Jeff Awards announced for 2008-2009 season

PRODUCTION — PLAY – LARGE
Ruined Goodman Theatre and Manhattan Theatre Club
The SeafarerSteppenwolf Theatre 

PRODUCTION — PLAY – MIDSIZE
The History Boys TimeLine Theatre 

PRODUCTION — MUSICAL – LARGE
Caroline, or Change Court Theatre

PRODUCTION — MUSICAL – MIDSIZE
Tomorrow Morning – Hilary A. Williams, LLC

PRODUCTION — REVUE
Studs Terkel’s Not Working The Second City e.t.c.

ENSEMBLE
The History BoysTimeLine Theatre 

NEW WORK — PLAY
Lynn NottageRuined Goodman Theatre and Manhattan Theatre Club

NEW ADAPTATION — PLAY
Seth BockleyJonCollaboraction

NEW WORK OR ADAPTATION – MUSICAL
Josh Schmidt, Jan Tranen & Austin PendletonA Minister’s Wife Writers’ Theatre 

DIRECTOR – PLAY
Nick BowlingThe History BoysTimeLine Theatre

DIRECTOR – MUSICAL
Charles NewellCaroline, or Change Court Theatre

DIRECTOR — REVUE
Matt HovdeStuds Terkel’s Not WorkingThe Second City e.t.c.

ACTOR IN A PRINCIPAL ROLE — PLAY
Larry Neumann, Jr. – A Moon for the MisbegottenFirst Folio Theatre
William L. PetersenBlackbirdVictory Gardens Theatre 

ACTOR IN A PRINCIPAL ROLE — MUSICAL
Joseph Anthony ForondaMiss Saigon Drury Lane Oakbrook

ACTRESS IN A PRINCIPAL ROLE – PLAY
Saidah Arrika EkulonaRuinedGoodman Theatre and Manhattan Theatre Club

ACTRESS IN A PRINCIPAL ROLE — MUSICAL
E. Faye ButlerCaroline, or Change Court Theatre

SOLO PERFORMANCE
Max McLeanMark’s GospelFellowship for the Performing Arts

ACTOR IN A SUPPORTING ROLE — PLAY
Alex WeismanThe History Boys TimeLine Theatre

ACTOR IN A SUPPORTING ROLE — MUSICAL
Max Quinlan – The Light in the PiazzaMarriott Theatre

ACTRESS IN A SUPPORTING ROLE — PLAY
Spencer KaydenDon’t Dress for Dinner – The British Stage Company

ACTRESS IN A SUPPORTING ROLE – MUSICAL
Liz Baltes – A Minister’s WifeWriters’ Theatre
Summer SmartThe Light in the Piazza Marriott Theatre

ACTOR IN A REVUE
Mark David KaplanForbidden Broadway: Dances with the StarsJohn Freedson, Harriet Yellin and Margaret Cotter

ACTRESS IN A REVUE
Amanda Blake DavisStuds Terkel’s Not WorkingThe Second City e.t.c.

SCENIC DESIGN – LARGE
Lucy OsborneTwelfth NightChicago Shakespeare Theater

SCENIC DESIGN – MIDSIZE
Brian Sidney BembridgeThe History Boys TimeLine Theatre

COSTUME DESIGN – LARGE
Mara BlumenfeldThe Arabian NightsLookingglass Theatre

COSTUME DESIGN — MIDSIZE
Rachel LaritzThe Voysey Inheritance Remy Bumppo Theatre

SOUND DESIGN – MIDSIZE
Lindsay JonesThe K of D: An Urban LegendRoute 66 Theatre

LIGHTING DESIGN — LARGE
Christopher AkerlindRock ‘n’ Roll Goodman Theatre

LIGHTING DESIGN — MIDSIZE
Jesse Klug – Hedwig and the Angry InchAmerican Theater Company

CHOREOGRAPHY
David H. BellThe Boys from Syracuse Drury Lane Oakbrook

ORIGINAL INCIDENTAL MUSIC
Dominic KanzaRuinedGoodman Theatre and Manhattan Theatre Club

MUSIC DIRECTION
Doug PeckCaroline, or Change Court Theatre

OUTSTANDING ACHIEVEMENT IN SPECIAL EFFECTS
Steve Tolin – Special Effects – The Lieutenant of Inishmore Northlight Theatre

OUTSTANDING ACHIEVEMENT IN VIDEO DESIGN
Mike Tutaj – Film & Video Design – Tomorrow Morning – Hillary A. Williams

Chicago Theater – Best of 2008 (Chicago Sun-Times)

 Requiem - smaller 1  

 Hedy Weiss, theater-critic extraordinaire for the Chicago Sun-Times, has put together an excellent list of her 10 favorite plays of 2008.  Along with the list, Hedy notes the wonderful year Chicago theater has had on the national stage:

…this was the year that Steppenwolf Theatre picked up five Tony Awards for its Chicago-bred Broadway production of Tracy Letts‘ “August: Osage County” before the cast crossed the pond to remount the show at London’s National Theatre, and when the Chicago Shakespeare Theater was feted with the “Best Regional Theater” Tony.

Continuing:

But that was just the beginning. Next Theatre‘s production of the new musical “Adding Machine,” was hailed in its Off Broadway incarnation, with director David Cromer racking up plaudits for his work on that show, as well as for his revelatory revivals of “Our Town” (at the Hypocrites) and “Picnic” (at Writers’ Theatre). Profiles championed the work of incendiary playwright Neil LaBute to grand effect. Remy Bumppo earned laughs with its tale of financial chicanery in a revival of an Edwardian classic, “The Voysey Inheritance.” And director Sean Graney experimented boldy with productions of “The Threepenny Opera” and Marlowe‘s “Edward II.”

