Review: Life Is a Dream (Vitalist Theatre)

     
     

A different dream work

     
     

A scene from Vitalist Theatre's production of "Life Is A Dream". Photo credit: Anthony Aicardi

     
Vitalist Theatre presents
   
  
Life Is a Dream
   
   
Written by Calderon de la Barca
Directed by Elizabeth Carlin-Metz
at Stage 773, 1225 W. Belmont (map)
thru June 11  |  tickets: $20-$25  |  more info

Reviewed by Lawrence Bommer

The greatest gift from Spain’s Golden Age of theater, Calderon de la Barca’s masterpiece from 1635 can hold its own with Shakespeare’s later romances. Nonetheless, Life Is a Dream puts a very Spanish emphasis on the struggle between honor and duty and the animalistic versus the humane. Helen Edmundson’s new version is the perfect platform for Elizabeth Carlin-Metz’ passionate, persuasive revival, a show to justify Vitalist Theatre’s well-earned name.

Life Is A Dream - Vitalist Theatre 3The story is a combination fairy tale and parable: A future king is tested to see if his natural nobility can help him to rise above the worst adversity. Haunted by a prophecy that his son might destroy him, Basilio, king of Poland, has his heir Prince Segismundo imprisoned in a hidden tower, wearing chains instead of a crown. Basilio resolves to give the prince a test to prove whether he really is the monster that was predicted by creating a waking dream: Segismundo is seemingly restored to power and the king watches to see if this caged beast can rise to royalty. If Segismundo can put the common good above his fury over decades of mistreatment, he’s one of nature’s noblemen and Poland’s future.

The play’s power kicks in as Segismundo must wrestle with his dark demons, defy fate in order to assert free will, and overcome the desire for revenge and turn it into a quest for justice. He does it on behalf of Rosaura, a noble lady wronged by Segismundo’s cousin Astolfo, wrongly engaged to Segismundo’s true intended, the Princess Estrella. If Segismundo’s dream has come true, this heir now realizes how fragile life is and how death ends all dreams.

Baroque and often beautiful, Calderon’s ornate language abounds in glorious declamation, intense soliloquies and almost operatic flights of rhetoric, a treacherously grand style that modern audiences could find offputting. Happily, the Vitalist actors are completely in control of this material. They know their characters from the inside out: These speeches carry an ardor and conviction that makes whatever seems literary to live and sing. (But for some this still just might be a bit too lyrical not to be set to music.)

     
A scene from Vitalist Theatre's production of "Life Is A Dream". Photo credit: Anthony Aicardi A scene from Vitalist Theatre's production of "Life Is A Dream". Photo credit: Anthony Aicardi
A scene from Vitalist Theatre's production of "Life Is A Dream". Photo credit: Anthony Aicardi A scene from Vitalist Theatre's production of "Life Is A Dream". Photo credit: Anthony Aicardi

You see the fervor best in Paul Dunckel’s unstoppable Segismundo, as intense and consistent a declaration of independence as any role requires. Without pushing any passion over the cliff, Dunckel stays on fire throughout. In contrast, Madrid St. Angelo finely calibrates Basilio’s divided consciousness between father and monarch. Vanessa Greenway is her own action figure as intrepid-because-scorned Rosaura, while, as aspirants to the Polish throne, Gregory Isaac and Lyndsay Rose Kane stamp the play’s rises and reversals with their own authentic reactions. BF Helman gives Segismundo’s keeper all the conflicts the situation warrants. Finally, Ivan Vega provides comic relief as a Sancho Panza-like servant with a common touch amid extraordinary events.

  
  
Rating: ★★★
   
  

A scene from Vitalist Theatre's production of "Life Is A Dream". Photo credit: Anthony Aicardi

Vitalist Theatre’s Life Is a Dream runs through June 11th at Stage 773, 1225 W. Belmont, with performances Thursday-Saturday at 7:30pm and Sundays at 2:30pm.  Tickets are $20-$25, and can be purchased by phone (773-327-5252) or online at www.stage773.com. For more information, visit vitalisttheatre.org.

