REVIEW: The Trinity River Plays (Goodman Theatre)

  
  

A hilarious yet complicated bouquet of family and tradition

  
 

Iris (Karen Aldridge) (center couch) returns home to find nothing has changed in the past 17 years as (l to r) Daisy (Jacqueline Williams), Rose (Penny Johnson Jerald) and Jasmine (Christiana Clark) dance around the house. Photo by Eric Y. Exit

  
Goodman Theatre presents
  
The Trinity River Plays
  
Written by Regina Taylor
Directed by Ethan McSweeny
at Goodman Theatre, 170 N. Dearborn (map)
through Feb 20  |  tickets: $25-$78  |  more info 

Reviewed by Katy Walsh

‘You don’t start a garden by digging. You start it by dreaming.’ Goodman Theatre presents the world premiere of The Trinity River Plays. Playwright Regina Taylor has penned three one act plays: Jarfly, Rain, and Ghoststory. The compilation follows Iris Spears from happy, precocious, awkward seventeen year-old to detached, reserved, successful thirty-six year old. Iris is a budding storyteller. Rose has nurtured her daughter’s growth from bulb to bloom. Aunt Daisy tends the hothouse in her sister’s absence. Cousin Jasmine pushes a little weed to get Iris to blossom. Deflowering! Jack (Samuel Ray Gates) comes over to thank Iris (Karen Aldridge) for helping him with his schoolwork. Photo by Brandon Thibodeaux.Iris pulls up her roots and transplants away from her family. Fifteen years later, a return home digs up buried secrets and withering relationships. The Trinity River Plays is a complicated and hilarious bouquet of family drama.

The playwright has picked distinct, rich characters for a colorful arrangement. Taylor’s dialogue is organic and natural. Under the direction of Ethan McSweeny, this talented cast IS family. The relations are the familiar and unexplainable ties that bind and sometimes suffocate. In the lead, Karen Aldridge (Iris) engages as a lovable geek. In Jarfly, Aldridge’s ability to connect as a confident, cock-eyed optimist makes her later severed linkage to home and self that much more tragic. At the end of Jarfly and Rain, Aldridge’s movements haunt with raw emotion. Bringing continuous comedy relief, Christiana Clark (Cousin Jasmine) is a delicious combination of grandiosity and audacity. Aided visually by Valerie Gladstone (wig and hair design) and Karen Perry (costume design), Clark is a hot mess! Bringing more humor, Jacqueline Williams (Aunt Daisy) cackles with the wise musings of a woman on psychotropic medication. Williams delivers one liners to sassy perfection. Not appearing until the second play, Penny Johnson Jerald (Iris’s mother Rose) gives a complex portrayal as estranged mother, loving sister and enabling aunt.

Jerald stays indifferent to Aldridge making the mom-daughter alienation difficult to understand. Without spoiling a plot point, a story shift helps Jerald to showcase a softer and playful side.

     
Daisy (Jacqueline Williams) tries to understand her niece while coping with her sister's illness. Photo by Eric Y. Exit. Jasmine (Christiana Clark) dreams of moving to New York City and becoming a famous dancer/choreographer.
Frank (Jefferson A. Russell) makes a surprise visit to see Iris at her Texas home. Photo by Eric Y. Exit. Karen Aldridge and Penny Johnson Jerald - Goodman Theatre Iris (Karen Aldridge) is reacquainted with her high school crush Frank (Samuel Ray Gates). Photo by Eric Y. Exit.

From entry into the theatre, it’s all about the garden. Scenic designer Todd Rosenthal has a 70’s ‘Brady Bunch’-like house as a backdrop. In front of it is a beautiful garden. An abundance of vibrant flowers is a delightful sight (especially during Chicago winters). And it’s real! Throughout the show, dirt is shoveled and flowers are planted. The garden is watered by hose and rain. The effect is impactful realism.

Playwright Regina Taylor has written and promoted The Trinity River Plays as three separate plays. In actuality, it’s one play about one family. Taylor’s solid family dysfunction is experienced the best possible way with a lot of laughter. Trying to keep The Trinity River Plays separate entities adds to the length and loose pacing. Scene transitions have prolonged black-outs that sometimes confuse as intermission cues. Pulling it together as “The Trinity River PLAY”  (singular!) will tighten up the action – including eliminating one of the two intermissions – allowing this work to bloom and flourish from daisies to rose bushes. I do love daisies but roses make a stronger statement.

  
  
Rating: ★★★
  
  

(l to r) Iris (Karen Aldridge) and Daisy (Jacqueline Williams) prepare dinner while Frank (Jefferson A. Russell) and Jack (Samuel Ray Gates) get acquainted in the yard. Photo by Eric Y. Exit

Trinity River Plays continues through February 20th, playing Wednesdays, Thursdays and Sundays at 7:30pm, Fridays and Saturdays at 8pm, and Thursdays, Saturdays and Sundays at 2pm.  Tickets are $25-$78.  Go to www.goodmantheatre.org for more info.

Running Time: Three hours and fifteen minutes, which includes two intermissions.

