REVIEW: It’s A Wonderful Life: A Live Radio Play (NobleFool)

  
  

If you love the movie, you’ll adore the play

  
  

George Keating, Emily Leahy, and Anna Hammonds

   
   
Noble Fool Theatricals presents
    
It’s a Wonderful Life: A Live Radio Play
        

Adapted by
Joe Landry
from screenplay by
Goodrich, Hackett, Capra, Swerling
Directed by Rachel Rockwell
Pheasant Run Resort, 4051 E. Main, St. Charles (map)
Through Dec. 26  | 
tickets: $29.50–39.50  |  more info

Reviewed by Leah A. Zeldes

Frank Capra’s 1946 film, "It’s a Wonderful Life," starring James Stewart, tends to provoke extremes of reaction.

Like the movie, It’s a Wonderful Life: A Live Radio Play offers upbeat, family-friendly Christmas entertainment, in which you can count on a happy ending. If you adore the original, you’ll likely feel the same about the perfectly sweet production at Noble Fool Theatricals in St. Charles. If the movie gives you the bah humbugs, nothing about this live version — which, if anything, amps up the cuteness — will change your mind.

(From left) Jessie Fisher, George Keating and Anna HammondsOf course, there’s no suspense left whatsoever. Except for his one lapse into despair, George remains saintly and forbearing; Mr. Potter remains money-grubbing and evil-minded; and Angel Second Class Clarence still twinkles.

This 1996 stage adaptation by Joe Landry frames the story of small-town do-gooder George Bailey as a 1940s radio show, replacing the movie’s dozens of characters with a cast of five. They portray radio actors performing a Christmas Eve broadcast of "It’s a Wonderful Life" before a live audience.

New fun comes in the logistics of the radio performance on Kevin Depinet’s convincing stage set and the versatility of the actors. Director Rachel Rockwell has assembled a talented cast, who sing such songs as "Button Up Your Overcoat" and "Merry American Christmas" along with performing the play within the play.

Jack Sweeney doubles as sound-effects man and actor, rushing back and forth with earnest fervor. George Keating, as the lead actor portraying George Bailey, offers a resemblance to Stewart with a less laconic style. Dev Kennedy plays the slightly irascible station manager and a variety of voice parts with verve.  Anna Hammonds and Jessie Fisher give freshness to the female roles. Tom Clear ably plays multiple roles, including Clarence, as well as accompanying beautifully on piano, a highlight of the show.

Rockwell’s production shifts the frame’s setting from Manhattan to Chicago and heightens the cuteness factor with some youthful additions, including a schoolgirl singing ensemble with their teacher (Laura Eilers). Two alternating groups of adorable little girls sing a holiday song and stand in as the Bailey children (Emily Leahy, Kelsey Pettrone, Rebecca Roy, Marie Turner and Melissa Wickland and Leikyn Bravo, Megan Graal, Amelia Kuhlman, Annamaire Schutt and Madysen Simanonis).

This production also gives the soundman a young nephew. Stirling Joyner is appealing, but the role doesn’t add much to the plot. The local adaptation also adds some straightforward commercials for Fox Valley businesses to Landry’s comic, period-style advertisements for hair tonic and soap.

 

From left) Jessie Fisher, George Keating and Anna Hammonds (From left) Jessie Fisher, Dev Kennedy, Anna Hammonds and George Keating

Based on Phillip Van Doren Stern’s short story, "The Greatest Gift," Capra’s idealistic film about how one man can make a difference and goodwill can triumph over material wealth was not a great critical or box-office success at its premiere. The New Yorker described the movie as "so mincing as to border on baby talk," and it drew only $3.3 million in ticket sales, $8 million less than "The Best Years of Our Lives," released at the same time. Only after the Capra film’s copyright lapsed in the 1970s and it began to get annual showings on television did it became a favorite holiday tradition, perhaps because, as it aged, it touched viewers’ nostalgic yearning for a period when people’s motivations seemed black and white — whereas its contemporary audiences knew no such time existed.