  
  

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Review: Jackie and Me (Chicago Children’s Theatre)

     
     

Jackie Robinson honored with fun and dynamic storytelling

 

  
     

Pictured (far left) Kamal Angelo Bolden as Jackie Robinson, (seated, with baby) Tracey Bonner as Rachel Robinson, and (far right) Tyler Ross as Joey Stoshack. Photo credit:  Michael Brosilow

  
Chicago Children’s Theatre presents
  
Jackie and Me
      
Written by Steven Dietz
Based on book by Dan Gutman
Directed by Derrick Sanders
at  Ruth Page Center for the Arts
1016 N. Dearborn Avenue (map)
through March 27  | 
tickets: $25-$35  |  more info

Reviewed by Paige Listerud

Chicago Children’s Theatre has a triumph on their hands. Their world premiere production of Jackie and Me has nothing less than heart—miles and miles of heart. Based on the children’s book by Dan Gutman, frankness and joyful simplicity dominate Steven Dietz’s script. Derrick Sanders’ fresh and focused direction energizes the story of Jackie Robinson, the black athlete who broke the color barrier in baseball. Jackie and Me doesn’t just relate Robinson’s story accessibly to young Pictured, from left:  Tyler Ross as Joey Stoshack, Kamal Angelo Bolden as Jackie Robinson. Photo credit:  Michael Brosilowaudiences, but also makes it lively, passionate and dynamic. The play teaches young people the degrading and often dangerous racism Robinson had to overcome just to play in the white major leagues. But equally threaded throughout the story is an unquenchable enthusiasm for baseball, its history and power to connect generations.

Young Joey Stoshack (Tyler Ross) has an undying love for baseball. Joey also has a peculiar gift—by simply holding an old baseball card in his hand he can travel back in time to meet the baseball player pictured on the card. When his teacher gives his class the assignment of writing biographical reports of great African Americans, Joey is relieved to learn that Jackie Robinson is on the list. An old friend Flip (Sean Cooper) lends him a Bond Bread card with Jackie Robinson’s picture on it and he travels back to learn history as it happened.

The characters of Jackie and Me are drawn bold and big—and they don’t get much bigger or bolder than Branch Rickey (Charles Stransky) signing Jackie Robinson (Kamal Angelo Bolden) to the Brooklyn Dodgers in 1947. Sanders’ direction allows his cast to project their characters with directness and clarity while exuberantly moving the story forward–and the production goes beyond idealizing the larger-than-life characters of Rickey and Robinson, simply and potently enshrined by Stransky and Bolden. Just when one thinks the time travel bit won’t convince, it convinces. Just when one thinks the story’s unabashed optimism might come off too hokey or old-fashioned, it convinces. Sanders and his excellent cast bring across the nobility and hopefulness of Robinson’s achievement with masterful assurance.

     
Pictured (from left)  Kamal Angelo Bolden as Jackie Robinson, Sean Cooper as Jackie’s Dodger teammate Pee Wee Rees, and Patrick De Nicola as Phildelphia Phillies manager Ben Chapman. Photo credit:  Michael Brosilow Pictured, from left:  Tyler Ross as Joey Stoshack, Charles Stransky as Branch Rickey, president and general manager of the Brooklyn Dodgers,  who signed the first African-American to play major league baseball, Jackie Robinson, played by Kamal Angelo Bolden. Photo credit:  Michael Brosilow

Plus, it’s a whole lot of fun. Ross’s open and straightforward emotion allows audiences, both young and old, to connect with Joey’s journey. Patrick de Nicola provides infinite comic relief in a number of other roles in which he plays Joey’s rival. As Joey’s Mom and Dad, Vanessa Greenway and Ron Rains make warm, human and realistic parents. Chicago Children’s Theatre goes to the very heart of storytelling and reveals the diamonds that are there. Jackie and Me has the stuff to uplift and rejuvenate audiences of all ages and remind them of the glory of baseball at the center of the American Dream.

  
  
Rating: ★★★★
      
  

Performances of Jackie and Me continue through March 27, 2011 at the Ruth Page Center for the Arts, 1016 North Dearborn. Tickets are $25 for children (ages 17 and under) and $35 for adults, available through CCT’s website, chicagochildrenstheatre.org, or the ticket hotline, (866) 811-4111.

Jackie and Me is recommended for children ages 8 and older as it deals with historical racism in an honest manner.

