REVIEW: Chaste (Trap Door Theatre)

Bizarre love triangle

 

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Trap Door Theatre presents
 
Chaste
 
by Ken Prestininizi
directed by
Kate Hendrickson
at
Trap Door Theatre, 1655 W. Cortland (map)
through June 19th   | tickets: $20  |  more info

reviewed by Keith Ecker 

Imagine the hit cornball sitcom “Three’s Company” re-imagined for an audience of existential-minded intellectuals. I know it’s a stretch, but bear with me. Brunette bombshell Janet Wood is recast as Paul Ludwig Carl Heinrich Ree, a lesser Jewish-German philosopher of the mid-19th century. Secretly straight bachelor Jack Tripper chastenenepaul is recast as Lou Andreas-Salome, the first female psychoanalyst and a student of Sigmund Freud. And buxom blond Chrissy Snow is Friedrich Nietzsche. Keep the copious amounts of sexual innuendo and add some pretty bizarre dream sequences and you have a template for the Trap Door Theatre’s newest production, Chaste.

Chaste is the third Ken Prestininizi play for the avant-garde theatre company to produce. In contrast to some of the other works that Trap Door has done recently, such as the enigmatic Minna (our review ★★★★), Chaste is much more digestible for a general audience. Although there are elements of the absurd sprinkled about, for the most part what you see is what you get. And what you get is an extraordinarily entertaining play about three abnormally awkward and hyper-intelligent thinkers who are stuck in a house and trapped in a love triangle.

The play borrows heavily from history. It is true that all three philosophers did once live together. It is true that Ree (John Kahara) introduced the much younger Salome (Sarah Tolan Mee) to Nietzsche (Antonio Brunetti). And it is true that the three made a pact to live together as a chaste trio in an effort to intellectually understand the secrets of life.

What actually transpired between the threesome is unknown. What is known is that Salome cut ties with Nietzsche, believing him to be desperately in love with her. This was made all the more complex because Ree and Salome had been a couple for some time.

chastehandkiss Prestininzi’s script is poetic without being overwrought. He conveys the madness and the intelligence of these three individuals without ever romanticizing their pursuit of an enlightened life through chastity. In fact, each character, in his or her own way, is somewhat pitiful. They all can wax-philosophic about the role of God, gender equality and the meaning of life, but not one of them seems to be a well-rounded, stable individual. It’s like watching three freakishly smart teenagers fight for the affections of one another.

The actors all play their roles with a fiery passion. Kahara as the nebbish Ree does an excellent job of playing up Ree’s patient restraint, which makes his sudden outbursts of insanity all the more impactful.

Brunetti is a scene stealer with his Salvador Dali-like facial expressions. Even when sequestered from action on another part of the stage, you can’t but help to look his way. No doubt the role of Nietzsche must have been a fun character to assume, and it is obvious that Brunetti revels in doing it.

Mee definitely has the thinnest resume out of the bunch, but she holds her own alongside her cast mates. Although there are moments where her portrayal of Salome threatens to become a Charles Dickens Estella caricature, she juggles the complex layers of the early feminist who seemed to have a schizophrenic love-hate relationship with men.

Tiffany Joy Ross rounds out the cast as Nietzsche’s overprotective sister Elisabeth. Ross’ frigid stare and scowling face could suck the fun out of any ménage a trios. She also succeeds in balancing the character’s stoic exterior with her brother-loving heart.

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Director Kate Hendrickson has directed every play that Trap Door has produced by Prestininizi. She has a keen eye for stunning stage pictures. And thanks to a fairly bare set save for a few platforms, the characters’ positions in reference to one another speak amply of their evolving relationships.

Chaste is a clever and often funny example of dramatic historical fiction. It is also probably the closest we’ll ever get to a 19th-century season of “Real World”. But contemporary television references aside, the lunacy that love inspires within these three lunatics, as told by a talented writer through a talented cast, makes for a four-star play.

 
 
Rating: ★★★★
 
 

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Creative Team: Assistant Director: Jen Ellison / Sound Designers Jason Meyer & Shane Oman / Lighting Designer Gina Patterson / Set Designer Joseph Riley / Stage Manager Gary Damico / Costume Designer Nevena Todorovic / Makeup Designer Zsófia Ötvös / Graphic Designer Michal Janicki

Non-Equity Jeff Nominations – Ubique & Lifeline lead

JeffAwards

 

2009 NON-EQUITY JEFF AWARD NOMINEES

PRODUCTION – PLAY
Enchanted April Circle Theatre
In Arabia We’d All Be Kings Steep Theatre
Mariette in EcstasyLifeline Theatre
The Mark of Zorro Lifeline Theatre
Our TownThe Hypocrites
Rose and the Rime The House Theatre

PRODUCTION – MUSICAL OR REVUE
The Christmas SchoonerBailiwick Repertory Theatre
Evita Theo Ubique Theatre i/a/w Michael James
Jacques Brel’s Lonesome Losers of the Night Theo Ubique Theatre i/a/w Michael James
The Robber BridegroomGriffin Theatre
Woody Guthrie’s American Song – Blindfaith Theatre

DIRECTOR – PLAY
Nathan Allen – Rose and the RimeThe House Theatre of Chicago
David CromerOur Town The Hypocrites
Elise Kauzlaric – Mariette in Ecstasy Lifeline Theatre
Joanie Schultz – In Arabia We’d All Be Kings Steep Theatre
Rick Snyder – Men of Tortuga Profiles Theatre

