Review: Drury Lane’s “Thoroughly Modern Millie”


Drury Lane Oakbrook presents:

Thoroughly Modern Millie

by Richard Morris, Jeanine Tesori and Dick Scanlan
directed by William Osetek
thru December 20th (ticket info)

Reviewed by Timothy McGuire

The traditional Thoroughly Modern Millie is given a new breath of life in Drury Lane’s high quality, highly energetic and enjoyable new musical, directed by William Osetek. From top to bottom, set to song, this is a near flawless performance of traditional musical theatre produced with Broadway-like standards – just  on a smaller scale.

thoroughly-modern-millie-3 Thoroughly Modern Millie is the story of a young woman who has moved to the big city in search of becoming a “modern woman,” one in search of wealth not love. Set in the early 1920’s, when the social and economic climate is changing, especially for women who have recently joined the work place and have a new independence when seeking happiness. With nowhere to go she takes refuge in a hotel that houses other single women, most of whom are out-of-work actresses, but unknown to Millie and the other girls the hotel is also a front for Mrs. Meers “white-slave” trafficking business. Unaware of the dangers around her, Millie is stubbornly set on marrying her rich boss and decides that there is no room for love in a modern woman as she flirts to get his attention.

Millie is magnificent. Holly Ann Butler makes her Drury Lane debut as Millie, and her tremendous talents stand out in every aspect of her performance. She can sing (whoa can she sing) dance, act and is innocently beautiful on stage as she takes the audience through the streets of New York as designed by Kevin Depinet.

Kevin Depinet has designed an open stage with a towering 3-dimensional backdrop of Manhattan creating depth and distance on stage. The huge buildings have a romantic feeling intensified by the changing colors and brightness that shines through the windows of each building depending on the time of day. The set hovers over the cast creating a visual sense of the magic that exist downtown.

The choreography is exceptional, and gives one an example of the meaningful influence that top-notch choreography can have with the plot and overall enjoyment of a production. Tammy Mader’s choreography brings the book and songs together, fluidly portraying individual emotions; creating entertaining numbers that enhance the feelings surrounding the stage.

The production really picks up in the second act where the choreography gets even more complicated, with surprise quirky moves, and the plot thickens with a merry-go-round of love interests to go along with Mrs. Meers increasingly deviant plan of kidnapping white-slaves. Millie’s journey to discover the value of true love rather than the materialistic measures of success is guided by the wealthy Muzzy (Melody Betts), and everyone finds their way to true love and happiness – well almost everyone.

thoroughly-modern-millie-2The energetic musical numbers throughout the production are led by truly gifted voices and enhanced by the full production of each song. Actresses and actors like Holly Ann Butler, Randall Dodge and Melody Betts are performances in themselves, and it is a special experience to hear a group of talented vocalists sing together at such a high caliber. My personal favorite is the deep baritone voice of Randall Dodge as Millie’s boss.

Along with the spectacular songs, a ton of comedy is slipped into the plot and brought out especially well by gifted and seasoned actresses like Paula Scrofano (Mrs. Meers,) and Sharon Sachs (Mrs. Flannery), who connect well to the audience with their well-timed antics displaying the off-beat personalities of their characters. Richard Manera and Paul Marinez (Ching Ho and Bun Foo) also bring continuous laughter into the musical with their expressive remarks and interactions with Mrs. Meers.

Drury Lane’s Thoroughly Modern Millie is a top notch professional production that is as good as any musical you will see of this size. The cast is filled with talented stars, the creative team is at its best, and the stage is strikingly magical. For musical theater lovers, this is the show you want to see.  And for those new to the theater, this might be the musical that sucks you in to Chicago’s musical theatre scene.