(from left) Sean Cooper as Flip, owner of the baseball card shop frequented by time traveler Joey Shostack, played by Tyler Ross. Photo credit: Michael Brosilow

Pictured, from left:  Tyler Ross as Joey Stoshack, Kamal Angelo Bolden as Jackie Robinson Jackie Robinson - Jackie and Me - Chicago Children's Theatre

Photos by Michael Brosilow 

Artists

Cast: Kamal Angelo Bolden as Jackie Robinson, Tyler Ross as Joey Stoshack, with Tracey N. Bonner (Rachel), Patrick De Nicola (Ant), Ron Rains (Dad), Vanessa Greenway (Mom), Sean Cooper (Flip) and Charles Stransky (Branch Rickey).

Production: Steven Dietz (playwright), Derrick Sanders (director), Ian Zywica (set), Seth Reinick (lights), Christine Pascual (costumes), Michael Griggs (sound) and Kimberly Morris (props), Michael Brosilow (photography).

     
     

Non-Equity Jeff Awards nominees announced

chicagoatnight

2010 Non-Equity Jeff Award Nominees

 

 

Production – Play
  Busman’s Honeymoon Lifeline Theatre (review ★★★)
Death of a Salesman Raven Theatre (review ★★★½)
Killer Joe Profiles Theatre (review ★★★½ )
The PillowmanRedtwist Theatre (review ★★★)
St. Crispin’s Day Strawdog Theatre Company (review ★★)
Wilson Wants It All The House Theatre of Chicago (review ★★★)

 

Production – Musical
  Chess  Theo Ubique Cabaret Theatre i/a/w Michael James (review ★★½)
Evolution/Creation  -   Quest Theatre Ensemble (review ★★★)
The Glorious Ones   Bohemian Theatre Ensemble (review ★★★)
The Who’s Tommy Circle Theatre 

 

Director – Play
  Aaron Todd Douglas: Twelve Angry Men Raven Theatre  (review ★★★)
Michael Menendian: Death of a SalesmanRaven Theatre (review ★★★½)
Michael Rohd: Wilson Wants It All House Theatre of Chicago (review ★★★)
Kimberly Senior: The PillowmanRedtwist Theatre (review ★★★)
Rick Snyder: – Killer Joe Profiles Theatre  (review ★★★½)

  

Director – Musical
  Fred Anzevino & Brenda Didier: Chess – Theo Ubique Theatre (review ★★½)
Jeffrey CassThe Who’s TommyCircle Theatre
Stephen M. Genovese: The Glorious Ones Boho Rep (review ★★★)
Andrew Park: Evolution/CreationQuest Theatre Ensemble  (review ★★★)

 

Ensemble
  The Glorious Ones Bohemian Theatre Ensemble (review ★★★)
Red Noses Strawdog Theatre Company
Twelve Angry Men
Raven Theatre  (review ★★★)
Under Milk Wood  Caffeine Theatre  (review ★★)

 

Actor in a Principal Role – Play
  Tony Bozzuto: On an Average DayBackStage Theatre Company 
Darrell W. Cox: Killer Joe
Profiles Theatre  (review ★★★½)
Andrew Jessop: The PillowmanRedtwist Theatre (review ★★★)
Peter Robel: I Am My Own Wife Bohemian Theatre  (review ★★★★)
Chuck Spencer: Death of a Salesman Raven Theatre  (review ★★★½)

 

Actor in a Principle Role – Musical
  Courtney Crouse: ChessTheo Ubique Cabaret Theatre  (review ★★½)
Tom McGunn: The Who’s Tommy Circle Theatre
Eric Damon SmithThe Glorious Ones
Bohemian Theatre (review ★★★)
Jeremy Trager: Chess Theo Ubique Cabaret Theatre   (review ★★½)

   

Actress in a Principle Role – Play
  Brenda BarrieMrs. CalibanLifeline Theatre  (review ★★★★)
LaNisa FrederickThe Gimmick Pegasus Players (review ★★)
Millicent HurleyLettice & Lovage Redtwist Theatre (review ★★★★)
Kendra Thulin: Harper Regan Steep Theatre  (review ★★½ )
Rebekah Ward-Hays: Aunt Dan and Lemon BackStage Theatre 

 

Actress in a Principle Role – Musical
  Danielle Brothers: Man of La Mancha Theo Ubique Theatre  (review ★★★)
Sarah Hayes: Man of La ManchaTheo Ubique Theatre   (review ★★★)
Maggie PortmanChess  Theo Ubique Cabaret Theatre  (review ★★½)

 

