REVIEW: Romeo and Juliet (Chicago Shakespeare)

 

CST breathes new life into Shakespeare’s tragic lovers

 

 Tybalt (Zach Appelman, left) duels Mercutio (Ariel Shafir) as the Montagues restrain Romeo from interfering.  Photo by Liz Lauren.

   
Chicago Shakespeare Theater presents
   
Romeo and Juliet
   
Written by William Shakespeare 
Directed by
Gale Edwards
CST’s Courtyard Theatre at
Navy Pier, 800 E. Grand Ave. (map)
through November 21  |  tickets: $44-$75  |  more info

Reviewed by Oliver Sava

You know the story: two lovers from feuding houses fall desperately in love and then they die. Gale Edwards’ production of Romeo and Juliet proves that no matter how many times Shakespeare’s plays are performed, they can still be fresh and relevant if the cast has the technique to make the language thrive in a modern audience’s ear. Shakespeare leaves directorial cues all throughout his scripts – in verse structure, Juliet (Joy Farmer-Clary) discovers Romeo (Jeff Lillico) at her balcony. Photo by Liz Lauren. punctuation, and even spelling – and if the actor obeys these, emotion arises naturally. This Romeo and Juliet ensemble fully understands this, delivering the text with outstanding precision that makes the meaning of each word clear even if the vocabulary is unfamiliar.

The play begins in a graffitied, urban alley split down the middle by construction horses, a foreboding setting that quickly explodes with life as the Capulets and Montagues thrust open the garage doors that line the stage to battle each other. Fight director Rick Sordelet is the real star here, choreographing an epic brawl that has the actors dodging multiple rapier attacks while construction horses fly through the air and are swung like swords. The stakes are set high from the very outset and the violence stays intense and believable throughout the production, never letting the tension die.

Under Gale Edwards’ keen directorial eye, the romance between Romeo (Jeff Lillico) and Juliet (Joy Farmer-Clary) blossoms, beginning with their very first moment at the Capulet ball. Brian Sidney Bembridge’s set utilizes the entire length of the thrust stage, creating a hall of immense depth that allows for great moments of tension through the characters’ spatial relationships, and when the two lovers first meet they are separated by distance but their chemistry is immediate. The coy Juliet makes a run for it, and the childlike innocence on display as they chase each other around the hall quickly transforms into lusty romance as first their fingers, then lips, intertwine. The leads expertly capture the dynamic of two hormonally charged teenagers, particularly Farmer-Clary, whose Juliet struggles to hold on to her virtue as she falls deeper for Romeo.

Romeo (Jeff Lillico, right) persuades Friar Laurence (David Lively) to wed him to Juliet. Photo by Liz Lauren. Nurse (Ora Jones, left) tells Juliet (Joy Farmer-Clary) that Romeo has arranged to marry her that very day.
Mercutio (Ariel Shafir, left) is restrained by Romeo (Jeff Lillico) before the Capulet ball.  Photo by Liz Lauren. Romeo (Jeff Lillico) promises his bride Juliet (Joy Farmer-Clary) that his banishment will not keep them apart. Photo by Liz Lauren.

The production doesn’t shy away from the erotic, instead relishing in Shakespeare’s bawdy puns, particularly the overtly sexual Mercutio (Ariel Shafir). Shafir fearlessly tackles the plethora of double entendres he is handed, often going to grotesque extremes that are hilarious but inappropriate for print. These lead to some especially humorous moments when he encounters the Nurse (Ora Jones), who is completely unprepared for the barrage of insults he hurls her way, with most of them of a decidedly erotic nature. Jones’ brilliant portrayal of the Nurse is one of the play’s highlights, showing the motherly affection that Lady Capulet (Judy Blue) lacks while still being a safe, friendly presence in Juliet’s life. Whether teasing, comforting, or advising, it is easy to see why the Nurse is Juliet’s closest confidant, and Jones’ exaggerated mannerisms (and one completely over-the-top dress) make her a comedic goldmine throughout the production.