Rating: ★★★


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Review – “Los Desaparecidos” (The Vanished)

Babes With Blades has never believed in playing it safe, and this can certainly be seen in the final production of their 10th Anniversary season – the world premiere of Barbara Lhota’s Los Desaparecidos (The Vanished).  The germination of the play all started from a rather cool playwright competition: entrants were presented with the painting “Duelo de Mujeres” (The Duel of Women), and instructed to create a play with the painting as inspiration.  Out of over 20 entries, the winning playwright, Barbara Lhota, has created a raucous and sexy world where women gladly take up the sword for fun and heroism (though set in 16th-century Spain, the play seems to not be of any time-period).  Using many Shakespearean devices, Los Desaparecidos explores the impact of family ties, societal pressures, and unexpected love in the lives of two sisters.  Los Desaparecidos is ultimately about how the power of love can triumph over intolerance. 

Pros: The performances are exemplary – so full of passion and athleticism, that it leaves one exhausted.  The three powerful leading women – Stephanie Repin (Diana), Meghan Martinez (Isabel) and Rachel Stubbs (Eliana) – truly shine in their roles. 

Cons: At times the pacing seems to falter, though it quickly rights itself throughout.   Ending is a bit implausible.

Summary: Take a cast of passionate actors, throw in a fun script, season it with spicy sword fights and taboo romances, and – if such a thing suits you – you end up with a swashbuckling time at the theatre. 

Rating: «««    

Production: Los Desaparecidos (The Vanished)
Playwright: Barbara Lhota
Director: David Woolley
Featuring: Stephanie Repin (Diana), Meghan M. Martinez (Isabel), Rachel Stubbs (Eliana), Sean Patrick Leonard (Eduardo), Lisa Herceg (Marisol), Paul E. Martinez (Frederico), Mercedes Rohlfs (Lucilla), Morgan Manasa (Zania), Dustin Spence (Father Roberto, The Man), Libby Beyreis (Servanct), Ryan Christopher Zarecki (Servant), Gregory M. Larson (Antonio)
Design Team: Tina Bernacchi (Asst. Director/Dramaturg), Leigh Barrett (Lighting), Alex Braatz (Sound), Anders Jacobson (Scenery), Michelle Julazdeh (Costumes), Libby Beyreis (Fight Captain), Sean Patrick Leonard (Makeup Effects)
Technical Team: Kjerstine McHugh (Stage Manager), Amy E. Harmon (Producer), Gillian N. Humiston (Assistant Producer), Alison Dornheggen (Marketing)
Coming next: Land of the Free by Mark Burns, directed by Beth Cummings – Fall 2008
More info:

Diana (Stephanie Repin) and Antonio (Gregory M. Larson) fall in love

Diana (Stephanie Repin) and Antonio (Gregory M. Larson) fall in love  

 Diana (Stephanie Repin) faces Eliana (Rachel Stubbs) in single combat in Babes With Blades\' \

Diana (Stephanie Repin) faces Eliana (Rachel Stubbs) in single combat in Babes With Blades’ “Los Desaparecidos (The Vanished)”

Diana (Stephanie Repin) and her sister Isabel (Meghan M. Martinez) work through a disagreement

Diana (Stephanie Repin) and her sister Isabel (Meghan M. Martinez) work through a disagreement!!

Frederico (Paul E. Martinez) and Isabel (Meghan M. Martinez) try to have a child in Babes With Blades\' \

Frederico (Paul E. Martinez) and Isabel (Meghan M. Martinez) try to have a child

Isabel (Meghan M. Martinez) and Diana (Stephanie Repin) work through a disagreement in Babes With Blades\' \

Isabel (Meghan M. Martinez) and Diana (Stephanie Repin) work through a disagreement

Isabel (Meghan M. Martinez), Eliana (Rachel Stubbs), and Diana (Stephanie Repin) meet in Babes With Blades\' \

Isabel (Meghan M. Martinez), Eliana (Rachel Stubbs), and Diana (Stephanie Repin) meet in Babes With Blades' "Los Desaparecidos (The Vanished)"

Servants Marisol (Lisa Herceg) and Eliana (Rachel Stubbs) gossip in Babes With Blades\' \

Servants Marisol (Lisa Herceg) and Eliana (Rachel Stubbs) gossip amongst themselves