"It’s a Wonderful Life" is a fantasy, and not just because of the angel. If that’s your taste in Christmas entertainment, you’ll enjoy it.

   
   
Rating: ★★★½
   
   

Anna Hammonds and George Keating 

     
     

Noble Fool Theatre changes name, announces new season

 

 

Artistic Director John Gawlik shares his thoughts on name change

 

Noble Fool Theatricals, the well-established professional theater in the Fox Valley area, has announced a new direction for their nonprofit organization. Beginning their calendar year season in January 2011, Noble Fool will become Fox Valley Repertory; a name that represents the community they have grown their mission, vision, patron base, and academy students around.

I assure you that you can still count on outstanding productions because we are not a new organization. Our staff is the same, dedicated team,” says Artistic Director John Gawlik. “But after several years of growth, we simply wanted our name to represent the strong bond we have created with our patrons and community. We know this will help our patrons connect with our stories and begin referencing us as ‘our theater’ even more.”

As the nonprofit theater company in residence at Pheasant Run Resort for the seventh year, “we are focused on creating an engaging theater experience by producing shows that inspire our community to laugh, reflect and reconnect to moments in one’s life,” says Artistic Director John Gawlik. A major portion of their commitment is through arts education, as they continue their task of inspiring youth to explore their own lives through the performing arts.

For Fox Valley Repertory’s 2011 season, Gawlik has programmed an exciting season with some of the top and emerging directors in Chicago.

To celebrate our new vision and name, we are offering the best subscription rates and benefits in the area,” says Gawlik. “Our 4-show packages are heavily discounted at $65 and $80 per person. We’re hoping the Fox Valley area will join us with this great introductory price. Our number of subscribers has grown tremendously in the last two years, and we hope this continues.”


Fox Valley Repertory’s 2011 Season

 

January 20 – March 13, 2011

Leaving Iowa

The Comedy About Family Vacations

By Tim Clue and Spike Manton
Directed by Rachel Rockwell; named Chicago Magazine’s Director of the Year (2010).

   
  Middle-aged writer Don Browning is searching for the perfect spot to scatter his father’s ashes. As he travels the paths his family took on their annual vacations, images of his father and the shared family tortures surround his memories. This homegrown comedy will have you revisiting your fond (and not-so-fond) memories of your youth.
   
   

March 24 – May 15, 2011

Always, Patsy Cline

‘The Sweetest Musical This Side of Heaven’

Directed by John Gawlik; director of The Gift Theatre’s The Ruby Sunrise, named one of the Top Ten shows of 2009 by TimeOut Chicago Magazine 

   
  More than just a tribute to the late legendary country singer, this Off-Broadway musical recounts Cline’s true friendship with a fan from Houston, whom she befriended at a Texas honky tonk and remained pen pals with until her early death. Complete with down home country humor and true emotion, this 1960s tribute includes many of Patsy’ unforgettable hits such as Crazy, I Fall to Pieces, Sweet Dreams and Waking
After Midnight. Rating: PG
   
   

June 9 – July 31, 2011

Around the World in 80 Days

A Classic Adventure Comedy

Written for the stage by Mark Brown, from the novel by Jules Verne

Directed by John Gawlik 

   
  Based on Jules Verne’s classic novel, join fearless adventurer Phileas Fogg as he sets out to circle the globe in an unheard-of 80 days. It’s a race against the clock as he contends stampeding elephants, raging typhoons, bandits, and a detective who thinks he’s a robber on the run. Danger, romance, and comic surprises abound in this whirlwind of a show as five actors portray 39 characters in seven continents.
   
   

August 18 – October 9, 2011

They’re Playing Our Song

Book by Neil Simon; Music by Marvin Hamlisch; Lyrics by Carole Bayer Sager

Directed by Jonathan Berry, hailed as “one of Chicago’s most talented young directors” by Chicago Tribune. 

