Review: American Theatre Company’s “Yeast Nation”

 A Mucking Good Time

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American Theatre Company presents:

Yeast Nation

by Greg Kotis and Mark Hollmann
directed by PJ Paparelli
runs through October 18th (ticket info)

reviewed by Timothy McGuire

Yeast Nation is an innovative musical production unlike anything I have ever seen before. Greg Kotis (a veteran of Chicago’s Neo-Futurists) and Mark Hollmann (a veteran of Chicago Theatre Building’s Musical Theatre Workshop), the same creators of the Tony-winning musical Urinetown, tell a provocative story about the creation of life based on an absurd premise of single celled yeasts living in a primordial soup. There are no  stories of life before these yeasts; these yeasts are the beginning of time.

yeast-nation-3These vocally gifted yeasts are living under the dictatorial rule of the Elder (Joseph Anthony Foronda), he being the yeast that produced all other yeasts. They are starving yet the Elder forbids them to rise to the top where plenty of nourishing food is available. The Elder believes that his oppression is for the good of all yeasts and life as a whole. He even kills a yeast (Sweet yeast’s father) for disobeying him and eating from the top of the liquid surroundings. The Elder’s son Second (Andrew Keltz), the second in command, sees no sense in his fathers orders. He ventures off to discover and take advantage of all the wonderful things available near the top, such as delicious fulfilling muck. He promises Sweet (the name of the sweet yeast) a new world, not knowing what lies ahead. Second’s engulfment of muck results in the birth of a fantastic pink creature (Stephanie Kim), sparking the beginning of the progress to a new multi-celled organism.

Do not be alarmed if none of this makes any sense – the creators were aware of their own craziness in the foundation of their story and the even more incredible plot. In the beginning I was getting a little nervous as I had no idea what was going on, and then the scary-eyed grey-haired yeast (Barbara Robertson) poked fun at how weird it is to believe in a story about yeasts. Throughout the play the creators slide in small little jokes recognizing the lack of believability and completely insane premise of a society of single-celled yeasts. This is theatre, not school. Have some fun with it.

Each scene is filled with graphic sexual innuendos hidden in Kotis and Hollmann’s brilliant writing. Though tempted to share with you some of these tastefully shocking lines, I would not want to ruin the experience of the live delivery. Considering the depth of this unordinary script and lyrics, I am looking forward to discovering the jokes that were intelligently hidden beyond my comprehension the first time seeing the performance.

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There is no distinct set on stage. The scenery is composed of purple lights hanging from the ceiling and rafters creating Disney-like prehistoric stars. The stage is cluttered with scaffolds and equipment displaying the result of a Broadway-style performance being compressed into the small storefront space of American Theatre Co. This design allows for the yeasts to utilize a variety of heights and abstract placements on the stage, providing the sense of a large production cramming itself into the small set.

The lighting and special effects add the change in atmosphere to each various style of song. The musical variety in this bizarre tale includes a little bit of everything. The style of each song had its own vibe from a tune sang at a church choir, downtown disco, a rock concert, Christian rock, Gospel, rock video and more. I am pretty sure they did a parody of Meatloaf’s music video for “I Would Do Anything for Love.”

Before I even had an idea of what was going on in the plot, I already felt I was watching the beginning of a spectacular new musical. The confusion is part of the fun. The costumes were a little hokey, but the quality of talent on stage combined with the unique incomparable writing by Greg Kotis and Mark Hollmann is a combination for success. Go see the birth of the next hit musical that you cannot believe someone could imagine to produce.

Rating: «««½ 

Playing at American Theatre Company, 1909 W. Byron, Chicago, IL, Thursdays & Fridays at 8 pm, Saturdays, through October 18, 2009.

