REVIEW: Alien Queen (Jonny Stax @ Circuit Night Club)

     
     

Update: 3 shows added – Jan 8, 15 and 22 at 8pm!

Queer encounters of the ‘Alien’ kind

     
     

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Jonny Stax presents
   
Alien Queen
   
Created and Directed by Scott Bradley
at
Circuit Night Club, 3641 N. Halsted (map)
through Jan 22  |  tickets: $15-$25  |  more info

Reviewed by Paige Listerud

Did you ever think that the music of Queen could be perfectly paired with the “Alien” movies and re-energize the franchise with queer sensibility? That one never dawned on me, either. But Scott Bradley has spawned Alien Queen, a musical comedy review that clearly reflects the cunning and twisted mind of a creator/director unabashedly obsessed with gender transgression, sticky substances, and the ultra-queering of Sigourney Weaver. And that’s saying something, since Weaver, as lustable butch Ellen Ripley, won the hearts of every Eighties lesbian and bi woman once the first “Alien” film emerged to boffo box office reception in 1979.

Alien Queen - Jonny Stax - Scooty and JoJo 005Ryan Lanning, playing Ridley, could also seduce sapphists (of the fluid sexuality variety) as long as he keeps the wig on and keeps exhibiting the cool toughness of everyone’s favorite Alien hunter–“Killer Queen” introduces us to her, still in her pod in suspended sleep. There is that penis thing, which could cockblock the adoration of Kinsey 6 dykes and certainly the audience for the show at Circuit Night Club seemed fairly gay male dominated. But hopefully, after much critical acclaim, a stronger dyke contingent will join the in revelry.

For one thing, Alien Queen is terribly sophisticated in what it does. In fact, for a comedy review, the cast’s performances tend to be on the side of understatement. Deadpan delivery overrides exaggeration and over-the-top theatrics. This production displays professionalism in that it shows as much homage to Freddie Mercury’s music and to the Alien-franchise as it engages in parody or spoof. Behind the laughs is a lot of love for the material.

Bradley and partner-in-crime Executive Producer Jonny Stax seem pretty happy to let the dry movie script spoof itself. They leave Anna Glowacki’s alien and astronaut costuming – supplemented by the alien puppet designs of Jabberwocky Marionettes Productions – to boost dramatic spectacle for the audience. You haven’t seen aliens till you’ve seen them break out of a human’s stomach, in puppet form, to sing “Don’t Stop Me Now.” Anne Litchfield impresses with the first introduction of a full-grown alien costume. But few sights beat Bradley dressed as the mammoth alien queen herself, pumping out eggs for her alien subjects while singing “Get Down, Make Love.”

            
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Music Director Nicolas Davio keeps the show rockin’ while Jyl Fehrenkamp’s choreography has to make do with the limits of the stage at Circuit. But the cast kicks it very well and then does it all over again in alien costumes. (There’s got to be a Jeff award for that, right?) T. L. Noble makes the most of Circuit’s environs, skillfully creating an otherworldly lighting design in which the crews of Ridley’s respective ships seek out and are destroyed. And destroyed they are, one by one, to the tune of “Another One Bites the Dust.” As stupid marines about to die horribly, Kieran Kredell (Valdez) and William A. Barney (Hunks) take the cake. After all the idiot humans Ridley has to deal with it’s almost a relief and a celebration to see the aliens take over.

As for why Scott Bradley would want to set himself up in a role playing Ridley’s alien nemesis, that I leave others to psycho-analyze. The result is smart, polished gender-bending fun.

  
  
Rating: ★★★
  
  

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Michelle Obama – Arts Warrior!

I’m excited to report that, during her second New York City visit, first lady Michelle Obama spent her time emphasizing the crucial role the arts play in our society, reopening part of the American wing of the Metropolitan Museum of Art on Monday and later addressing the crowd at a glittering ballet gala – where she was greeted with enthusiastic ovations from audiences that included prominent figures in politics, the arts, entertainment and fashion.

She stressed the importance of giving young people better access to the arts:

“The arts are not just a nice thing to have or to do if there is free time or if one can afford it,” she said at the museum. “Rather, paintings and poetry, music and fashion, design and dialogue, they all define who we are as a people and provide an account of our history for the next generation.”

michelle Obama and Caroline Kennedy at Metropolitan Museum of Art“The president and I want to ensure that all children have access to great works of art,” she told a crowd that included students from four New York City public schools that focus on the arts. “We want all children who believe in their talent to see a way to create a future for themselves in the arts community, either as a hobby or as a profession.”

Mrs. Obama also she reminded the audience that her husband, President Barack Obama, had included an additional $50 million (yeah!) for the National Endowment for the Arts in his economic stimulus package.

It was hardly the first time Michelle surprised the art world with her involvement, and it’s looking as if it’ll be far from the last. She and the president have gone to the Kennedy Center for the Performing Arts to watch the Alvin Ailey Dance Company. They attended the reopening of the newly renovated Ford’s Theater, where Lincoln was assassinated. She’s been spotted at Washington’s Shakespeare Theatre, for a Welcome to Washington event that included performances by the Washington Ballet, the Arena Stage, the Washington National Opera, and other groups.

Mrs. Obama spoke in the newly renovated Charles Engelhard Court, a striking room filled with sunlight, in front of the Greek Revival-style facade of an early 19th-century bank branch that was originally on Wall Street. She wore a bright purple Isaac Mizrahi sheath and coat.  To the amusement of a crowd that included Mayor Michael Bloomberg, Sen. Kirsten Gillibrand, D-N.Y., Vogue editor Anna Wintour, former model Iman and designer Ralph Lauren, Mrs. Obama was reminded by museum president Emily Rafferty that she and the president had their first date in a museum. (aside: how cool is that?!?)

“Thank you for reminding me,” Mrs. Obama said. “You know, after 20-some-odd years of knowing a guy, you forget that your first date was at a museum. But it was, and it was obviously wonderful; it worked.”

Michelle ObamaMichelle also met with arts luminaries in the gallery in the Egyptian wing named for Hatshepsut, the woman who ruled as pharaoh. “We thought it would be appropriate,” says Emily Rafferty.

After meeting with a group of arts leaders, the first lady changed into evening clothes and headed to American Ballet Theatre’s spring gala at the Metropolitan Opera House, a highlight of the city’s social calendar. Among the glitterati: Actresses Sigourney Weaver, Kim Raver, and Rosemary Harris; New York Sen. Chuck Schumer, opera singer Renee Fleming, and Wintour, who pronounced the evening “wonderful _ wonderful for the ballet, wonderful for the arts.”

The crowd rose in enthusiastic applause _ one man shouted, “Brava!” _ as Mrs. Obama, dressed in a black Alaia dress and Thakoon jacket, was introduced by Caroline Kennedy, whose mother, Jackie Kennedy, was a longtime supporter of the arts.

“My husband and I believe strongly that arts education is essential for building innovative thinkers who will be our nation’s leaders for tomorrow,” the first lady said, before introducing a multiracial cast of ballet students from ABT’s Jacqueline Kennedy Onassis School, who leaped and pirouetted their way to a huge ovation.

FYI: parts of this story are from http://www.thedailybeast.com/blogs-and-stories/2009-05-19/obamas-new-arts-czar/