   
  When an award-winning, straight-laced composer teams up with a quirky, aspiring lyricist, it’s far from a match made in musical heaven. But when an unexpected romance builds between them, they hilariously struggle to find harmony. Based on the real life love story of Marvin Hamlisch and Carole Bayer Sager, Neil Simon’s romantic musical will leave a smile on your face and a song in your heart. Rating: PG
   
   

July 7 – August 7, 2011

Bad Dates

A Woman’s Quest for Love and the Perfect Pair of Shoes

By Theresa Rebeck

Directed by Kimberly Senior, one of Chicago’s most acclaimed directors. 

   
  If you like “Sex and the City” and Bridget Jones’ Diary, you’ll love this romantic one-woman comedy! Single mom and Texas transplant Haley Walker tries to balance the pressures of her new NYC restaurant career, raising a moody teenage daughter, and the too-close-for-comfort relationship with the Romanian mob, all while trying to find her way back into the dating scene…nothing that a great pair of shoes couldn’t fix! Haley needs your shoulder to cry and laugh on as she shares her dating adventures with you.
   
   

Collider 2011: New Play Project

A new play program partnering local scientists and Fox Valley Repertory in developing new works that help us better understand the universe and who we are, while illuminating and celebrating the worlds of art, science and technology.

Big Bang Ten Minute Plays

World premier ten minute plays will be performed during the Fox Valley Rep Summer Arts Fest.

Other Fox Valley Repertory Productions

 

October 14 – 30, 2011

The Woman in Black

A Spine-Chilling Tale

Special Halloween Eve Performance on Sunday, October 30 @ 7pm!

By Stephen Malatratt.  Based on the novel by Susan Hill

   
  A London lawyer hires an actor to help recount a story to family and friends that has long troubled him since he attended the funeral of an elderly recluse. During the reenactment, you’ll be gripping your seats with a chill down your spine as you experience the horror and terror of this haunting tale. We just hope you’ll live to retell the tale of one of the longest-running suspense thrillers in history. Rating: PG-13
   
   

November 10 – December 24, 2011

It’s a Wonderful Life

A Live Radio Play 

   
  Inspired by Frank Capra’s beloved American holiday classic, you’ll become a part of a 1940s live broadcast as actors bring the fateful story of George Bailey to life. As a studio audience member, you’ll relive the beloved tale of regret and redemption complete with classic holiday songs, a six member Children’s choir, instruments, man-made sound effects, and live commercials.
   
   

Other Performances

In addition to these performances, Fox Valley Repertory will be producing five youth ensemble musical performances, four holiday productions, and presenting six live music events and four national comedy touring acts – together, totaling to 251 performances during the 2011 season.

Ticket Information

Pheasant Run Resort is located at 4051 E. Main St., St. Charles, IL. Season subscriptions start at $65 for show only tickets (discounted dinner-show subscriptions also available) and are currently available by calling call the Box Office at 630-584-6342. Full priced single tickets for each production will go on sale at a later date.

Additional information on the 2011 Season and Noble Fool Theatricals soon-to-be Fox Valley Repertory are available at http://www.noblefool.org or www.foxvalleyrep.org.

      
     

Theater Thursday: Red Herring at Pheasant Run Resort

Thursday, September 9

Red Herring by Michael Hollinger

Noble Fool Theatricals at Pheasant Run Resort 

4501 E. Main St., St. Charles

 

redherringCome to Jambalaya before the show to enjoy hot spinach dip, cheese, crackers and a special Sparking Red Sangria cocktail by the resort’s New Orleans-inspired restaurant. Then stay for the murder mystery comedy Red Herring, followed by a post-show Q&A with Director John Gawlik. Pre-show party, show, and post-show discussion take place within the resort; free parking. Three love stories, a murder mystery, and a nuclear espionage…oh my! It’s 1952: America’s on the verge of the H-bomb, Dwight Eisenhower’s on the campaign trail, and I Love Lucy’s on Monday nights. Meanwhile, Senator Joe McCarthy’s daughter just got engaged to a Soviet spy, and Boston detective Maggie Pelletier has to find out who dumped the dead guy in the Harbor-or else lose out on a honeymoon in Havana. A blunt-nosed, sharp-eyed look at love and tying (and untying, and retying) the knot.

