Updates: Steppenwolf’s “Superior Donuts” on Broadway

Tracy Letts’ most recent play, Superior Donuts, just opened on Broadway with the same Steppenwolf cast.  After receiving moderate to warm reviews here in Chicago, the NYC reviews so far appear mixed.

Sara Krulwich/The New York Times

 

The NY Post gives Superior Donuts a very positive review – 3.5 stars:

After Superior Donuts, Tracy Letts‘ follow-up to August: Osage County, premiered in Chicago last year, the play was deemed entertaining but minor.

Either this Steppenwolf production has been drastically reworked on its way to New York, or we live in a cynical world where a show as tender and honest, as beautifully written, acted and directed as this one can be blithely dismissed.

 

 

While the New York Times produces a review that is so-so:

Mr. Letts has mothballed his angst and tossed the deadly weapons in the back drawer. Superior Donuts, a gentle comedy that unfolds like an extended episode of a 1970s sitcom, is a warm bath of a play that will leave Broadway audiences with satisfied smiles rather than rattled nerves.

Superior Donuts may be familiar and unchallenging, but it’s also comfortable — and no, there’s nothing wrong with that.

 

Below, Chicago Tribune theater critic Chris Jones interviews playwright Tracy Letts (“August: Osage County“) and lead actor Michael McKean (“Laverne and Shirley“, “Saturday Night Live“, “This is Spinal Tap“) about Superior Donuts, Letts’ new play premiered at Chicago’s Steppenwolf Theater. Letts’ 2007 play August: Osage County won the Pultizer Prize and Tony Award in 2008.

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Think Fast: Michael McKean, Jonas Brothers, CSO and ‘Peter Pan the Musical’

  • This is great news: Michael McKean – who did such a brilliant job in Steppenwolf’s world-premier of Tracy LettsSuperior Donuts – will reprise his role as donut shop owner on Broadway, set to open October 1st.  More here, here and here.mckean-superior-donuts
  • What’s the impetus behind CSO’s artistic decline at Ravinia?  The Sun-Times says the choice of maestros at the podium is to blame.

I’m not sure the little boy behind me was impressed, though. He whispered (in English) in those hissing tones that bring to mind an angry radiator throughout the first act. In the second, he snored, but most gently. For that I was grateful.

  • Speaking of Peter Pan, it’s been announced that the multi-media-heavy extravaganza production will launch its theatre tour across the pond here in Chicago, May 2010.  In a tent!  Read the entire story at Chris Jones’ Theater Loop blog.  (Aside: no word on how profitable the show will be, though I heard Blago said that it’s “F*cking Golden!”)