Chicago-to-NYC theatre happenings

Critically-acclaimed The Strangerer (our review), produced by Theatre Oobleck and Scott Morfee, will be pulling up stakes and moving to New York’s Barrow Street Theatre, opening there on July 13th.

The minimalistic new musical The Adding Machine, produced by Next Theatre and Scott Morfee, will be ending their long run at New York’s Minetta Lane Theatre, accumulating a run of 16 previews and 149 regular performances.

"The Strangerer" moving to New York

Theater Oobleck’s acclaimed production of Mickle Maher’s The Strangerer will conclude an extended Chicago run on June 29 before taking the show to New York for performances at the Barrow Street Theatre in the West Village, beginning July 9, 2008. Here is an scene from this productions:

 

Produced by Theater Oobleck, in association with the Barrow Street Theatre, the production is slated for an initial six-week run and will feature original Chicago cast members Guy Massey, Mickle Maher, Colm O’Reilly, and Brian Shaw.

Theater Oobleck’s “The Strangerer” extended

THEATER OOBLECK’S THE STRANGERER EXTENDED

Bush, Kerry and Camus Meet Again at Chopin Theatre Through June 29

Theater Oobleck proudly announces the extension of Mickle Maher’s smash hit The Strangerer at The Chopin Theatre, 1543 W. Division, through Sunday, June 29. Mickle Maher, Guy Massey, Colm O’Reilly and Brian Shaw star in The Strangerer, deconstructing the first George Bush/ John Kerry presidential debate with a satirical twist inspired by the Albert Camus classic The Stranger. The Strangerer marks the beginning of Theater Oobleck’s 20th anniversary season.  

The Strangerer, which opened April 4, extends through June 29 at the Chopin Theatre. Performances are Thursday, Friday and Saturday at 8 p.m. and Sunday at 3 p.m. Tickets are $10 “more if you’ve got it, free if you’re broke.” For information or reservations, call 773.347.1041 or visit www.theateroobleck.com.

Review – Theatre Oobleck’s “The Strangerer”

Review by guest reviewer Venus Zarris.

I met my lover and some dear friends tonight for cocktails, all abuzz from last night’s production. When I told the name of the play my friend Star said, “You mean ‘The Stranger’ by Albert Camus?” “Well, yes and no.” I answered. ‘The Stranger,’ a classic absurdist novel that tells of senseless murder, was on Bush’s 2006 vacation reading list. This inspired playwright Mickle Maher to examine the president through the absurdist world of Camus’s writing and the result is a hysterically wonderful example of theater’s most exigent possibilities.    

I came away from Theater Oobleck’s production of ‘The Strangerer’ asking a question that I don’t think I’ve ever asked before in the hundreds of plays that I have reviewed. Where is playwright Mickle Maher’s Pulitzer Prize? This question was as urgent as the underlying message of Maher’s deceptively profound script.

There have been countless depictions of George W. Bush‘s ineptitude and arrogance. If there is one thing that he has done right, and this is just about the only thing that can be said for him on a positive note, it is that he has provided more fuel for humor and parody than any president in the last several decades. But it has become cliché to mock Bush, too easy, too obvious. The idiosyncratic absurdities of his mannerisms and his infantile grasp of the English language have been fodder for seasoned satirists, novice stand-up comedians and everyday people alike. So what makes ‘The Strangerer’ more than just another exceptional vehicle for dead on impersonation?… The fact that it nails perhaps the most terrifying aspect of Bush’s reign of terror by illuminating the blatant and surreal disregard for human life that he has displayed.

As we complain on a daily basis about the rising cost of gas, (rapidly approaching what is tantamount to a Kruggerand a gallon) observe America’s standings in the world reduced to a joke, cringe every time a presidential address is babbled by a man who’s communication style consists of self congratulatory grins after successful completions of multi syllabic words, and struggle with the plethora of daily domestic and international foibles of the current administration we loose sight of the very real and frightening fact that our country is being run by a murderer.

We can calculate the decline of the economy. We can calculate the damage to the environment. We can calculate the devastation of foreign diplomatic credibility. But we cannot begin to calculate the toll this administration has taken in human life and human suffering. The implications are exponential, staggering and embody a lethal chaos theory. That is to say that all of the other maladies perpetuated by George W. Bush, and you can include many people in the debauchery but the buck stops with the commander in chief, are simply smoke screens to this administrator of mass destruction.

The setting for ‘The Strangerer’ is the first Bush/Kerry presidential debate in 2004. It starts out appearing to be a straightforward recreation but rapidly descends into madness as Bush repeatedly tries different methods of killing moderator Jim Lehrer. The question is not why an innocent man should be killed but rather what is the proper manner in which to go about killing him.

Colm O’Reilly’s remarkable portrayal of Jim Lehrer is spot on and sets a very controlled and structured opening tone. Mickle Maher’s performance of Kerry is hysterically vapid and astutely illustrative of his under enthusiasm and compliance to the political status quo. But it is Guy Massey that elevates the, already ingenious, material to extraordinarily astounding levels. He approaches what could be a trap of obvious characterization and impersonation with a 190 actors IQ and creates a tour de force that is as breathtaking as the writing that he is animating. His performance will go down in the annals of best performances that you have ever seen. This is an exceptional ensemble that delivers this show with a unified vision and unwavering focus. They are clever, tight, spellbinding and at times side splittingly funny.

You will be hard pressed to locate a production that even approaches the accomplishments of this show, much less can be included in it’s league. In examining a cross section of absurdity, ethics and theater Maher has created quite possibly the most brilliant political polemic you will ever see and something that is amazingly entertaining.

To miss this show is to miss a unique and incredible opportunity. This is why Chicago theater is incomparable.

Rating: «««« 
 
Related Links: TimeOut Chicago article; other “The Strangerer” reviews.

‘The Strangerer’ runs through May 11 The Chopin Theater, 1543 W. Division. Performances are Thursdays through Saturdays and 8pm and Sundays at .3pm Tickets are a suggested $10 but they are ‘more if you’ve got it, free if you’re broke’ making this production accessible to everyone. For information or reservations call 773-347-1014 or visit www.theateroobleck.com.