TimeLine Theatre announces 2010-11 season

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“Our 14th season builds on the success and excitement of TimeLine’s past year,” says TimeLine Artistic Director PJ Powers. “As we did with The History Boys and The Farnsworth Invention, we’ll feature the local premiere of a widely renowned play. We’ll present the first production of a brand-new script that we commissioned. And we will dig into Chicago’s past for a revival of one of our town’s most fun and beloved tales. Plus we will soon be announcing a fourth production. It’s a big, ambitious season that will tell the stories of big, ambitious people, and we can’t wait to get started.”

 

The 2010-11 TimeLine Theatre Season

 

 

Frost/Nixon
by Peter Moran
directed by Louis Contey
Chicago Premiere
August 21 – October 10, 2010
 
Frost/Nixon
takes audiences inside the real-life 1977 television interviews between journalist David Frost and former president Richard Nixon. It has been three years since Nixon resigned from office in disgrace. The Watergate scandal is still on the minds of many, but the former commander-in-chief has yet to break his silence about his role in those events. Now Nixon has agreed to be interviewed by the up-and-coming British broadcaster David Frost. Behind-the-scenes it’s a battle of egos for the upper hand in controlling history, but as the cameras roll, the world is riveted by a remarkably honest exchange between one man who has lost everything and another with everything to gain.

 

Mastering the Art
by William Brown and Doug Frew
directed by
William Brown
World Premiere
October 30 – December 19, 2010
   
  Commissioned by TimeLine Theatre Company in 2008 and developed here in 2010, Mastering The Art is a look at the lives of Julia and Paul Child as they meet, fall in love and embark on a transatlantic journey of discovery together. Visiting pivotal moments in their lives — from the table in France where Julia fell in love with food, wine and Paul, to the table in their home where Julia recreated everything she learned in cooking class, to an interrogation room where Paul was grilled by U.S. agents about alleged Communist contacts — this play unfolds the true story of a larger-than-life culinary icon as she and her husband struggle to find themselves as Americans abroad. Mastering the Art marks the first production commissioned by TimeLine to be produced on the company’s stage. The development of Mastering the Art has been partially supported by The Dramatists Guild Fund.

 

Play #3 – TBA (Jan 22 – March 20, 2011)

 

The Front Page
by Ben Hecht and Charles MacArthur
directed by Nick Bowling
April 16 – June 12, 2011
   
  The Front Page is a 1920’s classic Chicago comedy often considered responsible for defining the newspaper business. Drawn from Ben Hecht and Charles MacArthur’s careers as journalists in Chicago, the play takes you inside the press room at Chicago’s Criminal Courts Building as a group of reporters cover a controversial execution and uncover the rampant corruption, scandal and hi-jinx associated with Chicago politics and journalism. TimeLine is thrilled to revive a quintessential Chicago classic and to highlight for audiences the wealth of local history embedded in this script.

Casting for all productions in TimeLine’s 2010-11 season is still to be determined.

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REVIEW: Hey! Dancin! (Factory Theatre)

Retro play satirizes modern celebrity

 

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Factory Theatre presents
 
Hey! Dancin’!
 
by Kirk Pynchon and Mike Beyer
directed by
Sarah Rose Graber
at
Prop Thtr, 3504 N. Elston (map)
through April 24th (more info)
 
reviewed by Keith Ecker 
 

In 1986, the same year that the Factory Theater’s new play Hey! Dancin’! takes place, I was 5 years old. But just because I was barely old enough to walk doesn’t mean I didn’t know how to dance. I fondly remember shaking it to Prince’s “Batdance” and jiving to the Pointer Sisters’ “Neutron Dance.” Yes, my memory is drenched with visions of DayGlo, high tops and sunglasses at night. The Chicago theatre scene seems to share the same penchant for the Reagan era, churning out no less than three 1980s-themed productions in the last month.

hey-dancin3 But whereas the other two plays—both stage versions of The Breakfast Club (here and here) —are adaptations of a popular movie, Hey! Dancin’! is wholly original. And although leading an audience into unknown territory comes with great risk, the entire cast and crew of Hey! Dancin’! executes the wonderfully written piece close to perfection. The end result is a stunningly entertaining play that evokes genuine laughs while offering insight into our modern perceptions of celebrity.

