REVIEW: Mud (Village Players)

An update on Tobacco Road

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Village Players presents
 
Mud
 
by Maria Irene Fornes
directed by Lawrence Keller
at
Village Players Theatre, 1101 W. Madison, Oak Park (map)
thru April 25th |  tickets: $15-$20 |  more info

reviewed by K.D. Hopkins

The opening action of  Mud features the character of Mae (Stephanie Ganacoplos), a woman burdened by the weight of the laundry that she carries and by the harsh conditions in which she lives. When Lloyd (Nick Bonges) enters, his role is uncertain – is he her husband, another relative, a boarder?  Bonges plays the role of Lloyd with an atavistic ferocity as bounds into the scene and stares at Mae while she irons. The scene – spare on dialogue, save for a terse exchange of expletives – crackles with a dangerous sexuality.

It is eventually discovered that Mae’s father brought Lloyd to the home as a child. He was supposed to be company for Mae and in some fashion a future spouse. However, the father died and the children were left to raise themselves in poverty and illiteracy. Mae is the first to step out and try to learn arithmetic, leaving Lloyd to animal husbandry with the pigs. What follows is an excellent exploration of servitude, poverty, and the struggle for power in domesticity.

mud Having matured without adult guidance, Mae and Lloyd are accustomed to running on instinct. Mae’s sexuality is ripening and unrequited, as Lloyd has found sexual release in bestiality. The excellent timing and nuance of the actors temper the shocking revelation that Lloyd is having relations with a pig, and we’re not meaning a female slob. When it comes to human relations, Lloyd is impotent and an unfortunate venereal prostate disease has given him a constant fever.

Mae recruits a classmate from her arithmetic class, Henry (Dennis Schnell), to read the pamphlet on venereal disease to Lloyd, which hopefully will convince Lloyd to get some medicine. Schnell’s first scene is quite funny as he portrays Henry as a pompous stiff who can read big words. Henry believes that pronouncing the words will make people believe he knows what they mean. This sequence sets up the dynamic between the three of them, making Lloyd continuously suspicious and on guard. He is more worried that his portion of food will be compromised. Mae is enthralled by Henry’s knowledge of words and they begin a sexual relationship.

Lloyd is told that he can make a pallet on the floor from newspaper. It is similar to what he does for his swine. Mae has already compared him to pigs and wished that he would die and rot in the mud. Her frustration and desire lead her to believe that Henry will free her from the dirt. Lloyd shows himself to be more astute that believed when Henry has a stroke. He has the upper hand and Henry’s care is delegated to him but both men are shown to be dependent and ignorant. They tether Mae to the house, the marital bed, and the mud.

Mud is written by Maria Irene Fornes and is featured as part of the Village Players Theatre “Women on the Cutting Edge” series. The dialogue is beautifully written and lends itself to varying degrees of interpretation. My theatre companion for the evening was disappointed the actors did not have country accents, though it could be said that the scenes prove to be much more visceral without accent – this dire situation could surely take place in urban America just as much as the boondocks. Affecting ‘country’ accents would have put too much Erskine Caldwell in the mix.  Though the action seems to take place in the 1930’s, it could be in present time as well. How often are we supposedly shocked at tales of lurid sex and unusual relationships on the evening news? Or worse, inured to tabloid adventures of the local citizenry (especially if they’re famous!).

Kudos to Annalee Johnson for her set design and props – both superb. The props look authentic down to the washing bowl made of distressed zinc. I cringed every time the character of Lloyd would soak a rag in the water and suck on it to cool his fever. Though counterintuitive, it takes talent to create a palpable feeling of dust, sweltering heat, and despair in the set design.

Applause is due to director Lawrence Keller for excellent staging and pacing of what could have been melodramatic or overwrought. This series is dedicated to showcasing women writers or women characters with an edgy sensibility. Mae is a woman on the edge and punching her way out of an untenable situation. The ending left me shaken even though I knew what was coming. The actors created a fever pitch unsullied by self-awareness. All three actors were amazing and completely consumed by the characters. The surprise was that they could shake off the characters to smile when they took their bows.

 
 
Rating: ★★½
 
 

“Mud” plays through April 25th at Village Players Theater 1010 Madison Street in Oak Park. Call the box office at 866-764-1010 or go to www.village-players.org for ticket information. The theater is easy to reach by public transportation or Metra. It is worth the field trip to the suburbs.

"Mud" stars Nick Bonges, Stephanie Ganacoplos, and Dennis Schnell. Designers include Annalee Johnson (set/props) and Emma Weber (costumes). Kelly Herz is stage managing.

REVIEW: Lost in Yonkers (Village Players)

Two brothers zing Simon’s show

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Village Players Theater presents:

Lost in Yonkers

 

Written by Neil Simon
Directed by
Brian Rabinowitz
Thru February 21st (more info)

By Katy Walsh

Living on top of a candy store is every kid’s dream – unless the shop is owned by a tyrannical grandmother! yonkers2Set in the early 1940’s, Neil Simon’s Purlitzer Prize and Tony Award winning play is a coming-of-age story about two teenagers forced to live with their cruel grandma for a year. When financial complications require their father to take a job on the road, Arty and Jay leave the Bronx for Yonkers. Sleeping on the pull-out couch, the boys live in the 2 bedroom dictator world with their grandma as supreme leader. Making family life a little more pleasant and weirder, they get to know their crazy Aunt Bella, con artist Uncle Eddie and strange Aunt Gert. Playwright Neil Simon is the master for portraying family dysfunction in a comical manner, and in Lost in Yonkers, the two young boys’ antics lead family members to face their past destructive patterns.

Under the direction of Brian Rabinowitz, Andrew Raia (Jay) and Jake Walczyk (Arty) are fantastic as the brothers. Their onstage chemistry makes the relationship bond seem real. Raia’s Bronx accent is the best in the cast. Whether his sulking on the couch or challenging his grandma, his timing is authentic and flawless. Walczyk’s delivers some of Simon’s best zingers. The comedy is heightened for extra laughs from this pint size messenger with a big attitude. As Grandma, Deanna Norman’s presence alone on stage is disapproving and threatening. Add in the character’s severe child raising practices, Norman makes anyone squirm in their seat.

yonkersThe most demanding part in the show is the role of Bella. A woman incapacitated by mental illness and her mother’s hold, the role requires a combination of child-like innocence, a woman’s romantic desires, and neurotic outbursts. Stephanie Ganacolpos does a fine, but not consistent, job of hitting all these elements sporadically throughout the show.

Designed by Annette Vargas, the set is that of an apartment in Yonkers that’s seen better years. In the first scene, the audience learns how particular grandma is about the doilies on the couch – with this realization, however, the sloppy wallpaper seems a little too imperfect for grandma’s home. Bella’s wardrobe also malfunctions after grandma throws a cup of tea on her. The tea results in Bella displaying distracting wet stains on her cotton dress in the next scene. The costumes by Emma Weber add a layer of understanding of the time period, especially Arty’s short pants. Under Weber’s guidance suits, ties, and dresses rule the day – there are no casual comforts. It’s hard to imagine today’s teenage boys wearing suits and ties in an un-air conditioned apartment.

Although taking place more than a half of century ago, Lost in Yonkers has timeless themes of family dynamics, teenage rebellion, and financial struggles. It’s a perfect show to escape and compare family war wounds. If nothing else, go to see the beginnings of the brilliant stage careers of Andrew Raia and Jake Walczyk.

 

Rating: ★★★

 

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