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Now here are Hedy Weiss’s favorite productions in 2008:

 

1. Caroline or Change  (Court Theatre)
by Tony Kushner and Jeanine Tesori
Standouts: Charles Newell (director), Doug Peck (musical director); performances: Malcolm Durning, E.Faye Butler
     
2. Ruined  (Goodman Theatre)
by Lynn Nottage
Weiss comments: Worthy of a Pulitzer Prize, the play will soon move to New York’s Manhattan Theatre Club.
 
     
3. Gatz  (Elevator Repair Service Theatre)
by John Collins
 
     
4. Our Town  (The Hypocrites)
by Thornton Wilder
Standouts: David Cromer (director)
 
     
5. Requiem for a Heavyweight  (Shattered Globe)
by Rod Serling
Standouts: Lou Contey (director)
 
     
6. Amadeus  (Chicago Shakespeare)
by Peter Schaffer
Standouts: Gary Griffin (director), Daniel Ostling (set designer); performances: Robert Sella, Robbi Collier Sublett, Elizabeth Ledo, Lance Baker
 
     
7. As You Like It  (Writers’ Theatre)
by William Shakespeare
Standouts: William Brown (director), Performance: Larry Yando
 
     
8. Drowsy Chaperone  (Cadillac Palace Theater)
by Laura Wade
Standouts: Casey Nicholaw (director)
 
     
9. Around the World in 80 Days  (Lookingglass)
Standouts: Laura Eason (adaptor/director); Performances: Philip R. Smith, Kevin Douglas, Joe Dempsey, Ravi Batista, Anish Jethmalani, Ericka Ratcliff, Nick Sandys and Rom Barkhordar
 
     
10. Columbinus  (Raven Theatre)
by Stephen Karam and P.J. Paparelli
Standouts: Greg Kolack (director); Performances: Matthew Klingler and Jamie Abelson
 

To see the Hedy Weiss’s complete description and thoughts on her favorite plays, click here.

Chicago Theater – Best of 2008 (Chicago Tribune)

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Chicago Tribune’s main theatre critic, Chris Jones, presents his top 10 plays of 2008:

 

1. A Trip to Bountiful  (Goodman Theatre)
by Horton Foote
Standouts: Harris Yulin (director), performance: Lois Smith
     
2. Our Town  (The Hypocrites)
by Thornton Wilder
Standouts: David Cromer (director), actors: Jennifer Grace (as Emily), David Cromer (narrator)
 
     
3. Picnic  (Writers’ Theatre)
by William Inge
Standouts: David Cromer (Director)
 
     
4. Caroline or Change  (Court Theatre)
by Tony Kushner and Jeanine Tesori
Standouts: Charles Newell (director), Doug Peck (musical director); actors: Kate Fry, E.Faye Butler
 
     
5. Ruined  (Goodman Theatre)
by Lynn Nottage
Standout: Kate Whoriskey (director)
 
     
6. Four Places  (Victory Gardens)
by Joel Drake Johnson
Standouts: Sandy Shinner (director)
 
     
7. Sweet Charity  (Drury Lane Oakbrook)
by Cy Coleman
Standouts: Jim Corti (director), Mitzi Hamilton (choreographer)
 
     
8. Gatz  (Elevator Repair Service Theatre)
by John Collins
 
     
9. The Seafarer  (Steppenwolf Theatre)
by Conor McPherson
Standout: Francis Guinan (says Jones: probably the best male performance of the year)
 
     
10. Journey’s End (Griffin Theatre)
by Jonathan Berry
 

Honorable mentions: (alphabetically): America: All Better! (Second City), Don’t Dress for Dinner (British American Stage Company – at Royal George), Grey Gardens (Northlight Theatre), If All The World Were Paper (Chicago Children’s Theatre), Jacques Brel’s Lonesome Losers of the Night (Theo Ubique). Les Miserables (Marriott Theatre), Million Dollar Quartet (Deegee Theatricals, John Cossette Productions and Northern Lights – at the Apollo Theater), A Taste of Honey (Shattered Globe Theatre), Tomorrow Morning (Hilary A. Williams LLC), The Voysey Inheritance (Remy Bumppo Theatre Company).

 

To see further discussion regarding each show, go to Chris Jones’ The Theater Loop blog posting.

College Watch – "Intimate Apparel" at Loyola

I recently received an e-mail from a publicist at Loyola University, asking me to post info on their upcoming show, Intimate Apparel, by Lynn Nottage.  As I have yet to cover theater within Chicago area universities, I was a bit undecided whether or not to make the postings.  But then it occurred to me that, for many, the love of live theater actually occurs in upper education, so why not?  In fact, I’d love to have a person on my blogging team that covers the college theater-scene; probably not reviews as much as just wassup.  So if anyone out there (or someone you know) might be intrigued by this, let me know… 

So here you go:

 

Intimate_Apparel

Production: Intimate Apparel by Lynn Nottage directed by Jonathan Wilson
Synopsis: Set in New York City in 1905, the play follows a young African-American
seamstress, Esther Mills, and the trials she faces creating undergarments for a wide array of clientele, ranging from upper class white women to prostitutes. 
Performance Dates: September 26–October 5, 2008
Thursday through Saturday performances taking place at 7:30 p.m. and
Sunday performances at 2:00 p.m. 
 
Location: Loyola University’s Kathleen Mullady Theatre is located just a crosswalk away from the Loyola “L” stop on the Red Line.
More info:  http://blogs.luc.edu/artsalive