Gorilla Tango Theatre: January 2010 schedule

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Leslie Nesbit as Nancy Kerrigan and Cassie Cushman as Tonya Harding in WHACK!


January 2010 Calendar Listings for Gorilla Tango:

Mark & Laura’s Couples Advice Christmas Special is a satire based on TV’s self-proclaimed counseling gurus and the dysfunctional American family. Will Mark & Laura’s volatile relationship get in the way of their primetime debut or will Christmas be officially over?    Produced by Ryan McChesney.

Wednesdays at 8pm, December 2, 2009 – January 20, 2010 (no performances Dec. 23 & 30, 2009). Tickets are $10; Rated R.  More info here.


Give Us Money – Every Monday night in January, GIVE US MONEY will present the 23rd hour of the 24 hour telethon raising money for various causes such as: Prevention of 2012, Douchebag Syndrome, Make the McRib Permanent, and Plasma TV for Prison Inmates. Each week will feature different talent acts, and your hosts will take you through an hour of pure telethon. So stop by and show your support, and make sure to Give Us Money.  Produced by Jenny Staben. More info here

Mondays at 8pm, January 4 – 25, 2010. Tickets are $10; Rated R.


GRAY AREAS: Comedy, Music or Neither is a scripted experimental two-person comedic exploration of music. In terms of genre, style, and approach, there are no restrictions or boundaries; the only goal is to perform songs that can hold their weight both comedically and musically. Expect the following: a girl, a guy, vocals, keyboards, guitars, ukuleles, violins, xylophones, plus anything a computer can recreate and more!   Produced by Joe Kwaczala and Chelsea Devantez.

Tuesday, January 5, 2010 at 8pm. Tickets are $10; Rated R.  More info here

$1,000 GTT Improv Thing

$1,000 GTT Improv Thing: Improv teams from throughout Chicago duke it out for:

  • A $1000 prize (possibly paid with one of those giant novelty checks)
  • A spot at the 2010 Chicago Improv Festival
  • A package of six Big Ass Hot Dogs (42lbs) from BigAssHotDog.com

Produced by GTT.

Fridays and Saturdays at 8pm, January 8 – 30, 2010. Tickets are $12; Rated R. More info here


A Look Through Our Eyes

“A Look Through Our Eyes: An Experimental Production about Citizens’ Views, Struggles, Experiences and Reactions to 9/11.”  Written & Directed by Darius “T.Q.” Colquitt

Loosely based on actual interviews, “A Look Through Our Eyes“ steps into the lives of 8 individuals who were directly and indirectly affected by the 9/11 Tragedy. The Social, Economic, Religious, Mental and Generational Differences of the world are highlighted in this production, filled with thought-provokingly real points-of-view on a subject that most are afraid to discuss. Produced by Nu Xpression Theatrics.

Friday, January 8 and Saturday, January 9, 2010 at 10pm and Saturday, January 16, 2010 at 6pm. Tickets are $10; Rated R.  More info here


Improvised Simpsons: Television’s most beloved animated family comes to life on stage! Anything can happen in the town of Springfield, especially when there isn’t a script. The performance mixes long-form improvisation with classic characters from the show, new locations and situations, and audience suggestions.  Produced by Jonathan Silver.

Saturdays at 11:30pm, January 9 – 30, 2010. Tickets are $10; Rated R. More info here


Sketch & Sniff: We sketched, now you sniff! Don’t miss SKETCH AND SNIFF if you enjoy watching awkward relationships unfold! Glimpses into romances, bromances, dysfunctional family moments, and uncomfortable office situations are just a few comic gems that S&S has to offer. Don’t miss out on this aromatic opportunity.  Produced by Derick Lengwenus.

Saturday, January 16, 2010 at 10pm. Tickets are $10; Rated R. More info here


WHACK! The Tonya Harding and Nancy Kerrigan Story, A Karaoke Musical: From the creators of the Tabloid Musical Series (including the Mary Kay Letourneau and Amy Fisher karaoke musicals) comes this delightful tale, just in time for the 2010 Winter Olympics in Vancouver! Featuring tunes in the style of Disney, WHACK! delves deep behind the scenes to discover what REALLY lead up to the 1994 attack on Nancy Kerrigan’s knee. Tonya Harding – Crazy Psycho or Underestimated Heroine? Nancy Kerrigan – Perfect Princess or Evil Genius? You decide.

Produced by Gorilla Tango Theatre.

Thursdays at 9:30pm, January 21 – February 25, 2010. Tickets are $15; Rated R. More info here

Picture at top of this posting is from Whack!  See more pictures by clicking on each of the numbers: 1 2 3 4 5 6 7 8


Real Bro’s of DuPage County takes you on a journey of the Bro mind. From outrageous choices in clothing, to relationships and borderline sociopathy, Real Bro’s will knock your socks off with our roofie brand of comedy!   Produced by Christian Weber

Saturdays at 10pm, January 23 & 30, 2010. Tickets are $10; Rated R. More info here


All photos except "QueenNancy" by Kelly Williams; "Queen Nancy" by Bryan Cohen.

