REVIEW: Into the Woods (Porchlight Music Theatre)

Enchanted cast serves up skewered storybook characters

 Jeny Wasilewski as Little Red Ridinghood, Henry Michael Odum as Narrator, Steve Best as The Baker

 
Porchlight Music Theatre presents
 
Into the Woods
 
Book by James Lapine
Music/Lyrics by
Stephen Sondheim 
Directed by
L. Walter Stearns
Music Direction by Eugene Dizon
at
Theatre Building Chicago, 1225 W. Belmont (map)
through May 30th | tickets: $38 | more info

By Katy Walsh

What happens after happily everafter? What is next after Cinderella gets married, Jack kills the giant, Rapunzel has short hair? Porchlight Music Theatre presents the Tony Award-winning musical, Into The Woods. The baker learns his witch-of-a neighbor has cursed him with infertility. To break the barren spell, the baker is instructed by the  Rachel Quinn as Cinderellawitch to produce a red cape, golden slipper, white cow and blonde hair strands. He and his wife go into the woods to secure the hex-breaking ingredients. Among the trees, they find storybook characters struggling with their own predetermined storybook ending. Into The Woods intersects multiple fairytale classics to create non-traditional ever-afters.

The set designed by Ian Zywica establishes the woods location. Although the five piece orchestra is visibly on stage, they vanish just beyond a hill and bramble. Center stage is a large full moon-shaped screen doubling as forest projections and shadowboxing scenes (designed by Liviu Pasare). The multi-media effect adds a mystical quality for dead people speaking or being regurgitated. Although simplistic, it has all the makings for a magical forest for close encounters of the fable kind.

Under the direction of Artistic Director L. Walter Stearns, the talented ensemble cast are enchanting(!). Bethany Thomas (witch) is spellbindingly marvelous belting out the punch line and song. Her rendition of “Children Will Listen” is an inspiring memorable moment. With exaggerated prince-like debonair, Cameron Brune and William Travis Taylor are hilarious leaping in and out of scenes. Their double duet of “Agony” is suave buffoonery, as Taylor quips, “I was taught to be charming not sincere.” Although sometimes overpowered by the band, Jeny Wasilewski (Red Riding Hood) sings and skips with spunky determination. Channeling Amy Adams’ “Enchanted” performance, Rachel Quinn (Cinderella) is a wistful and underwhelmed target of the prince’s affection. Steve Best and Brianna Borger (Baker/Baker’s Wife) sing an amusing duet of marital expectations. The large cast adds harmonious voice to the finale… both of them.

Cameron Brune as Rapunzel's Prince and William Travis Taylor as Cinderella's Prince Cameron Brune as The Wolf and Jeny Wasilewski as Little Red Ridinghood
Henry Michael Odum as Mysterious Man Steve Best as The Baker and Brianna Borger as The Baker's Wife Rachel Quinn as Cinderella and Jeny Wasilewski as Little Red Ridinghood

Initially, Into The Woods is a clever and witty flashback to childhood stories. In a ninety minute first act, playwright James Lapine succinctly intertwines various fairytales with additions of each character’s back story. The happily-ever-after finale is amusing, satisfying and surprising. The projected words “to be continued” initiates a program book revisit. Apparently, something does happens after ‘happily ever after.’ Act II starts where the traditional fairytale ends. The results are less than whimsical with a giant’s village domination, philandering spouses, and serial killing. It’s a harsh twist for following your dream. Sure, there are adult lessons to be learned about the consequences of pursuing your heart’s desire. It’s called reality. I prefer to keep my childhood heroes in a perpetual state of Act I make believe.

 
   
Rating: ★★★
    
    

 

Kristen Leia Freilich as Jack's Mother and Scott J. Sumerak as Jack Bethany Thomas as The Witch

 

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Sunday Night Sondheim: Giants in the Sky (from Into the Woods)

Giants in The Sky”, sung by Jack in Steven Sondheim’s Tony Award-winning musical Into The Woods.

 

This video’s assorted comments on YouTube:

Omg I know, I was soooo ticked off because the principle at our school wouldn’t let us do the second act!! I was like "Well, what’s the point in doing it??"

here’s a response to the above comment.  I tend to agree, though not “eternally” 🙂

His voice is awesome. I love this Bernadette Peter’s version. And to all you…people… who do this for your high school musical, if it ends happily, you fail. I will eternally hate you. Ending it at the first act is like spitting on Sondheim’s Genius!!! I hate you

And my favorite comment of all:

My sister was the cow in ours school’s show. best damn cow ever in my opinion