REVIEW: Glitter in the Gutter (Annoyance Theatre)

Filthy. Gorgeous. A bit of a Drag.

glitter-gutter photo: Zach Dodson

Annoyance Theatre presents:

Glitter in the Gutter

**The first and only live Drag Queen Sitcom**

written and directed by Kellen Alexander
through March 11 (more info)

By Keith Ecker

Who among us has not pondered the secret lives of drag queens? When the lights at the cabaret fade and the bar lets its regulars loose upon the night, where does the entertainment go? And what of the less successful divas, those that harbor Ru Paul dreams while clunking around in chintzy platform heels?

Glitter in the Gutter, a new play produced by Annoyance Productions and directed and written by Kellen Alexander, tells this story. Or to be more precise, it tells the story of two particular drag queens who are tragically trashy, down on their luck and caught on the cusp of eviction.

glitter-poster The play opens on the shared apartment of Pepper LaRoo (Seth Dodson) and Velveeta Fitzgerald (Wes Perry). Pepper, slender, graceful and nursing a throbbing head, is the Patsy to Velveeta’s somewhat more grounded Edina (see AbFab). The headache interferes with Pepper’s memory of the night prior, but she does recall meeting a man whose number she stored in her phone.

Enter Beverly Poon (Sarah Fineout), a rival performer with a voice that sounds like she’s gargling gravel. It is through her that Pepper discovers the man she met the night before was none other than Vinnie Cancer (Ben Kass), a famous record producer. Of course, this sends Pepper and Velveeta into a tizzy. They decide to invite Vinnie over for a date with the ulterior motive of landing a record contract.

When Vinnie stops by, he hands Pepper a slip of paper to fulfill her wish. Wanting a piece of the fame pie, Velveeta attempts to woo Vinnie to sign her as well. Caring more for image than talent, Vinnie lets Velveeta down hard. Little does Vinnie know that his newfound flame can move her mouth to music but is completely tone deaf.

Scorned, Velveeta runs away from home. She befriends a bag lady (Rachel Reed) in the alley out back and settles down for a life of domesticity and Dumpsters.

The play is the kind of over-the-top, absurdist comedy reminiscent of Charles Busch or John Waters . It’s campy, it’s crass and it’s unapologetically gay. But wash off the rouge and the eye shadow, and the play’s flaws become more apparent.

Although Alexander is obviously talented—he, along with Dodson, are part of the phenomenal improv group 1, 2, 3, Fag! — he seems overwhelmed with managing writing and directing duties. Likely unable to give both adequate attention, the writing and the pacing of the play suffer from a lack of concision.

Jokes that would otherwise kill fall flat when the punch line gets lost in a tangle of words. Also, too often too much is said that could easily have been accomplished with action. This slows down the pacing of the overall play, making the first act in particular feel like a drag.

It is in the subtleties that Alexander excels. One of the funniest parts of the play is when Officer Rick Pony (Alex Moffat) makes his entrance wearing roller shoes. No dialogue needed. The same goes with the inclusion of a window that is operated off stage by a pulley. It’s a simple and cheesy stage piece that serves a purpose and is used to great comedic effect.

Dodson and Perry are both talented actors. Dodson’s delivery and soft-spokenness, his agile dance moves and his comedic timing make him an attention magnet. Perry, who sounds an awful lot like Mrs. Garrett from the Facts of Life, has a strong voice and a commanding presence as well.

I have to give special recognition to Reed, whose deadpan portrayal of an off-kilter homeless woman is a scene-stealer. She also is fortunate to have the best dialogue in the entire play.

If Glitter in the Gutter aspires to be in the same ranks as other campy classics, it misses its mark. But it’s an entertaining piece none-the-less that is sure to please fans of kitsch and drag.

Rating: ★★½

Related article: Timeout Chicago’s Taking Out The Trash

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Chicago theater openings/closings this week

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show openings

A You Like It Loyola University

Burlesque Is More Annoyance Theatre 

Gossamer Adventure Stage Chicago

High Holidays Goodman Theatre

Horrible Apollo Theatre

Murder in Green Meadows Citadel Theatre

The Music Man Rising Stars Theatre

Phedra New World Repertory Theater

The Shape of Things University of Chicago

Shootin’ the Shit with EJ and TJ Annoyance Theatre

The Spectacular Comedy Spectacle Theatre Building Chicago

When She Danced TimeLine Theatre

Young Frankenstein Cadillac Palace Theatre

 

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show closings

An Apology for the Course and Outcome of Certain Events Delivered by Dr. John Faustus on His Final Evening Theater Oobleck 

Arsenic and Old Lace Northwestern University 

Bastards of Young Tympanic Theatre

Calls to Blood The New Colony

Cotton Patch Gospel Provision Theater

Everyone’s Favorite Lobster Gorilla Tango Theatre

Fake Steppenwolf Theatre

The Flowers About Face Theatre

The House on Mango Street Steppenwolf Theatre

Kill the Old Torture Their Young Steep Theatre

The Legend of Sleepy Hollow Filament Theatre

Lettice and Lovage Redtwist Theatre

Lucinda’s Bed Chicago Dramatists

Night Watch Jedlicka Performing Arts Center

Rhymes with Evil InFusion Theatre

A Streetcar Named Desire Polarity Ensemble Theatre

Yeast Nation (The Triumph of Life) American Theater Company

 

List courtesy of The League of Chicago Theatres 

TimeLine Theatre to hold panel disussion: "Race in America"

TimeLine Theatre announces “Race in America: A Discussion With No Walls,” a panel discussion open to the public on Tuesday, December 2, 2008, from 6 – 8 pm. The event will be held at the International House at the University of Chicago (map). Admission is free but reservations are encouraged; call (773) 281-8463 x24.

A House With No Walls is a provocative and innovative play that addresses not only race relations in this country, but also the challenges that come from trying to even discuss race relations,” said TimeLine Artistic Director PJ Powers. “Honestly, it’s not a conversation we’ve had enough at TimeLine, and we’re very much looking forward to engaging in that dialogue with a diverse audience from around Chicago at this special event.”

The discussion panel will include Dr. Harvette Grey, Dr. Eric Arnesen, Melissa Barton, Dr. Valerie Johnson and Dawn Turner Trice.

“A Discussion With No Walls” is inspired by and presented in conjunction with TimeLine Theatre’s Chicago premiere of Thomas Gibbons’ A House With No Walls, now playing through December 21.