Is it group therapy or a lobotomy? Both!!
Caffeine Theatre and Chicago Opera Vanguard present |
BOOJUM! Nonsense, Truth and Lewis Carroll |
Books/Lyrics/Music by Martin Wesley-Smith & Peter Wesley-Smith Directed by Jimmy McDermott at DCA Storefront Theater, 66 E. Randolph (map) through Dec 19 | tickets: $15-$25 | more info |
Reviewed by Katy Walsh
Drawing from the creative genius of “Alice in Wonderland”, it’s a nonsensical operetta that is all in his head. Caffeine Theatre and Chicago Opera Vanguard, in conjunction with DCA Storefront Theater, present BOOJUM! Nonsense, Truth and Lewis Carroll, written by the Brothers Wesley-Smith. Reverend Charles Dodgson battles his pseudonym over the origins of his most famous literary masterpiece. The reserved Charles and the flamboyant Lewis deconstruct their lookingglass fame. Who better to help in the rediscovery process than Alice? Both of them! The child and adult version of Carroll’s inspiration challenge him on the intense connection and de-connection of their relationship. As Charles sorts out his Alice issues, his imagination unleashes the makings for his farcical poem, “The Hunting of the Snark”. Quirky characters fill Charles’ head with a jumble of demands for attention. BOOJUM! Nonsense, Truth and Lewis Carroll is a stay-cation to a world of the unexpected. What a head-trip!
Before the show even starts, the visual is intriguing. Projected Carroll Lewis-isms are visible on sheet-like curtains (projections by Justin Meredith). The imagery spectacle continues with the introduction of characters clad in eccentric combinations of attire. Costume designer, Philip Dawkins aids in the storytelling with distinct looks to individualize the crazy muddle. Pearls, goggles, hats, the whimsical detail is a fabulous “What-Not-to- Wear”–on-a-snark-hunt-fashion show. The talented ensemble wears crazy-on- their-sleeve tailored to perfection. The first act is high-energy high-jinx as the cluster of oddballs prepare for a snark hunt.
The loonies are flawlessly synchronized in movement for a collective punchline. Individually, they sing their backstory with amusing zest and powerful vocals. Some of the more memorable whacko performances: drunken dolt Sara Sevigny (butcher), stripped down double-the-pleasure Kevin Bishop (billiard maker) and Stephen Rader (banker), and a twisted dark comedic Jeremy Trager (Lewis).
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BOOJUM! Nonsense, Truth and Lewis Carroll drops you down a hole. It’s up to the audience to piece together the puzzle without the aid of a clear picture. From the title, you know it’s a humorous take on an author notorious for a hallucinatory imagination. The first act is frolicking on speed. Because the material is unfamiliar, and without the aid of projected operatic titles, the jokes are realized a few moments after they are sung. Despite Director Jimmy McDermott‘s masterful staging, some of the laughter is unrealized. The second act gets serious real fast and sidelines the funnier elements to focus on the Charles-Alice relationship. Although a fascinating exposé on a children’s author, the seedy realization is an uncomfortable portrayal, like Johnny Depp in “Charlie and the Chocolate Factory”, “Finding Neverland” or “Alice in Wonderland”. What’s really going on between this adult and these kids?
BOOJUM! Nonsense, Truth and Lewis Carroll is all about looking at two sides of the same thing: Dodgson/Carroll, Past/Present, Reality/Fantasy. Following this splitting trend, I’ll break it into two too. The first act, Boojum: Nonsense is a schizophrenic’s group therapy session. The second act, Boojum: Truth is more like a lobotomy.
Rating: ★★★ |
BOOJUM! runs Thursdays, Fridays, Saturdays at 7:30pm, Sundays at 3pm, thru December 19th. Intended for ages 12 and up. Contains mature themes.
Running Time: Two hours includes a fifteen minute intermission
Production Staff |
Director: Jimmy McDermott Musical Directors: Andra Velis Simon & Myron Silberstein Dramaturg: Daniel Smith Musical Dramaturg: Eric Reda Choreographer: Natalja Aicardi Costume Design: Philip Dawkins Lighting Designer: Casey Diers Scenic Designer: Narianna Csaszar Projection Designer: Justin Meredith Technical Director: Jason Beck, Dan Cox |
Ensemble
Alex Balestrieri Kevin Bishop Marielle de Rocca-Serra Laura Deger Kevin Grubb |
Stephen Rader Michael Reyes Sara Sevigny Heather Townsend Jeremy Trager |
3 Words: To my left and a definite voice in my head, James describes the show with ‘a theatrix flambel.’
Filed under: 2010 Reviews, Caffeine Theatre, Chicago Opera Vanguard, DCA Theatre, Katy Walsh, Opera | Tagged: Alex Balestrieri, Andra Velis simon, Boojum Nonsense Truth and Lewis Carroll, Caffeine Theatre, Casey Diers, Chicago Vanguard Opera, Dan Cox, Daniel Smith, DCA Storefront Theater, Eric Reda, Heather Townsend, Jason Beck, Jeremy Trager, Jimmy McDermott, Johnny Depp, Justin Meredith, Kevin Bishop, Kevin Grubb, Laura Deger, Marielle de Rocca-Serra, Michael Reyes, Myron Silberstein, Narianna Csaszar, Natalja Aicardi, Philip Dawkins, Sara Sevigny, Stephen Rader | 1 Comment »