DIRECTOR – MUSICAL OR REVUE
Fred Anzevino – Evita Theo Ubique Theatre i/a/w Michael James
Fred Anzevino – Jacques Brel’s Lonesome Losers of the Night Theo Ubique Theatre i/a/w Michael James
Mary Beidler Gearen – The Christmas SchoonerBailiwick Repertory Theatre
Paul S. Holmquist – The Robber Bridegroom Griffin Theatre
Nicolas Minas – Woody Guthrie’s American Song – Blindfaith Theatre

ENSEMBLE
Evita Theo Ubique Theatre i/a/w Michael James
In Arabia We’d All Be Kings Steep Theatre
Mariette in Ecstasy Lifeline Theatre
Men of Tortuga Profiles Theatre
Our Bad Magnet Mary-Arrchie Theatre
Woody Guthrie’s American Song – Blindfaith Theatre

ACTOR IN A PRINCIPAL ROLE – PLAY
Don Bender – Old Times City Lit Theater
Esteban Andres Cruz – Jesus Hopped the ‘A’ Train Raven Theatre
James Elly – The Mark of ZorroLifeline Theatre
Ryan Jarosch – Torch Song Trilogy – Hubris Productions
Brian Parry – ShadowlandsRedtwist Theatre
Brian Plocharczyk – After Ashley Stage Left Theatre
Bradford Stevens – Jesus Hopped the ‘A’ Train Raven Theatre

ACTOR IN A PRINCIPAL ROLE – MUSICAL
Courtney Crouse – Jekyll & Hyde: The Musical Bohemian Theatre
Chris Damiano – EvitaTheo Ubique Theatre i/a/w Michael James

ACTRESS IN A PRINCIPAL ROLE – PLAY
Brenda Barrie – Mariette in Ecstasy Lifeline Theatre
Laura Coover – Blue SurgeEclipse Theatre
Cameron Feagin – Private Lives City Lit Theater
Nancy Freidrich – The Dastardly Ficus and Other Comedic Tales of Woe and Misery The Strange Tree Group
Betsy Zajko – Beholder Trap Door Theatre

ACTRESS IN A PRINCIPAL ROLE – MUSICAL
Laura McClain – The Christmas Schooner Bailiwick Repertory
Maggie Portman – Evita Theo Ubique Theatre i/a/w Michael James
Rachel Quinn – Gentlemen Prefer Blondes Circle Theatre
Bethany Thomas – Belle Barth: If I Embarrass You Tell Your Friends Theo Ubique Theatre i/a/w Michael James

SOLO PERFORMANCE
Janet Ulrich Brooks – Golda’s Balcony Pegasus Players
Alice Wedoff – The Shape of a Girl Pegasus Players

ACTOR IN A SUPPORTING ROLE – PLAY
Paul S. Holmquist – The Picture of Dorian Gray Lifeline Theatre
Matthew Sherbach – The Further Adventures of Hedda Gabler Dog & Pony Theatre
Kevin V. Smith – Our Bad Magnet Mary-Arrchie Theatre
Madrid St. Angelo – A Passage to India Premiere Theatre & Performance i/a/w Vitalist Theatre
Jon Steinhagen – Plaza SuiteEclipse Theatre
Nathaniel Swift – Blue Surge Eclipse Theatre

ACTOR IN A SUPPORTING ROLE – MUSICAL
Chris Damiano – Jacques Brel’s Lonesome Losers of the Night Theo Ubique Theatre i/a/w Michael James
Chris Froseth – Woody Guthrie’s American Song – Blindfaith Theatre
Jim Sherman – The Christmas SchoonerBailiwick Repertory Theatre

ACTRESS IN A SUPPORTING ROLE – PLAY
Susan Veronika Adler – Torch Song Trilogy Hubris Productions
Jeannette Blackwell – The Further Adventures of Hedda Gabler Dog & Pony Theatre
Nora Fiffer – The Autumn Garden Eclipse Theatre
Mary Hollis Inboden – Torch Song TrilogyHubris Productions
Elise Kauzlaric – On the Shore of the Wide World Griffin Theatre
Lily Mojekwu – Greensboro: A RequiemSteep Theatre
Rinska Prestinary – In Arabia We’d All Be Kings Steep Theatre
Mary Redmon – Enchanted April Circle Theatre

ACTRESS IN A SUPPORTING ROLE – MUSICAL OR REVUE
Amanda Hartley – The Robber Bridegroom Griffin Theatre

NEW WORK
Tony Fiorentino – All My Love – Diamante Productions
Robert Koon – Odin’s HorseInfamous Commonwealth Theatre
Frank Maugeri & Seth Bockley – Boneyard PrayerRedmoon Theater
Andrew Park – The People’s History of the United States Quest Theatre Ensemble
Ken Prestininzi – Beholder Trap Door Theatre

NEW ADAPTATION
Fred Anzevino, Arnold Johnston & Joshua Stephen Kartes – Jacques Brel’s Lonesome Losers of the Night Theo Ubique Theatre i/a/w Michael James
Cristina Calvit – Mariette in EcstasyLifeline Theatre
Robert Kauzlaric – The Picture of Dorian Gray Lifeline Theatre
William Massolia – Be More Chill Griffin Theatre
Terry McCabe – Scoundrel Time – City Lit Theater Company
Katie McLean – The Mark of Zorro Lifeline Theatre

For Production and Artistic Team nominations, click on “Read More

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