Event begins at 7 p.m.  Show begins at 8 p.m.    Tickets: $15

For reservations call 630.584.6342 and mention "Theater Thursdays."

  
  

Bailiwick Chicago extends F**KING MEN for 2nd time

Bailiwick Chicago Announces 3-Week Extension

of Joe DiPietro’s F**KING MEN


Executive Director Kevin Mayes announced today that Bailiwick Chicago’s hit production of Joe DiPietro’s F**KING MEN will be extended for an additional three weeks due to popular demand. Performances will continue through Sunday, August 29 at Stage 773, 1225 W. Belmont with the original cast.

We are so pleased that Chicago audiences have embraced this production,” said Mayes, “and we are excited that we’ve been able to keep the original cast together for this second extension. It’s been an amazing summer for Bailiwick Chicago, with our two hit shows Aida and F**KING MEN. We are incredibly proud of – and humbled by – the response.

F**KING MEN observes the sex lives of the modern urban gay American male. Conceived as a noir-riff on Arthur Schnitzler’s 19th century play, LA RONDE, the play examines ten men from all walks of life as they negotiate the before and after of lust, love, betrayal and the pursuit of sex and emotional connection. Funny, poignant, sometimes dramatic, always provocative and sexy, the show has been critically acclaimed by Chicago critics: “Emotionally Searing…Superb Performances…there is truth and understanding in F**KING MEN.” (Hedy Weiss, Chicago Sun-Times) “…[F**KING MEN] is serviced brilliantly by this snappy, assured Chicago production.” (Nina Metz, Chicago Tribune) “…F**KING MEN is pretty fucking solid.” (Kris Vire, TimeOut Chicago).

Bailiwick Chicago has launched a dedicated web site for the production with photos, videos, and additional information about the show at www.FMenChicago.com.

Performances are Fridays at 8 p.m., Saturdays at 7 p.m. and 9 p.m., and Sundays at 7 p.m. General admission tickets are $25. Special Reserved seating is available for $30. Student and Industry rush tickets will be available at the door for $15 at every Sunday performance. Group (6+) tickets are $20.00. To purchase tickets, call the Stage 773 box office at 773-327-5252, or go towww.ticketmaster.com.

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REVIEW: F**king Men (Bailiwick Chicago Theatre)

The Circle of Gay Life

FMen-Vanguard 

    
Bailiwick Chicago presents
   
F**king Men
   
Written by Joe DiPietro
Directed by
Tom Mullen
at
Theatre Building Chicago, 1225 W. Belmont (map)
through July 25th  |  tickets: $25  |  more info

reviewed by Keith Ecker 

I don’t know if you read the papers, but us gay guys get a pretty bad rap. If we’re not contributing to the downfall of society, we’re made out to be self-loathing, sex-crazed loveless loners.

But the truth is, gay men—just like all human beings—are capable of love, and in fact, spend much of their lives, as everyone does, looking for it. And it is this search for Ryan - Beaumeaning, connection and kindness in a sea of sex that playwright Joe DiPietro attempts to illuminate in his cyclical play Fucking Men.

Fucking Men is a loose adaptation of the 19th century play La Ronde in which pairings of characters are featured in scenes preceding and succeeding sexual encounters. It’s an interesting structure—often employed as an improv comedy exercise—that lends itself to strong characterizations and oodles of dramatic irony.

The play begins and ends with John (Arthur Luis Soria), a young lovelorn prostitute. John is about to turn a trick. The trick’s name is Steve (Cameron Harms), a closeted military man who wants to receive oral sex from a man, you know, just to test it out. After the deed is done, Steve freaks out and beats up John.