 

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Non-Equity Jeff Nominations – Ubique & Lifeline lead

JeffAwards

 

2009 NON-EQUITY JEFF AWARD NOMINEES

PRODUCTION – PLAY
Enchanted April Circle Theatre
In Arabia We’d All Be Kings Steep Theatre
Mariette in EcstasyLifeline Theatre
The Mark of Zorro Lifeline Theatre
Our TownThe Hypocrites
Rose and the Rime The House Theatre

PRODUCTION – MUSICAL OR REVUE
The Christmas SchoonerBailiwick Repertory Theatre
Evita Theo Ubique Theatre i/a/w Michael James
Jacques Brel’s Lonesome Losers of the Night Theo Ubique Theatre i/a/w Michael James
The Robber BridegroomGriffin Theatre
Woody Guthrie’s American Song – Blindfaith Theatre

DIRECTOR – PLAY
Nathan Allen – Rose and the RimeThe House Theatre of Chicago
David CromerOur Town The Hypocrites
Elise Kauzlaric – Mariette in Ecstasy Lifeline Theatre
Joanie Schultz – In Arabia We’d All Be Kings Steep Theatre
Rick Snyder – Men of Tortuga Profiles Theatre

DIRECTOR – MUSICAL OR REVUE
Fred Anzevino – Evita Theo Ubique Theatre i/a/w Michael James
Fred Anzevino – Jacques Brel’s Lonesome Losers of the Night Theo Ubique Theatre i/a/w Michael James
Mary Beidler Gearen – The Christmas SchoonerBailiwick Repertory Theatre
Paul S. Holmquist – The Robber Bridegroom Griffin Theatre
Nicolas Minas – Woody Guthrie’s American Song – Blindfaith Theatre

ENSEMBLE
Evita Theo Ubique Theatre i/a/w Michael James
In Arabia We’d All Be Kings Steep Theatre
Mariette in Ecstasy Lifeline Theatre
Men of Tortuga Profiles Theatre
Our Bad Magnet Mary-Arrchie Theatre
Woody Guthrie’s American Song – Blindfaith Theatre

ACTOR IN A PRINCIPAL ROLE – PLAY
Don Bender – Old Times City Lit Theater
Esteban Andres Cruz – Jesus Hopped the ‘A’ Train Raven Theatre
James Elly – The Mark of ZorroLifeline Theatre
Ryan Jarosch – Torch Song Trilogy – Hubris Productions
Brian Parry – ShadowlandsRedtwist Theatre
Brian Plocharczyk – After Ashley Stage Left Theatre
Bradford Stevens – Jesus Hopped the ‘A’ Train Raven Theatre

ACTOR IN A PRINCIPAL ROLE – MUSICAL
Courtney Crouse – Jekyll & Hyde: The Musical Bohemian Theatre
Chris Damiano – EvitaTheo Ubique Theatre i/a/w Michael James

ACTRESS IN A PRINCIPAL ROLE – PLAY
Brenda Barrie – Mariette in Ecstasy Lifeline Theatre
Laura Coover – Blue SurgeEclipse Theatre
Cameron Feagin – Private Lives City Lit Theater
Nancy Freidrich – The Dastardly Ficus and Other Comedic Tales of Woe and Misery The Strange Tree Group
Betsy Zajko – Beholder Trap Door Theatre

ACTRESS IN A PRINCIPAL ROLE – MUSICAL
Laura McClain – The Christmas Schooner Bailiwick Repertory
Maggie Portman – Evita Theo Ubique Theatre i/a/w Michael James
Rachel Quinn – Gentlemen Prefer Blondes Circle Theatre
Bethany Thomas – Belle Barth: If I Embarrass You Tell Your Friends Theo Ubique Theatre i/a/w Michael James

SOLO PERFORMANCE
Janet Ulrich Brooks – Golda’s Balcony Pegasus Players
Alice Wedoff – The Shape of a Girl Pegasus Players

ACTOR IN A SUPPORTING ROLE – PLAY
Paul S. Holmquist – The Picture of Dorian Gray Lifeline Theatre
Matthew Sherbach – The Further Adventures of Hedda Gabler Dog & Pony Theatre
Kevin V. Smith – Our Bad Magnet Mary-Arrchie Theatre
Madrid St. Angelo – A Passage to India Premiere Theatre & Performance i/a/w Vitalist Theatre
Jon Steinhagen – Plaza SuiteEclipse Theatre
Nathaniel Swift – Blue Surge Eclipse Theatre

