Review: The Alchemist (Nothing Special Productions)

     
     

17th-century farce delivers rich hoaxes, prosperous laughs

     
     

A scene from Nothing Special Production's 'The Alchemist', written by Ben Johnson and directed by Gregory Peters. Photo credit: Michael Laird

  
Nothing Special Productions presents
  
The Alchemist
  
Written by Ben Johnson
Adapted by Gregory Peters
Directed by Jack Dugan Carpenter
at Heartland Studio
, 7016 N. Glenwood (map)
through April 30  |  tickets: $15  |  more info

Reviewed by Katy Walsh

Love? Riches? Fairytalk?  Whatever you’re in the market for, the alchemist is selling it for cash or velvet.  Nothing Special Productions presents The Alchemist.  A trio of swindlers conjure up dreamy elixirs for the villagers in need.  The scams are housed in a deserted mansion.  Dazzling promises lure the customers into the illusion. The people are foolish. The hoaxes are elaborate.  The payoff is pure gold.  The Alchemist guarantees riches and delivers it as prosperous laughs!

A scene from Nothing Special Production's 'The Alchemist', written by Ben Johnson and directed by Gregory Peters. Photo credit: Michael LairdLike an ongoing ‘Saturday Night Live’ sketch, the buffoonery is riotous.  Jack Dugan Carpenter directs the huge cast through the mazed intrigue.  Carpenter paces the mega set-ups with a zippy revolving door feel.  At the core of the mayhem, the household rogues (Andrew Marchetti, Sean McGill, Melissa Imbogno) don numerous disguises and personas to work their magic.  It’s a burlesques-style slapstick! Continuous almost-being-found-out moments add to the hilarity.  In one scene, the threesome act out a fascinating elfin attack.  Their giggly enjoyment of the charade makes it feel improvised.  Marchetti and McGill are a dynamic duo.  Their synergy is perfected comedic timing. The talented ensemble add to the punch line with exaggerated spoofs.  In particular, two supporting actors stand out in stealing ways.  Matt Castellvi pontificates in grandiosity. His Laurence Olivier-like theatrics are hysterical.  A lanky Ken Miller escalates the joke with uttering one word, ‘sis-star.‘                      

Playwright Gregory Peters has updated Ben Johnson’s farce from the 1600’s.  Peters keeps the formal prose but weaves in a modern twist to the multiple entanglements.  By intermission, the number of grifts in progress is exhausting.  Not because the audience isn’t entertained but because they know ALL the scams must resolve before the show can end.  To adapt a play for the 21st first century, you need to adapt to an audience with a tweet-size attention span.  By limiting characters and eliminating scenes, this long con could be an excellent hustle!

  
  
Rating: ★★★
  
  

A scene from Nothing Special Production's 'The Alchemist', written by Ben Johnson and directed by Gregory Peters. Photo credit: Michael Laird

The Alchemist continues through April 30th at the Boho Theatre in Rogers Park, with performances Thursdays, Fridays and, Saturdays at 8pm. Tickets are $15, and can be purchased online. The show’s running time is two hours and forty minutes, which includes an intermission.


Cast

Sean McGill (Face); Andrew Marchetti (Subtle); Melissa Imbrogno (Doll); Tony Kaehny (Dapper/Officer); Scott Sawa (Drugger); Chad Brown (Ananias); Matt Castellvi Mammon); Conor Burke (Surly); Patrick Byrnes (Tribulation); Ken Miller (Kastril); KaCee J. Hudson (Pliant); Joshua Razavi (Lovewit)

All photo by Michael Laird

  
  

REVIEW: Pinkalicious (Emerald City Theatre)

Think Pink!

 

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Emerald City Theatre presents
 
Pinkalicious   
  
Book/lyrics by Victoria and Elizabeth Kann
Music & additional lyrics by
John Gregor
Directed by
Ernie Nolan
at
Apollo Theater, 2540 N. Lincoln (map)
through January 3  |  tickets: $13-$16  |  more info

Reviewed by Allegra Gallian

Sometimes there is such a thing as too much of a good thing – as Pinkalicious Pinkterton learns in the Midwest premiere of Pinkalicious, the musical story of a young girl who gets Pinktitis from eating one too many pink cupcakes.

Emerald City Theatre’s production of Pinkalicious, based on the popular children’s book by Elizabeth Kann and Victoria Kann, brings children’s fantasy to life with its set design by Ernie Nolan. The stage is full of bright, vivid colors in hues of pinks, lime Pinkalicious 9.18.2010 2 greens, baby blues and yellows. The kid-friendly set boasts over the top scenery with giant pink glittery flowers, background houses decorated in musical scores and cupcakes everywhere. It’s certainly attention-grabbing, and the children in the audience were fascinated as they explored the set before the show began.

Pinkalicious opens on the Pinkerton family. Each cast member is automatically outgoing and bursting with energy. Pinkalicious (Lara Mainier) makes pink cupcakes with her mom, Mrs. Pinketeron (Rachel Klippel) and her brother, Peter (Shea Coffman). She wants to eat more and more but her mom and dad (Patrick Byrnes) says no, explaining why in the song “You Get What You Get and You Don’t Get Upset.” Mainier is bright and bubbly with a wonderful childlike demeanor. When she breaks out in to song, however, it seems as though some of the music is out of her vocal range and she loses the strength in her singing voice. Coffman’s Peter is a strong presence on stage and he’s a riot to watch.

The next morning Pinkalicious wakes up to discover she has turned pink from head to toe. Not know what else to do, her parents rush her to see Dr. Wink (Julia P. Gordon) who diagnoses the problem as Pinktitis. Pinkalicious is overjoyed at her condition but her parents worry. Dr. Wink informs them that the only cure is eating green foods, explained in the catchy song dance number, “Pinktitis.” Where the singing tends fall flat, the dancing shines. Highly entertaining dance numbers are well choreographed by Nolan and it’s hard not to smile while watching. The singing, on the other hand, is sometimes compromised for characterization and movement, and a little stronger diction could help audience members understand the lyrics.

John Gregor’s music throughout Pinkalicious varies in styles like pop, jazz and blues, but all the numbers are upbeat and amusing. Peter sings a bluesy number, “Pink Blues,” that allows Coffman to really show off his vocal talent. It’s clear he’s the strongest signing voice in the cast as he makes this number his own.

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Pinkalicious at first refuses to eat anything green, but after her condition worsens and she turns from pink to red she decides it’s time to be brave and sings “Green Food,” an adorable song about eating her greens. Pinkalicious is not only an entertaining show, but it also sends a good message to the children in the audience about the importance of eating healthy.

The whole cast offers quality, fully-embraced characterization that they push far enough out to create exaggerated, engaging characters that keep the children’s attention for the entire one-hour show time. Pinkalicious even allows for the children to interact with the performers, answering questions and allowing them to become a part of the magic. The show flows along well and never drags because they cast keeps their energy levels high throughout.

Pinkalicious proves to be a whirlwind of fun and fantasy that’s perfect for kids (and kids at heart) of all ages. It’s impossible not to leave with a smile on your face and your step – if not pinker – then just a little bit lighter.

   
 
Rating: ★★★½   
   
   

Pinkalicious plays at the Apollo Theater, 2540 N. Lincoln Ave., through December 31. Tickets are $16 for adults and $13 for children and can be purchased through Emerald City’s Web site or by calling 773-935-6100.

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