REVIEW: Annoyance Theatre’s “Rudolph the Red Nosed Reindeer”

TV Classic Transfers Smoothly to the Stage

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The Annoyance Theatre presents:

The Annoyance Christmas Pageant: Rudolph the Red-Nosed Reindeer

by Rankin/Bass
directed by Megan Kelleher
thru December 20th (ticket info)

review by Keith Ecker

poster I have a distinct memory of sitting in my pajamas as a boy on a brisk winter evening in Texas. The light of the television provided a mock warmth. The big networks had suspended their regular prime-time programming to honor the Christmas season. The usual annual cartoon fair flashed on the screen including the likes of Garfield and Charlie Brown, intermittently interrupted by messages from Campbell Soup and Coca-Cola, both of which wanted me to have a happy holiday and a stocked cupboard of their products.

Amid this Technicolor blend of holiday and commercial cheer were the unforgettable Rankin/Bass-produced featurettes. The most popular—amongst my household anyway—was Rudolph the Red-Nosed Reindeer, a strange telling of the history of Rudolph from birth to ostracization to, for all intensive purposes, canonization. The characters, like in all of the Rankin/Bass specials, appear as stiff, herky-jerky figures. That’s because the specials used stop-motion animation, a method where animators painstakingly pose figurines from shot to shot to give them the appearance of movement. Cheesy songs, a feel-good moral and a narrating snowman completed the show, which has now regularly played on television for the last 45 years.

That’s why it’s high time that the cartoon transitioned from the television and onto the stage. And thankfully the classic gets the top-notch treatment it deserves from the talented folks at The Annoyance Theatre.

For those expecting the usual adult-themed fodder of the Annoyance (the same theatre that brought us Co-Ed Prison Sluts), you will be sorely disappointed. The show is intended for children. However, those who have fond memories of the childhood classic will enjoy the staged retelling, recalling the whimsy of youth and the exuberant holiday spirit that seems to fade with age.

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The production stays true to the t.v. special with only slight adjustments. Sam the Snowman (Jason Geis) narrates the story, setting the stage for Rudolph’s birth and his unfortunate deformity—his bright, shiny red nose. Rudolph (Leslie Nesbit) tries to join the other reindeers in their reindeer games. These games are basically a training camp to teach the young calves to fly and one day join Santa’s sleigh team. Their coach (David Jennings) discovers Rudolph’s red nose, which had been concealed with a prosthetic, and bans him from practice. Meanwhile, in Santa’s workshop is Hermey (Alex DiGiacinto), an elf who doesn’t want to be an elf, but instead aspires to be a dentist. His boss, the head elf (Tim Soszko), sends him home for his disobedience.

Hermey and Rudolph meet and become fast friends. The two run away together and encounter Yukon (Collin Blackard), an arctic prospector. The three continue together on a journey, which takes them to the Island of Misfit Toys. Here they meet an assortment of outcast playthings including a jack-in-the-box unfortunately named Charlie (Tim Soszko).

Meanwhile, the Bumble (Steven Whitney), an abominable snow monster, is on the trail of the adventurers, in part because of Rudolph’s nose, which shines like a beacon. In an effort to protect his friends, Rudolph separates from the pack to find his reindeer family.

Nesbit does a wonderful job mimicking the voice of Rudolph from the televised special and brings a genuine childlike charm to the role that will certainly have children relating to the central character. Geis plays the snowman with absolute commitment. His awkward shuffling, which is meant to resemble the animation of the t.v. program, and detached, over-the-top facial expressions are subtly hilarious. Children probably won’t give it a second thought, but for the adults in the audience, his extreme jolliness is delightfully unsettling. Tahnee Lacey, who has a small role as Mrs. Claus, stands out for her unrelenting homage to the original text. She moves in stop motion, as if each second an unseen hand is adjusting her appendages.

There are a few musical numbers throughout, and it is obvious that the cast was not chosen for their vocal talents. Sounding much like a children’s choir, voices are slightly off key at times. This is forgivable, as the whole production has the intentional feel of an amateur pageant rather than a polished play. However, the lack of vocal projection is a distraction, causing the audience at times to strain to hear the performers over the piano.

Director Megan Kelleher does a nice job of maximizing the Annoyance’s tiny space. She occasionally spills the cast off the stage to create certain visual effects, such as when the heroes evade the monster by floating away on a tiny island of ice. However, there were times where the stage picture was cluttered with actors interrupting the view of the action from certain angles.

Rudolph the Red-Nosed Reindeer is a nearly perfect holiday treat for children and adults alike. Don’t go in expecting a highly polished production. Rather, this is pure fun played out with a fancy that will bond you and your child through Christmas cheer and nostalgia.

Rating: ★★★½

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