Brilliant acting heightens uneven script
Victory Gardens Theater presents |
A Guide for the Perplexed |
By Joel Drake Johnson Directed by Sandy Shinner Victory Gardens Biograph Theater, 2433 N. Lincoln (map) Through August 15 | Tickets: $20–50 | more info |
Reviewed by Leah A. Zeldes
Chicago sees a lot of very good acting. Yet every once in a while an actor really socks you in the eyes with the difference between good and great. That’s Kevin Anderson in a Joel Drake Johnson’s quirky dark comedy, A Guide for the Perplexed, now in world premiere at Victory Gardens.
Every movement, every line of Anderson’s body adds meaning to his brilliantly nuanced performance. Together with Francis Guinan, another highly talented Steppenwolf ensemble member, he makes such mundane acts as making a bed or feeding fish hilarious.
Anderson plays Doug, a 50-something loser who’s just left a five-year prison stretch. Exhausted mentally and physically, with nowhere else to go, he’s reluctantly staying in the den at his sister Sheila’s house on the North Shore — much to the dismay of her nerdy, stressed-out husband, Phillip (Guinan).
Already coping with his own crises, including his collapsing marriage and a deteriorating relationship with his teenage son, the neurotic Phillip’s ill-equipped to deal with his passive-aggressive brother-in-law’s uneasy return to freedom. Sheila, played by Meg Thalken in a series of brief phone calls, is away on business. Phillip, out of work and demoralized as the result of a criminal accusation that may or may not be accurate, spends his time gardening, cooking, reading romance novels and quarreling with his bright, but troubled, gay son Andrew (Bubba Weiler).
Andrew vents to his uncle, who makes caring, though clumsy efforts to help. In a sensitive performance, Bubba Weiler exudes a sometimes over-the-top teen angst.
The title of this dysfunctional-family story is taken from the esoteric text by medieval Jewish philospher Moses Maimonides aka Rambam. Andrew, a Hebrew scholar, tells his uncle that Maimonides offers a rational guide to the "problems of living." But when Doug presses for examples of what the great thinker had to say about their own specific troubles, Andrew cannot answer.
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The final, bizarre addition to the cast of characters is Betty, a prosperous woman from Cincinnati, one of Doug’s many prison pen pals. To his consternation, she’s driven all night, arriving at 6 a.m., to shower him with gifts and confess that she’s fallen in love with him through their mail correspondence. Cynthia Baker’s Southern-belle portrayal seems overly cheery and restrained, not nearly lovesick enough.
The action rotates indoors and out on a neat revolving set by Jeffrey Bauer that nicely evokes upper-middle-class suburbia, but its measured revolutions unnecessarily slow the pace. Meanwhile, Johnson’s script spins dizzyingly back and forth between absurd humor and bleak emotional outbursts.
Often, it works, such as in a highly evocative monologue in the second act where Guinan brilliantly describes the pleasures of grocery shopping as relief from depression. But such comic delicacy clashes with the heavy melancholia of the serious moments, and the abrupt, unsettled conclusion leaves viewers without catharsis.
In the hands of less-skilled actors, this play might not be worthwhile. This cast, however, puts A Guide for the Perplexed on the recommended list.
Rating: ★★★ |
Note: Suitable for ages 14 and up.
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Filed under: 2010 Reviews, Biograph Theatre, Leah A. Zeldes, Victory Gardens | Tagged: A Guide for the Perplexed, Andre Pluess, Bubba Weiler, Carol J. Blanchard, Chicago theater review, Cynthia Baker, Francis Guinan, Grant Sabin, Jeffrey Bauer, Joel Drake Johnson, Kevin Anderson, Leah A. Zeldes, Meg Thalken, Moses Maimonides, Rambam, Sandy Shiner, Tina M. Jack, Todd Hensley, Victory Gardens Biograph Theater | 1 Comment »