The posters for Romeo and Juliet ask, “How long will it take for you to fall in love with Shakespeare?” Judging from the quality of Gale Edwards’ fast-paced, emotionally-rich production, it should take no time at all.

   
   
Rating: ★★★½
   
   

In the House of Capulet, Lord Capulet (John Judd, center) and Lady Capulet (Judy Blue, second from left) prepare to receive guests. Photo by Liz Lauren.

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Chicago Shakespeare announces 2010-2011 Season

Chicago Shakespeare - Taming of Shrew Taming of the Shrew, performed in the Courtyard Theater through June 2010

 

Chicago Shakespeare Theater announces their

 
2010-2011 Season

 

As Chicago Shakespeare Theater (CST) finishes the run of its acclaimed world-premiere family musical The Emperor’s New Clothes (our review ★★★½) this month, it looks forward to the season ahead. Further information for all of the productions listed below is available on the Theater’s website at www.chicagoshakes.com or by calling the CST Box Office at 312.595.5600.

 

Mainstage Shows

 

September 15–November 21

   
   
  Romeo and Juliet
  By William Shakespeare 
Directed by
Gale Edwards
In the
Courtyard Theater
   
  Opening the 2010/11 Subscription Series, world-renowned Australian director Gale Edwards stages William Shakespeare’s iconic romantic tragedy in her CST debut. Edwards, whose work has been seen at the Royal Shakespeare Company and in theaters across America, has assembled a talented ensemble including Canada’s Dora Award winner Jeff Lillico and Joy Farmer-Clary in the title roles. CST veterans returning for Edwards’ production include: Ora Jones, last seen in Twelfth Night (our review ★★★½), as Nurse; Brendan Marshall-Rashid, who delivered Richmond’s memorable final soliloquy in Richard III (our review ★★★★), as Paris; Judy Blue as Lady Capulet; Steve Haggard as Benvolio; and David Lively as Friar Laurence, who previously played King Henry IV in CST’s Henry IV Parts 1 and 2, marking the Theater’s debut at the Royal Shakespeare Company in 2006. An award-winning creative team joins Edwards for this landmark production, including Scenic Designer Brian Sidney Bembridge, Costume Designer Ana Kuzmanic, Lighting Designer John Culbert, Original Music and Sound Designer Lindsay Jones, Wig and Makeup Designer Melissa Veal, Properties Master Chelsea Meyers, Fight Director Rick Sordelet and Verse Coach Barbara Robertson.
   
Jeff Lillico and Joy Farmer-Clary will play the title roles in Chicago Shakespeare Theater's Romeo and Juliet from September 15–November 21, 2010.  Photo by Peter Bosy.Jeff Lillico and Joy Farmer-Clary will play the title roles in Chicago Shakespeare Theater’s Romeo and Juliet from September 15–November 21, 2010.  Photo by Peter Bosy.

 

 

January 5 – March 6, 2011

   
   
  As You Like It
  By William Shakespeare 
Directed by
Gary Griffin 
In the
Courtyard Theater
   
  CST Associate Artistic Director Gary Griffin directs Shakespeare’s beloved pastoral comedy set in the magical Forest of Arden. This season marks Griffin’s ten-year anniversary with CST, an illustrious history that includes his acclaimed CST Olivier and Jeff Award-winning Sondheim musicals and productions of Private Lives (review ★★★) and Amadeus.
   
   

 

April 13 – June 12, 2011

   
   
  The Madness of George III
  By Alan Bennett
Directed by Penny Metropolus
In the Courtyard Theater
   
  The three-play Subscription Series concludes with The Madness of George III by Olivier and Tony Award-winning playwright Alan Bennett (The History Boys). This masterpiece of royal intrigue about a monarch’s slide into insanity will be directed by Penny Metropolus, whose work has been seen for nearly two decades at Oregon Shakespeare Festival. The production marks Metropolus’ return to CST, where she staged The Two Gentlemen of Verona in 2000.
   
   

World’s Stage  and   CST Family

Below the Fold:  World’s Stage productions from Scotland and Ireland, and a CST export to Australia. Additional CST Family programming includes an abridged Shakespeare production and family concerts.

 

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