        
        

Continue reading

Goodman Theatre announces 2010-2011 Season

goodman-facade

It’s "The Best of All Possible"! Artistic Director Robert Falls announces Goodman Theatre’s initial five-play line-up, including two reimagined classics and three world-premiere productions (two of which are Goodman commissions) that define the theater’s new 2010/2011 season; three plays are still to be announced. The new season marks the Goodman’s 10th in its home at 170 N. Dearborn and anchor of Chicago’s revitalized North Loop Theatre District—and its 85th year as the city’s largest not-for-profit producing theater.

Highlights:

  • Mary Zimmerman reimagines Bernstein’s Candide in a major fall musical event
  • Robert Falls re-exmines Anton Chekhov’s The Seagull
  • New works by Sarah Ruhl 
  • Major new revival of the musical masterpiece Candide by Leonard Bernstein and Hugh Wheeler

Says Artistic Director Robert Falls:

"Our 2010/2011 season showcases the artistic breadth and variety for which the Goodman is noted, and the quality and diversity that our state-of-the-art facility has helped us achieve over the past ten years in this incredible new home. I am particularly pleased to welcome back three of my favorite collaborators—Manilow Resident Director Mary Zimmerman, Artistic Associate Regina Taylor, and playwright Sarah Ruhl—and excited to welcome Thomas Bradshaw to the Goodman for the first time."

 

The 2010-2011 Goodman Theatre Season

  Candide
  September and October, 2010 (Albert Theatre)
  Directed and adapted by Mary Zimmerman
Music by Leonard Bernstein
Book by Hugh Wheeler
New adaptation by Mary Zimmerman
  Tony Award and MacArthur "Genius" Award-winning director Mary Zimmerman’s breathtaking new production of Candide is the theatrical event of the season. In addition to the music of Leonard Bernstein, Candide features contributions from the greatest lyricists of the 20th century, from Richard Wilbur to Stephen Sondheim. In this racy musical satire, naive Candide is banished for romancing the Baron’s daughter, only to be plagued by a series of absurd hardships that challenge his optimistic outlook of life and love.
   
  The Seagull
  October and November, 2010 (Owen Theatre)
  by Anton Chekhov
Directed by Robert Falls
  Goodman Artistic Director Robert Falls directs an intimate new production of Chekhov’s masterwork The Seagull, whose unforgettable characters reveal the passion and pathos of everyday life. When famed actress Irina visits her family with her young lover Trigorin in tow, they become ensnared in a tragicomic tangle of romance, intrigue and unrequited love. Don’t miss this unique opportunity to experience a 20th century masterpiece, interpreted by one of America’s outstanding directors—in the Owen Theatre.

   
  Rain
  January and February, 2011 (Albert Theatre)
  by Regina Taylor
A World Premier
  Rain is Regina Taylor‘s most personal and intimate work to date. Fiercely independent Iris has made a successful life for herself as a journalist in New York City, but when her marriage fails, she begins to unravel. In search of solace, Iris returns to her mother’s house in Texas, but her homecoming proves more confounding than consoling when her mother makes a shocking announcement. As long-buried family secrets come to light, Iris must face her past and make some difficult decisions about the future.
   
  Mary
  February and March, 2011 (Owen Theatre)
  by Thomas Bradshaw 
Directed by May Adrales
A World Premiere
  Outrageous. Ruthless. Explosive. Named "Best Provocative Playwright" by The Village Voice, Thomas Bradshaw pulls no punches in his comic absurdist drama Mary. At the height of what Time magazine dubbed "AIDS hysteria" in 1983, college student David invites his boyfriend home to his parents’ house in Virginia where nothing has changed since the 1800s—including the slave quarters. Confronting hypocrisy and oppression with exhilarating wit, Bradshaw’s incendiary work is "likely to leave you speechless!" (The New York Times).
   
  Stage Kiss
  March and April, 2011 (Albert Theatre)
  by Sarah Ruhl 
A World Premiere Goodman Theatre commission
  In this quirky new comedy by MacArthur "Genius" Award-winner Sarah Ruhl, art imitates life—or is it the other way around? When ex-lovers HE and SHE are thrown together as romantic leads in an outrageously dreadful melodrama, they quickly lose touch with reality as the story onstage begins to follow them offstage. Stage Kiss is a hilarious, off-beat fairy-tale about what happens when lovers share a stage kiss-or when actors share a real one.

An Opening Benefit launches the milestone season on Monday, September 27 at the Art Institute of Chicago’s Modern Wing—the location of the theater’s former home of 75 years. Honored will be those who paved the way for the new Goodman and made possible its myriad artistic, economic and community engagement achievements over the past decade. The evening will culminate with a performance of Candide. For tickets and more information about the Season Opening Benefit, call 312.443.5564. This will be the first in a season-long series of commemorative happenings.

Upcoming productions in the 2009/2010 Season include:  the world premiere of the Goodman commissioned A True History of the Johnstown Flood by Rebecca Gilman, directed by Robert Falls (March 13 – April 18, 2010 in the Albert); The Good Negro by Tracey Scott Wilson, directed by Chuck Smith (May 1 – June 6, 2010 in the Albert); and The Sins of Sor Juana by Karen Zacarías, directed by Henry Godinez (June 19 – July 25, 2010 in the Albert) which launches the Goodman’s 5th Latino Theater Festival.

Continue reading