook
Musical direction by
Doug Peck
Directed by Jim Corti

Thru March 21st (ticket info)

reviewed by Katy Walsh

“I am not a heavy drinker. I can sometimes go hours without touching a drop.”

Writers’ Theatre presents OH COWARD!, a musical revue celebrating the words and music of Noel Coward. Nicknamed “The Master,” Noel Coward (1899-1973) was a playwright, lyricist, composer, actor, singer, director and producer. The musical revue was devised by Roderick Cook, who won the Tony Award for Best Actor in 1987 for his performance in it.

“It’s discouraging to think how many people are shocked by honesty and how few by deceit.”

This memorable Coward quote reflects the philosophical basis and impetus for much of his work. The bawdy lyrics of songs like “Mrs. Worthington,” that tell a stage mother not to put her ugly daughter on stage, are shockingly hilarious. Coward is The Master in spinning tales of drinking indulgences, sexual indiscretions and people that annoy into delightfully witty tunes. A 1930’s party-goer would have been wise to cozy up to Coward for an evening’s amusement of gossip and to avoid becoming a target. Without Coward’s actual presence, OH COWARD! is the perfect party substitute.

Kate,_John,_Rob-Horiz_ActI_martini

First, any successful party requires the right ambiance. Scenic designer, Kevin Depinet , has reconfigured the theatre space into a 1930’s night club with blown-up pictures of Noel Coward on the wall. The audience sits in a U-shape, allowing for a true intimate cabaret experience. Next, the wrong music can be a party buzz kill. For this particular soiree, Coward’s songs are at the epicenter of the festivities. Under the musical direction of Doug Peck, the lively melodies add to the fast paced merriment. At pivotal moments, the soulful ballads “If Love Were All” and “Mad About The Boy”, both arranged by Peck, give the party guests a breather and a shocker at the honest glimpse into Coward’s private isolation.

The absolute key to turning any gathering into a bash is if the host knows the right people to invite. Director Jim Corti has the A-List in attendance with Kate Fry, Rob Lindley and John Sanders. With a glass of champagne or a martini, party gossip is best delivered with playful wit. OH COWARD! has a superstar tri-fecta! Under The Masters’ (both Coward and Corti) influence, Fry, Lindley and Sanders are beautifully synchronized in songs and stories. The best part of their harmonized performance is the genuine enjoyment that radiates. In true imagined Coward fashion, these three seem to have spontaneously taken over a party with their flawless entertainment skills. OH COWARD! is THE party of the year!

“I have always been very fond of (drama critics)… I think it’s so frightfully clever of them to go night after night to the theatre and know so little about it.”

Oh Noel, you are hilarious!

Rating: ★★★½

 

Doug,_Rob,_Kate,_John-Vert_formal

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