Actor in a Supporting Role – Play
  Chance Bone: Cooperstown Theatre Seven of Chicago  (review ★★)
Jason HuysmanDeath of a Salesman Raven Theatre (review ★★★½)
Edward KuffertThe CrucibleInfamous Commonwealth (review ★★★)
Peter Oyloe: The Pillowman Redtwist Theatre   (review ★★★)
Phil TimberlakeBusman’s Honeymoon Lifeline Theatre  (review ★★★)

 

Actor in a Supporting Role – Musical
  Eric Lindahl: The Who’s Tommy Circle Theatre
Steve Kimbrough:
Poseidon! An Upside Down Musical Hell in a Handbag
John B. LeenChess Theo Ubique Cabaret Theatre  (review ★★½)

 

Actress in a Supporting Role – Play
  Nancy Friedrich: The Crucible Infamous Commonwealth (review ★★★)
Vanessa Greenway: The Night SeasonVitalist Theatre i/a/w Premiere Theatre & Performance (review ★★★★)
Kelly Lynn HoganThe Night Season Vitalist Theatre i/a/w Premiere Theatre & Performance (review ★★★★)
Kristy Johnson: A Song for Coretta Eclipse Theatre  (review ★★)
Mary RedmonThe Analytical Engine  – Circle Theatre  (review ★★★)

 

Actress in a Supporting Role – Musical
  Kate GarassinoBombs Away!  – Bailiwick Repertory Theatre  
Danni Smith
The Glorious Ones  -   Bohemian Theatre (review ★★★)
Trista Smith: Poseidon! An Upside Down Musical  -  Hell in a Handbag
Dana Tretta
The Glorious Ones  Bohemian Theatre   (review ★★★)

 

New Work
  Aaron CarterFirst Words  MPAACT (review ★★★)
Ellen FaireyGraceland Profiles Theatre  (review ★★★)
Tommy Lee JohnstonAura  Redtwist Theatre
Andrew Park and Scott Lamps
Evolution/Creation  -   Quest Theatre Ensemble (review ★★★)
Michael Rohd & Phillip C. KlapperichWilson Wants It All  -  The House Theatre of Chicago  (review ★★★)

 

New Adaptation
  Bilal Dardai: The Man Who Was ThursdayNew Leaf Theatre  
Sean Graney:  –
Oedipus  The Hypocrites (review ★★★★)
Frances LimoncelliBusman’s Honeymoon Lifeline Theatre (review ★★★)
Frances Limoncelli:  – Mrs. Caliban  – Lifeline Theatre (review ★★★)
William Massolia: Little Brother  Griffin Theatre

 

Choreography
  Kevin BellieThe Who’s Tommy  Circle Theatre
Brenda Didier
Chess   Theo Ubique Cabaret Theatre (review ★★½)
James Brigitte DitmarsPoseidon! An Upside Down Musical  Hell in a Handbag Productions

 

Original Incidental Music
  Andrew Hansen: Treasure Island  -  Lifeline Theatre  (review ★★★½)
Kevin O’Donnell:   -  Wilson Wants It All  -   House Theatre   (review ★★★)
Trevor WatkinThe Black Duckling  -  Dream Theatre

 

Music Direction
  Ryan BrewsterChess  – Theo Ubique Cabaret Theatre (review ★★½)
Gary PowellEvolution/Creation  Quest Theatre   (review ★★★)
Nick SulaThe Glorious Ones  Bohemian Theatre   (review ★★★)

 

Scenic Design
  Tom BurchUncle Vanya Strawdog Theatre  (review ★★★)
Alan DonahueTreasure Island Lifeline Theatre (review ★★★½)
Heath HaysOn an Average Day  -   BackStage Theatre Company
Bob Knuth
The Analytical Engine  Circle Theatre (review ★★★)
Bob KnuthLittle Women  -   Circle Theatre (review ★★★)
John Zuiker:   I Am My Own Wife  -   Bohemian Theatre (review ★★★★)

 

Lighting Design
  Diane FairchildThe Gimmick  -  Pegasus Players (review ★★)
Kevin D. Gawley: Treasure Island Lifeline Theatre (review ★★★½)
Sean MallarySt. Crispin’s Day  – Strawdog Theatre Company (review ★★)
Jared B. MooreThe Man Who Was Thursday New Leaf Theatre
Katy PetersonI Am My Own Wife
Bohemian Theatre (review ★★★★)

 