The play is about a fictitious popular cable access Chicago TV show called “Hey! Dancin’!” Think of it as a poor man’s American Bandstand but with much bigger hair and a much smaller audience. The protagonist, Halle (Melissa Nedell), and her sexually blossoming friend Trisha (Catherine Dughi), are obsessed with the show. The two teenagers squeal when their favorite cast members appear on screen, whom they know on a first-name basis.

“Hey! Dancin’!” is about to wrap up its TV season and the girls decide they desperately need to appear on air. Halle has an urge to meet teenage heartthrob Kenny Kapowski (Jacob A. Ware), who goes by the moniker K.K. Trisha has a much less innocent crush on the show’s older host Randy (Anthony Tournis), whose fashion sense is inspired by Miami Vice.

Meanwhile, the cable access network’s station manager Dennis Blackburn (Noah Simon) is getting phone calls from angry parents that the dance music on “Hey! Dancin’!” is upsettingly too “black.” Instead, he is being urged to play the top white hits of the day, Bon Jovi being the prime example. Randy is on the side of the kids and tries to put his foot down on changing the show’s format.

There is yet another plot line at work, one involving the aforementioned heartthrob K.K. and his on-air/off-air girlfriend Tanya Lacy (Aileen May). Tanya is a demanding diva who fancies herself as the star of “Hey! Dancin’!” She concocts a staged lover’s quarrel for the final show of the season, but her tyrannical attitude is a turnoff to K.K., who may just be looking elsewhere for love—or at least a little dry humping in the supply closet.

Hey! Dancin’! isn’t just a hair-brained ‘80s-inspired comedy. It’s also an effective satire on people’s perceptions of celebrity today. K.K. and his girlfriend Tanya see themselves as the center of the universe because they are on TV.—cable access—but TV nonetheless. Halle and Trisha give this notion weight since they are star-obsessed with these no-name nudniks. Yet as Halle gets to know the real K.K., who admittedly dreams of being famous without actually ever wanting to hone any real talent, the image of these backwoods celebrities begins to crumble.

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Before seeing the play, I was afraid it would suffer from a few obvious pitfalls. First, the concept of a kid’s dance show where the music is “too black” closely parallels the plot of Hairspray. Fortunately, the writers, Kirk Pynchon and Mike Beyer, knew not to make this a central focus. Instead, the show’s possible demise hangs in the background, allowing the characters and their drama to take center stage.

In addition, a show set in 1986 could easily have been overburdened with cliché references. And although the play definitely capitalizes on ‘80s nostalgia, it refrains from being a staged version of VH1’s “I Love the ‘80s.”

The acting is brilliant. The comedic timing of most of the players is impeccable. I’ve seen countless improv, sketch and stand-up shows, and this rivals the best of them. Simon as the recovering alcoholic station manager is a scene-stealer with his Muppet-like voice and general awkwardness.

The show is an hour and 20 minutes long with no intermission, but you won’t be squirming in your seat thanks to Sarah Rose Graber’s directing. She makes sure the play moves along at a fast pace, only slowing down for scenes that demand extra attention, such as the aforementioned supply closet tryst.

Hate them or love them, the 80’s happened. And although that decade continues to be a pox on contemporary society (I’m looking at you MTV), the fact that we now have Hey! Dancin’! almost makes it all worth it.

 
Rating: ★★★½
 

Hey! Dancin’! continues through April 24th, performance on Fridays & Saturdays at 8pm ($20.00), and Sundays 7pm ($15.00). All performances at Prop Thtr, 3502 N. Elston Ave.

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