ACTOR IN A SUPPORTING ROLE – MUSICAL
Chris Damiano – Jacques Brel’s Lonesome Losers of the Night Theo Ubique Theatre i/a/w Michael James
Chris Froseth – Woody Guthrie’s American Song – Blindfaith Theatre
Jim Sherman – The Christmas SchoonerBailiwick Repertory Theatre

ACTRESS IN A SUPPORTING ROLE – PLAY
Susan Veronika Adler – Torch Song Trilogy Hubris Productions
Jeannette Blackwell – The Further Adventures of Hedda Gabler Dog & Pony Theatre
Nora Fiffer – The Autumn Garden Eclipse Theatre
Mary Hollis Inboden – Torch Song TrilogyHubris Productions
Elise Kauzlaric – On the Shore of the Wide World Griffin Theatre
Lily Mojekwu – Greensboro: A RequiemSteep Theatre
Rinska Prestinary – In Arabia We’d All Be Kings Steep Theatre
Mary Redmon – Enchanted April Circle Theatre

ACTRESS IN A SUPPORTING ROLE – MUSICAL OR REVUE
Amanda Hartley – The Robber Bridegroom Griffin Theatre

NEW WORK
Tony Fiorentino – All My Love – Diamante Productions
Robert Koon – Odin’s HorseInfamous Commonwealth Theatre
Frank Maugeri & Seth Bockley – Boneyard PrayerRedmoon Theater
Andrew Park – The People’s History of the United States Quest Theatre Ensemble
Ken Prestininzi – Beholder Trap Door Theatre

NEW ADAPTATION
Fred Anzevino, Arnold Johnston & Joshua Stephen Kartes – Jacques Brel’s Lonesome Losers of the Night Theo Ubique Theatre i/a/w Michael James
Cristina Calvit – Mariette in EcstasyLifeline Theatre
Robert Kauzlaric – The Picture of Dorian Gray Lifeline Theatre
William Massolia – Be More Chill Griffin Theatre
Terry McCabe – Scoundrel Time – City Lit Theater Company
Katie McLean – The Mark of Zorro Lifeline Theatre

For Production and Artistic Team nominations, click on “Read More

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University Watch – upcoming shows at DePaul and Northwestern

by Rachel Bykowski

  

De Paul University – with Chicago PlayWorks 

Alice in Wonderland

  By: Lewis Carroll
Adapted By: Sharon Holland
Music By: Mark Elliott
Directed By: Sean Graney
Dates: January 13 – March 3, Tuesday/Thursday 10am, Saturday 2pm
Venue: Merle Reskin Theatre, 60 E. Balbo Drive
Tickets: Only $8 (box office: 312-922-1999)

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Northwestern University – Dolphin Show

 The Wizard of Oz

  By: L. Frank Baum and W.W. Denslow
Directed By: Katie Spelman
Starring: Danielle Gaines (Dorothy), Claire Neumann (Aunt Em/Glinda), Andi Alhadeff (Miss Gultch/Wicked Witch), Darren Barrare (Wizard), Mark Underhill (Scarecrow), Reed Wilson (Tin Man), R.B. Embleton (Lion), Andrew Howard (Uncle Henry/Guard)
Dates: January 23 – January 31, Fridays/Saturdays at 8pm, Sundays 2pm
Venue: Cahn Auditorium, Northwestern University (Evanston)
Tickets: Students/Kids: $10, Faculty/Staff: $20, General Public: $25
  For Wizard of Oz tickets, call 847-467-4000.  Ticket info here.

 The Dolphin Show is America’s largest student-produced musical.  Started at Northwestern University in 1939, The Dolphin Show is now celebrating its 67th year.  More about the show’s history here.

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