Costume Design
  Theresa HamThe Glorious Ones  -  Bohemian Theatre  (review ★★★)
Branimira IvanovaTreasure Island  Lifeline Theatre (review ★★★½)
Joanna MelvilleSt. Crispin’s Day  -  Strawdog Theatre Company (review ★★) Jill Van BrusselThe Taming of the Shrew  Theo Ubique  (review  ★★★)
Elizabeth WislarThe Analytical Engine  – Circle Theatre (review ★★★)

 

Sound Design
  Mikhail FikselOedipus The Hypocrites (review ★★★★)
Michael GriggsWilson Wants It AllThe House Theatre (review ★★★)
Andrew HansenTreasure Island Lifeline Theatre  (review ★★★½)  
Joshua HorvathMrs. CalibanLifeline Theatre (review ★★★★)
Miles PolaskiMouse in a Jar Red Tape Theatre  (review ★★)

 

Artistic Specialization
  Kevin Bellie: Projection Design, The Who’s Tommy  -   Circle Theatre
Elise Kauzlaric: Dialect Coach, 
Busman’s Honeymoon  Lifeline Theatre (review ★★★)
Lucas Merino: Video Design, Wilson Wants It AllThe House Theatre of Chicago (review ★★★)
James T. Scott:  Puppets, Evolution/Creation Quest Theatre (review ★★★)

 

Fight Choreography
  Geoff Coates: On An Average Day  -  BackStage Theatre Company
Geoff Coates
Treasure Island  Lifeline Theatre   (review ★★★½)
Matt HawkinsSt. Crispin’s DayStrawdog Theatre Company (review ★★)
R & D ChoreographyKiller Joe  Profiles Theatre  (review ★★★½  )

 

More info at the Jeff Awards website.

   
   

Review: “The Night Season

A richly-developed Irish love story

Vitalist - NIGHT - 2 

Vitalist Theatre and Premiere Theatre & Performance presents:

The Night Season
by Rebecca Lenkiewicz
directed by Elizabeth Carlin-Metz
Theatre Building Chicago 
thru October 17th (buy tickets)

reviewed by Timothy McGuire

Vitalist - NIGHT - 4 The Night Season, written by Rebecca Lenkiewicz, is an Irish love story about the lonely Kennedy family. Each member of the family has their own insecurities caused by their mother’s abandonment 5 years earlier, and each of them is on their own path to find love. The outstanding performance by the cast and, exceptional use of the stage with creative touches to enhance the Celtic atmosphere, makes this show heartwarming – even in the midst of the dark struggles each family member endures.

Set in Sligo, Ireland, a town near the shore and once home to the famous poet W.B. Yeats, the stage is brightened by the starry night and hazy lighting that romanticizes the atmosphere. Set designer Craig Choma ’s extremely creative set, and the lighting (by lighting designer Richard Norwood) used to separate scenes, allows multiple plot lines to take place right in front of our eyes without any confusion as to which characters we should be paying attention. The direction of Elizabeth Carlin-Metz makes the transition between scenes fluid and actually heighten the emotional moments by assisting the understanding of the time lapses, or the fact that the two situations take place at the same time.

The play opens up with the audience able to watch the three sisters chatting on the rooftop, while grandmother is slouched down sleeping in her arm chair in the living room. As the closet door opens we get a unique viewpoint (as if we are looking down on him from the sky) of father as he restlessly fights his nightmares while sleeping drunk in his bedroom.

Each member of the family is weighted down with loneliness; longing to be loved by another. They are filled with an insecurity of being unloved, yet there is a bond and a closeness between each, and an unconditional love that exists within their own family (this includes the aging mother of the women that caused this family all of their sorrow.)

Vitalist - NIGHT - 3 The three sisters are single and unlucky in love. Rose (Kelly Lynn Hogan), who the grandmother refers to as a spinster, hastily jumps in bed with the visiting American actor John (Jared Fernley) who is staying with the Kennedys while playing the role of Yeats in a movie. In that moment John is looking for comfort after his mother’s recent death, but Rose wakes up in the morning to find an unwelcomed difference in the intimacy John offers her. The youngest daughter Maud (Eden Newmark) is stuck in a relationship with an unaffectionate communist sympathizer, and the eldest daughter Judith (Vanessa Greenway) is too afraid to open up and – since she has stepped in as the family’s mother – she’s too busy to recognize her feelings for the cerebral neighborhood man, Gary Malone (Paul Dunckel.)  Judith is mature beyond her age and has taken on a cold emotionless state that comes with the necessity of constantly having to take care of responsibilities outside of your own. Visiting her absent mother, and then letting loose with her Father on her first drinking binge, Judith goes on a journey to discover her capacity to love, and finds it in places that have always been there.

