Review: Some Enchanted Evening (Theo Ubique Theatre)

  
  

Update: Now extended through July 3rd!

More American than apple pie!

  
  

Austin Cook, Evan Tyrone Martin, Dana Tretta - Theo-Ubique Cabaret Theatre - Some Enchanted Evening

  
Theo Ubique Cabaret Theatre presents
    
Some Enchanted Evening:
  The Songs of Rodgers and Hammerstein

          

Directed by Fred Anzevino
Music Directed by Austin Cook
at No Exit Café, 6970 N. Glenwood (map)
through June 5  |  tickets: $25-$30 (dinner: $20)  |  more info

Reviewed by Lawrence Bommer

The purest patriotism possible in this troubled land is just to love the subject of this show. The beautiful Broadway created by Rodgers and Hammerstein is broad indeed, and a way to everything that’s (still) good about America. We can enjoy the optimism of Oklahoma, dangerous ambition of Carousel, courage and tolerance of South Pacific, family values of State Fair, curiosity and growth of The King and I, assimilation of Flower Drum Song, and, well, the love of singing in The Sound of Music.  It’s there in melodies (Rodgers) you could get drunk on and lyrics (Hammerstein) that feel good because they’re just true.

Danni Smith and Austin Cook - Theo-Ubique Cabaret Theatre - Some Enchanted Evening, Songs of Rogers and HammersteinFramed as a rehearsal that turns into a performance, Fred Anzevino’s generous, two-hour tribute to R&H’s glorious Americana showcases five splendid singers flawlessly directed by musical director and pianist Austin Cook. The uncredited compilation offers clever to sumptuous arrangements in a program that lets the songs talk to each other almost as much as they resonate with an equally impassioned audience. We grew up with these songs until they’re now part of our emotional DNA.

At the same time, you’ve never imagined “Maria” as a possible love song about a relationship, not a complaint by nuns, but it works well here. (Less so is the unnecessarily jazzed-up backdrop to “Something Wonderful.”) A few discoveries offer less-known confirmation of the partners’ mastery, like the winsome “A Fellow Needs a Girl” and the sardonic lament “The Gentleman Is a Dope” (Rodgers’ later sequel to “The Lady Is a Tramp”?).

So many favorites are included that it’s easier to mention the ones that aren’t (the power anthems “Climb Every Mountain” and “You’ll Never Walk Along” and my favorite ballad, “What’s the Use of Won’drin’?”). What made the cut, however, is perfection enough, especially as sung by a soaring soprano and euphoric belter like Sarah Schoch, who gives “A Wonderful Guy” a fitting sweep and scope. Dana Tretta is a wicked comedienne in “I Can’t Say No” and a wistful lover in “I Have Dreamed.” Danni Smith brings star quality to the fragile “Love, Look Away” and raw nostalgia and tensile heartbreak to “Hello, Young Lovers.”

     
Danni Smith, Evan Tyrone Martin, Dana Tretta - Theo-Ubique Cabaret Theatre Austin Cook, Evan Tyrone Martin, Dana Tretta, Jeremy Trager - Theo-Ubique Theatre
Some Enchated Evening ensemble - Theo-Ubique Cabaret 3 Evan Tyrone Martin, Dana Tretta, Austin Cook, Jeremy Trager Danni Smith and Sara Schoch in 'Some Enchated Evening' - Theo-Ubique Cabaret

Jeremy Trager’s baritone serves him splendidly throughout, never more so than in his driven version of Billy Bigelow’s all-confessing “Soliloquy.” Finally, Evan Tyrone Martin brings a heavenly tenor to “Edelweiss,” a folk song so pure it fits every possible singer, while his tender and haunting take on the little-known “Everybody’s Got a Home But Me” shows how R&H could summon up the blues in spirit if not in note.

Fine as they are, collectively this terrific ensemble turn “Shall We Dance,” “A Grand Night,” “Grant Avenue,” and the seductive title song into harmonious musical gems of a thousand carats each.

Well, the revue’s title says it all. My one complaint is that the whole show should have been a sing-along. But I’ll leave that to “The Messiah.”

  
     
Rating: ★★★★
  
  

Austin Cook, Dana Tretta, Jeremy Trager, Danni Smith, Sara Schoch and Evan Tyrone Martin in 'Some Enchanted Evening' - Theo Ubique Cabaret Theatre

All photos by G. Thomas Ward Photography

     
     

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David Pittsinger wows the crowd at Gibson’s Steakhouse

Big talent represents “South Pacific” at Gibson’s

 southPacific_david

By: Timothy McGuire

I recently had the opportunity to attend a media luncheon for the upcoming touring performance of Lincoln Center Theater’s production of South Pacific. Broadway’s successful tony award winning musical will be playing at the Rosemont Theatre for a limited one-week engagement November 24 – 29, 2009. (ticket info)

The passion and excitement for this specific production was evident in the enthusiasm expressed by the people involved in bringing this production from New York to Chicago. They sincerely believe that this is an extraordinary show offering the audience the rare opportunity to experience a performance done in the spectacular old Broadway fashion, featuring a huge full orchestra unlike anything seen in current Broadway productions today. The touring show of South Pacific promises to be a near replica of the prize-winning musical that started in New York.

The most impressive endorsement for this production was the opportunity to hear the astonishingly powerful and elegant voice of David Pittsinger, who will be playing Emile. The impact of Pittsinger’s romantically forceful bass-baritone voice just a few feet away brought the small audience at Gibson’s Steakhouse to emotional heights, and one can only imagine the magnificence of hearing the full production of his songs produced on Rosemont Theatre’s spacious stage.

southpacific_iconDavid Pittsinger also was a terrific speaker, appearing genuine in his belief in the significance and relevance of South Pacific to today’s audience. Pittsinger is the living embodiment of his character Emile. His wife is born of minority decent and he has interracial children (who he is bursting with pride to talk about.) His belief in love, unification and racial equality is evident in his actions and his loved ones around him.

The original role of Emile de Becque was written for an opera singer, and David Pittsinger is a talented, internationally acclaimed opera performer working with the Metropolitan Opera in New York City (most recently portrayed Angelotti in “Tosca”at the Metropolitan Opera) and living and working most of the year in France. The advantage that Pittsinger is also a world-class actor increases the quality of his role and greatly supports the well-written book that goes along with the classically entertaining music in South Pacific. With themes of war and racial conflict, along with the joyous uplifting story and cleverly catchy songs, this year is a fantastic time to enjoy Rodgers & Hammerstein’s South Pacific.