Next is a silent scene in which Steve is in the gym sauna opposite Marco (Armand Fields). Steve touches his chest, signaling to Marco that he’s interested. Without saying a word, the two men fool around. Afterward, Marco continues his locker room routine: change out of clothes, pack up his bag, etc., while the closeted Steve rambles on about his sexuality and his encounter with John.

Naturally, the next scene depicts Armand with yet another character (this one a wisecracking, pot-smoking college student). And the domino effect of the La Ronde continues from there.

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The overarching theme of the play seems to be the need to inject kindness into our relationships, no matter how fleeting. It is all too easy to take advantage of others to fulfill our own selfish sexual and emotional desires. But if you come at sex with a sense of empathy, then you can be sure to limit the amount of pain you spread throughout the world and increase the love. Think of it like paying it forward…only sexually.

Some of the scenes really capture this idea. When the older and partnered Leo (Thad Anzur) enters the college dorm of Kyle (Cameron Johnson) for a random sexual encounter, he gets cold feet. Leo wants to know Kyle, to have some emotional connection prior to the physical connection. Youthful Kyle just wants sex and makes it  clear that if Leo isn’t going to give it up then he can easily get it elsewhere. The two end up chatting and finding some common ground to connect on. Leo gets the emotional connection he’s been seeking, and Kyle gets the sex.

Christian - KarmannOther scenes, however, are less believable. The opening scene in particular falls flat. When the closeted Steve gushes about his self-doubt and sexual confusion to the prostitute, I had to roll my eyes. The scene just doesn’t seem grounded in reality. A prostitute is going to know not to take on a buff, aggressive client who is deeply self-hating and fearful of gays. It’s a safety precaution. And the closeted Steve’s dialogue is riddled with more clichés than a Lifetime movie.

The other major flaw of the play is the music. Laurence Mark Wythe composed original instrumentals for Fucking Men that play as transitions between scenes as set pieces are moved and altered to create the various settings. And although the music itself is just fine, it undercuts the dramatic tension of the scenes when it is used underneath the dialogue. I’m assuming this was a decision made by director Mullen, and I would hope it is relegated only to scene transitions in future performances.

Overall, Fucking Men strikes at the core of what motivates gay men—and quite possibly everyone else too—to have sex. And although there are some weaknesses with a few of the characters whose behaviors just are beyond believable, it’s pretty easy to find traces of yourself in most of them.

   
   
Rating: ★★★
   
   

fucking men cast with playwright Joe DiPietro

Cast of “F**king Men”, including Director Tom Mullen and Playwright Joe DiPietro.

           
           

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REVIEW: 25th Annual Putnam County Spelling Bee (Noble Fool)

 

Fun with spelling

 Noble Fool "Beauty and the Beast"

 
Noble Fool Theatricals presents
 
The 25th Annual Putnam County Spelling Bee
 
Conceived by Rebecca Feldman
book by
Rachel Sheinkin and music/lyrics by William Finn
Directed by
Kevin Bellie, music direction by Peter Storms
Pheasant Run Resort, 4051 E. Main St., St. Charles (map)
Through June 13 | Tickets: $29–39, dinner-show packages $46–59 |  more info

Reviewed by Leah A. Zeldes

Can you spell f-r-i-v-o-l-o-u-s? Airy as Wonder Bread, sweet as Gummi Bears, The 25th Annual Putnam County Spelling Bee offers a fun and unchallenging evening of musical comedy that will get you home well before the babysitter’s deadline and won’t stick you with inconvenient earworms or lingering deep questions. Winner of the 2005 Tony Award for Best Book of a Musical, Spelling Bee began with Rebecca Feldman’s sketch C-R-E-P-U-S-C-U-L-E for her New York comedy group, the Farm. It came to the Noble Fool "Beauty and the Beast" attention of Falsettos composer and lyricist William Finn, who brought on Rachel Sheinkin to help him create a musical adaptation. Opened in 2004 by Barrington Stage Company in western Massachusetts, the musical ultimately became a hit on Broadway, where it played for 1,136 performances. The laughs come from juxtaposition of latter-day life problems, age-old preteen angst and the sentimental nostalgia of the old-fashioned spelling-bee competition.