Every character is richly developed by author Rebecca Lenkiewicz, but the Grandmother Lily O’Hanlon and the girls’ Father Patrick Kennedy stand out with enduring performances by Marry O’Dowd and Don Bender. The Grandmother’s (Patrick’s Mother-in-law)  quirky and at times raunchy personality is light and fun and she also draws empathy from us as we watch her age with dementia and sadness. In her eccentric and loony state she continues to search for her last love and in a way she finds it in the gentleman arms of John.

The Night Season is a truly great Irish love story, filled with the complications of life and the strength of a loving family who supports each other in spite of their flaws. Lenkiewicz brings up themes of guilt, love and the passing of time and how life will bring us to face these states over-and-over again in our lives. The common occurrence and unavoidable ending to these moments should not devalue their importance nor limit you from experiencing another separate love story. Through all the pain and hardships, life goes on for the Kennedy family. The Night Season is an enchanting story playing and I highly recommend it.

Rating: ««««

Vitalist - NIGHT - 1

 

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Non-Equity Jeff Awards Winners

Looks like there were a few big winners at the Non-Equity Jeff Awards given out last night, including 5 total awards given to Lifeline Theatre for The Island of Dr. Moreau. Another 4 awards were given to Theo Ubique for their intimate production of Cabaret.

Special Non-Equity Jeff Awards were given out to Raven Theatre’s founders – Michael Menendian and JoAnn Montemurro.

Congratulations to all!

 

Non-Equity Jeff Awards Winners

Production – Play
The Island of Dr. MoreauLifeline Theatre

Production – Musical
Jerry Springer – The OperaBailiwick Repertory Theatre
1776Signal Ensemble Theatre

Ensemble
MachosTeatro Luna

Director – Play
Greg KolackcolumbinusRaven Theatre

Director – Musical
Fred AnzevinoCabaretTheo Ubique Theatre Company i/a/w Beverle Bloch & Michael James

New Work
Teatro Luna & Coya PazMachos – Teatro Luna

New Adaptation
Robert KauzlaricThe Island of Dr. Moreau – Lifeline Theatre

Actress in a Principal Role – Musical
Elizabeth LanzaCan-CanCircle Theatre

Actress in a Principal Role – Play
Vanessa GreenwayThe Constant WifeGriffin Theatre Company

Actor in a Principal Role – Musical
Jeremy TragerCabaret – Theo Ubique Theatre Company i/a/w Beverle Bloch & Michael James

Actor in a Principal Role – Play
Sam WoottenGross Indecency: The Three Trials of Oscar WildeBohemian Theatre Ensemble

Actress in a Supporting Role – Musical
Danielle BrothersCabaret – Theo Ubique Theatre Co. i/a/w Beverle Bloch & Michael James

Actress in a Supporting Role – Play
Kathleen RuhlDolly West’s KitchenTimeLine Theatre Company

Actor in a Supporting Role – Musical
Jeremy RillJerry Springer – The Opera – Bailiwick Repertory Theatre

Actor in a Supporting Role – Play
Hans FleischmannIn a Dark Dark HouseProfiles Theatre
Ron WellsA Prayer for My DaughterMary-Arrchie Theatre Company

Scenic Design
Michael Menendian & Leif OlsenThe Night of the Iguana – Raven Theatre

Costume Design
Elizabeth Shaffer An Ideal Husband – Circle Theatre

Lighting Design
Kevin D. GawleyThe Island of Dr. Moreau – Lifeline Theatre

Sound Design
Stephen PtacekFaster – the side project

Choreography
Brenda DidierThe Life – Bohemian Theatre Ensemble

Original Incidental Music
Victoria DeIorioThe Island of Dr. Moreau – Lifeline Theatre
Gregor Mortis & Mikhail Fiksel A Lie of the MindStrawdog Theatre Company
Kevin O’Donnell The NutcrackerThe House Theatre of Chicago

Music Direction
Joshua Stephen Kartes Cabaret – Theo Ubique Theatre Co i/a/w Beverle Bloch & Michael James

Mask Design
Kimberly G. MorrisThe Island of Dr. Moreau – Lifeline Theatre