‘The Philadelphia Story’ haunted by ghosts of movies past
Circle Theatre presents |
The Philadelphia Story |
Written by Philip Barry Directed by Jim Schneider at Circle Theatre, 7300 Madison, Forest Park (map) Through Sept. 5 | Tickets: $20–$24 | more info |
Reviewed by Leah A. Zeldes
Any production of The Philadelphia Story naturally evokes celluloid comparisons to Kathryn Hepburn, Cary Grant and James Stewart in the 1940 film. Inspired by the real life Main Line heiress Hope Montgomery Scott, the class-conscious play opened in 1939 with Hepburn as spoiled, self-righteous rich girl Tracy Lord — a role she reprised in the Oscar-winning film. The Philadelphia Story also formed the basis for the 1956 musical, High Society, so there are those movie memories to contend with, too.
Yet that shouldn’t mean a theater can’t put its own spin on the show. In its one big drawback, Circle Theatre’s production too often feels like a ghostly reenactment of the film.
Laura McClain, as Tracy, channels Hepburn for all she’s worth, while Josh Hambrock, as journalist Macauley "Mike" Connor, appears possessed by Stewart, with every drawl and facial twitch down pat. It’s uncannily fascinating, but I went to the theater to see a play, not to participate in a séance.
As Tracy’s ex-husband, C.K. Dexter Haven, Kevin Anderson (not to be confused with Kevin Anderson), deserves kudos for not trying to reanimate Cary Grant. Unfortunately, his coolly puckish performance sometimes comes off as more smirking than suave. Moreover, his interactions with the others seem to accentuate their derivative mannerisms.
However, if you can get over the sense that you might just as well have stayed home with Netflix, Philip Barry’s dryly witty script transcends all.
On the verge of Tracy’s second marriage, Connor, who has become reluctantly infatuated, and Haven, with some help from Tracy’s smart-aleck kid sister (spunky, smut-faced Katelyn Smith), are bent on trying to prevent Tracy from wedding her stuffy, middle-class fiancé, George Kittredge (an appropriately stiff Luke Renn). The priggish Kittredge determinedly puts her on a pedestal. Though impatient with human frailties — the philandering of her father (Tom Viskocil), for example, and her former husband’s drinking — Tracy isn’t so sure she likes being cast as an ice goddess.
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Bob Knuth’s elegant drawing-room set and Elizabeth Wislar‘s smart period costumes (particularly for lovely Jhenai Mootz, who portrays a world-weary Elizabeth Imbrie, the photographer who accompanies Connor to the Lords’ home) give us a handsome look back in time. Director Jim Schneider has wisely kept the original three-act format.
Some of the sensibilities behind this farce seem dated today, but it’s still an awfully funny comedy. If you aren’t bothered by ghosts, you’ll like this production fine.
Rating: ★★½ |
Entire Cast of "Philadelphia Story”
Filed under: 2010 Reviews, Circle Theatre, Leah A. Zeldes | Tagged: Arlene Page, Bob Knuth, Cary Grant, Chelsea Lynn, Circle Theatre, Doug Pawlik, Elizabeth Wislar, Gregory Payne, High Society the Musical, Hope Montgomery Scott, James Stewart, Jhenai Mootz, Jim Schneider, Josh Hambrock, Katelyn Smith, Kathryn Hepburn, Kevin Anderson, Laura McClain, Leah A. Zeldes, Luke Renn, Mary Pavia, Peter Esposito, Peter J. Storms, Philadelphia Story Circle Theater review, Philip Barry, Rebecca Miles Steiner, Thomas R. Schutt, Tom Viskocil | Leave a comment »