Extensions: The Cabinet, Pillowman, Harper Regan, The Long Red Road

cabinet 

The Cabinet  – extended through April 4th

Redmoon Theatre has announced an extension of their haunting and surreal production. The Cabinet,originally slated to close on March 7th, has now been extended through April 4th.  Tickets are available online or by calling (312) 850 – 8440. (Read our review ★★★½)

 

 

   

PmanLogo600 Pillowman – extended through March 16th

Due to popular demand, Redtwist Theatre’s smash hit Pillowman, by Martin McDonagh and directed by Kimberly Senior, has extended its run through March 16, 2010, with a further extension imminent (fyi: Pillowman has been running strong since November 2009!).  All performances at the Redtwist blackbox space, 1044 W. Bryn Mawr.  Tickets, priced at $22 – $27, are currently on sale.  (See our Pillowman review here ★★★)

 

   

Harper Regan – extended through March 28th

On Thursday, January 21st, the Steep Theatre’s U.S. premiere of Simon StephensHarper Regan opened. Word hit the street by Friday and the first reviews hit the stands Saturday morning. By noon on Monday the 24th, every performance of the six-week run and the one week extension had sold out.  In response to this terrific demand, Steep has announce additional performances of this smash hit. An unprecedented 16 performances have been added to this already extended show – now running through March 28th.  For ticket info here. (our review here)

   

 

LongRedRoad_poster The Long Red Road extended through March 21st

Due to high demand for tickets, Goodman Theatre has extended its world-premiere production of The Long Red Road, a new play by Brett C. Leonard, directed by Philip Seymour Hoffman, by one week—now running February 13 through March 21, 2010. The cast of six remains intact for the extension week, including London’s stage and screen actor Tom Hardy, as well as Marcos Akiaten, Greta Honold, Chris McGarry, Fiona Robert and Katy Sullivan.

 

   

 

REVIEW: The Cabinet (Redmoon Theater)

The Cabinet’s surreal artistry returns

 Cabinet Redmoon 09

 Redmoon Theater presents

The Cabinet

 

By Mickle Maher; conceived by Frank Maugeri
Music by Mark Messing
 
Directed by Vanessa Stalling
Through March 7 (more info)

Reviewed by Leah A. Zeldes

The shadowy carnival showman Dr. Caligari, and his prime exhibit, the never-waking somnambulist Cesare, have been the stuff of nightmare ever since the 1919 premiere of Robert Wiene’s spooky silent film “Das Kabinett des Doktor Caligari.” A highlight of the German Expressionist movement, the film contrasts light and shadow in eerie, tilted sets; heavy, exaggerated makeup and a spooky, suspenseful story line revolving around a series of mysterious murders.

Cabinet Redmoon Cabinet 02Redmoon Theater‘s The Cabinet alters the story somewhat — here, Cesare becomes the narrator — but remains true to the original’s skewed, black-and-white imagery; sinister, melodramatic characters and surreal, dreamlike pace.

This production (inspired, a press release says, by a request from White House Chief of Staff Rahm Emanuel when Redmoon performed there last Halloween) is all but unchanged from the 2005 production.

Neil Verplank’s magical, 11-by-14-foot, wooden cabinet with its angular doors and drawers once again serves as a unique stage, setting off the rod puppets, shadow puppets and hand puppets beautifully designed for the first production by Lisa Barcy and Scott Pondrom. Clever pop-up books by Laura Miracle and Laura Annis also work into the show. Redmoon’s artistry remains impeccable.

Hissing and spitting, Cesare’s narration, a creepy voiceover by Colm O’Reilly (the only speaking role), seems to come from an old-fashioned gramophone (designed by Christopher Furman) jutting out from one of the doors, while the words of Dr. Caligari are conveyed through rear-projected supertitles at the cabinet’s top. Original music by Mark Messing, in the style of early 20th-century silent-film accompaniments, adds to the dark, uncanny mood.

Cabinet Redmoon 08 (2) Cabinet Redmoon 04
Cabinet Redmoon 06 Cabinet Redmoon Cabinet 03

Five ghoulish, grim-faced, androgynous puppeteers, fully made up, monocled and clad in black, white and shades of gray, slither through a variety of agile acrobatics onstage as they manipulate the more than 50 puppets through the cabinet’s 13 doors and drawers. Missi Davis, Sam Deutsch, Sarah Ely, Matt Rudy and Dustin Valenta contort themselves and pass puppets and props among themselves with clockwork precision.

The change of narrators does cut down the story’s suspense somewhat. Clearly, we’re supposed to sympathize with and fear for the unfortunate sleepwalker Cesare, the helpless tool of the evil doctor, caught in his endless nightmare — yet the mere fact that he’s telling the tale lets us know he comes out all right.

Haunting, and beautifully done, “The Cabinet” is no lightweight puppet show. Though whimsical in design, it feels ponderous and dirgelike — the hour-long piece seems to stretch much longer, as if the audience were caught in Cesare’s endless trance.

 

Rating: ★★★½

 

Cabinet Redmoon 07Notes: “The Cabinet” is suitable for audiences 13 years old and up. Limited free parking is available at the theater.

At 10:15 p.m. Saturdays, Feb. 27 and March 6, Redmoon will host “Boneshaker,” an evening of music with DJ Red Menace, “environmental performances” and an open bar. Admission is free to ticketholders for the 9 p.m. performances of “The Cabinet” on those nights, $5 otherwise.

Scenes from The Cabinet, 2005