Kevin Bellie and Peter Storms’ vigorous production for Noble Fool Theatricals is as cute as can be, with a bouncy, talented cast and a lively staging. Spelling Bee runs about 90 minutes with no intermission. On opening night, things stretched out a bit longer when one of the audience members participating in the bee — four volunteers are selected for each performance — proved to be an unexpectedly good speller. Having successfully navigated "catterjunes" (part of the show’s improvisational shtick — it isn’t a real word, so they can accept or reject spellings as needed), he also got through "lysergic acid diethylamide" and had to be eliminated with "xerophthalmiology."

A very strong cast of adult actors aptly plays the competing kids, bringing out their humorous quirks without turning them into cartoons. Especially notable performances come from Samantha Dubin as gawky Olive Ostrovsky, anguished over her missing mom — gone to an ashram in India — and emotionally distant dad; Jack Sweeney as the wide-eyed Leaf Coneybear, rising above his family’s expectations; Cara Rifkin as Logainne Schwartandgrubenierre, a determined grammar-school prodigy urged on by her two gay dads; and Ian Paul Custer as William Barfee, a nasally challenged nerd who spells out words with his "magic foot." Chie Isobe plays uptight overachiever Marcy Park, and Erik Kaiko is Chip Tolentino, the too-confident previous year’s champion. Wonderfully expressive Michael Weber portrays Vice Principal Douglas Panch, increasingly tortured and hilarious as the event goes on. As perky Rona Lisa Peretti, Putnam County’s #1 Realtor and the spelling-bee hostess — reliving her own triumph of the second annual Putnam Co. spelling bee — Liza Jaine solos only briefly, but her powerful backup vocals help hold the show together musically. Randolph Johnson adds a rich note as ex-con Mitch Mahoney, especially in his solo, "Prayer of the Comfort Counselor."

Noble Fool "Beauty and the Beast"

Though they’re mostly good-humored, some gags uncomfortably straddle the line between colorful characterizations and offensive caricatures, a blemish exacerbated by Bellie’s casting and Kimberly G. Morris’s costumes. Sheinkin wrote in the flaming gay dads and the overachieving Korean kid, but it was Bellie’s choice to cast the only African American in his show in the parolee’s part and Morris’s to drape him in gold gangsta chains. Amusing lyrics in songs such as "My Friend, the Dictionary" and "Pandemonium" make up for the banal tunes of Finn’s mostly pleasant, but typically repetitive score. Don’t look for big song-and-dance numbers. Like everything else about this show, the songs lack heft, and sometimes seem like fillers. Overall, this musical isn’t about the music. Just enjoy it as a lighthearted romp.

 
 
Rating: ★★★
 
 

Note: The 25th Annual Putnam County Spelling Bee contains adult language and themes that parents may consider unsuitable for young children.

Noble Fool "Beauty and the Beast"

    
   

More extensions: Bailiwick and Noble Fool

Suyl-emailheader

“Show Us Your Love” extended through the end of March

Bailiwick Chicago’s cabaret hit has been extended through the end of this month – Sunday, March 28th, to be exact.  You can catch Show Us Your Love, at Mary’s Attic, every Sunday evening at 7:30pm.  For tickets and more information, go to www.BailiwickChicago.com


overtavern
Noble Fool Theatricals has extended their popular family comedy Over the Tavern through April 3rd (our review  ★★½).  Directed by John Gawlik at the Pheasant Run Resort Mainstage Theater (4051 E. Main, St. Charles) Over The Tavern was originally scheduled to close on March 28, 2010, but now has added two additional performances  – April 2nd and 3rd.  For tickets or more information, visit www.noblefool.org or call the box-office at 630-584-6342.

The cast for Over the Tavern includes Alex Adams, Scott Cummins, Gabriel
Harder, Renee Matthews, Stacy Stoltz, Katrina Syrris and Dan Velisek.