Gift Theatre offers holiday show, extends ‘Lonesome West’

  
  

Gift Theatre ends 2010 with holiday play, ‘Lonesome West’ extension

  
  

The Lonesome West - Gift Theatre

Written by Allegra Gallian

The Gift Theatre is a Chicago-based theatre company situated in the north-west city neighborhood of Jefferson Park, taking the form an intimate 50-seat storefront space located at located at 4802 N Milwaukee Ave.

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The Gift Theatre Company, whose mission is to tell great stories on stage with honesty and simplicity, has been producing shows since 2001 with their premiere production of Boy’s Life. The company, led by Artistic Director Michael Patrick Thornton, has been consistently producing shows at their home location and around the city each year since then.

Most recently their 2010 season included One Flew Over the Cuckoo’s Nest (review ★★½), Suicide, Incorporated (review ★★★), The Lonesome West (review ★★★) – and they celebrate the season with Get Behind Me, Santa! And The Lonesome West , directed by Sheldon Patinkin, has been so well received by both audiences and critics alike, it has been extended for another 5 weeks, now closing January 30, 2011!

Get Behind Me, Santa! is a two-act comedy performance using both sketch comedy and improv taking on all things holiday-related. Poking fun at everything from tacky sweaters to Yule logs and everything in between, The Gift Theatre Company partnered with the Gale Street Inn to bring a little extra cheer and good tidings to the city.

The Gift Theatre Company also celebrates the season every Wednesday and Friday with Natural Gas performed by the cast of Santa’s Great American Depression Holiday Show, America! The show offers 50 minutes of holiday amusement.

     
Josh Rollins and Mike Harvey - Gift Theatre Gift Theatre - Cuckoo Nest

Not only does the company continue to produce theatre, but they produce film as well under the name of giftFILM, led by artistic directors Kenny Mihlfried and John Kelly Connolly. Part of giftFILM’s mission is to, according the company’s Web site, “produce short and feature-length films and videos, primarily (but not exclusively) written, directed, and performed by ensemble or company members of the Gift Theatre Company, and to actively encourage an ongoing collaborative relationship between theater and filmmaking communities of the city of Chicago and surrounding areas.”

For more information see the Web site at http://www.thegifttheatre.org/.

 

VIDEO: Behind the scenes at Lonesome West, featuring Michael Patrick Thornton and John Gawlik.  Video shot by Aemilia Scott and Tom Blanford, edited by Aemilia Scott.

  
 

REVIEW: Suicide, Incorporated (Gift Theatre)

Working 9 to 5 – for an Easier Way Out

 

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Gift Theatre presents
  
Suicide, Incorporated
   
Written by Andrew Hinderaker
Directed by
Jonathan Berry
at
Gift Theatre, 4802 N. Milwaukee (map)
through July 25th  |  tickets: $25  |  more info

reviewed by Paige Listerud

Gift Theatre’s tightly woven cast make the most of Andrew Hinderaker’s world premiere one-act, Suicide, Incorporated. Directed by Jonathan Berry, the play cleverly provides them with a lot of most to make. First, it features a business whose mission is to mold a suicide’s dead-end perspective into a skillfully crafted final farewell letter; second, the play depicts the general corporate tendency to reframe life’s tragedies into manageable chunks of reality that will yield to its scripted dialogues and flowcharts. Scott, owner and founder of the business, is played with sharp, savage and mercenary relish by Ed Flynn. Yet even he is just using the tools he’s learned in business school to create order against the inexorable pull of suicide’s black hole. Too bad he cannot avoid creating new victims, like his manically kiss-ass assistant, Perry (Jay Worthington).

josh&mikediner-1.jpg_20100616_13_54_26_26-116-165 We find his new employee, Jason (Joshua Rollins), a writer of former Hallmark Card fame, already well down that rabbit hole—conversing with shadowy figures like his younger brother Tommy (Mike Harvey) and last-chance customers like wheelchair-bound Norm (Michael Patrick Thornton). The spookiness of Jason’s conversations with his brother doesn’t become apparent until midpoint through the play’s progress–this is perhaps the biggest flaw of Gift Theatre’s production or Hinderaker’s play. Stronger foreshadowing of Jason’s true relationship with Tommy is necessary for greater impact. Also, a clearer sense of Jason’s edginess would also lend veracity to his final intentions in the play’s last 15 minutes.

But, as a general rule, Suicide, Incorporated is not about family bonds—it’s about life under a business model, wherein the company of men becomes your real family, whether you want it to or not. All work and no play, that’s the quintessence of Jason’s character—stereotypically forming stronger bonds with the people he works with, or serves at work, rather than with his own flesh and blood. Lucky for the audience, Jason’s growing relationship with new customer Norm makes for the real backbone of the show.

Thornton’s performance as Norm is immaculate; every tic and pause perfectly timed—an actor’s showcase of steady, low-key, precise technique. Such an accurate portrayal makes Norm’s confession about how he ruined the love 89of his life simultaneously bizarre and eerily truthful. “How did I become one of those guys?” Norm asks; the lone guy you thought could never hurt a fly, the lone guy who loses his newlywed wife by stalking her. It’s a masterpiece of characterization.

All these lonely men—where do they all come from? That was the question I was forced to ask myself at the close of Suicide, Incorporated. If Hindraker’s play holds any water, then it seems that they all come from business school or from workplaces that barely feed their souls or even lets them know that they have souls to feed–or lives worth living outside the workplace. It’s only a one-act, but what goes missing the most from the play is the acknowledgement that these male characters were never encouraged to be whole to begin with. Once they have lost someone vitally important to them, yet existing outside the business model, will they ever get a real chance to be whole again?

  
  
Rating: ★★★
   
   

Showtimes are Thursdays and Fridays, and Saturdays at 7:30pm with Sunday matinees at 2:30.

Featuring Gift Artistic Director and ABC’s Private Practice’s Michael Patrick Thornton with guest artists Josh Rollins, Mike Harvey, Ed Flynn, Jay Worthington and Jim Farruggio.

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