REVIEW: The Girl of the Golden West (Lyric Opera)

  
  

Sheriffs! Bandits! Damsels! Passion! What’s not to love?

  
  

Act 3 of "Girl of the Golden West," playing at the Lyric Opera of Chicago. Photo by Dan Rest

  
Lyric Opera of Chicago presents
  
The Girl of the Golden West
   
Composed by Giacomo Puccini  
Libretto by
Carlo Zangarini and Guelfo Civini
Directed by
Vincent Liotta
at
Civic Opera House, 20 N. Wacker Drive (map)
through Feb 21  |  tickets: $56-$217  |  more info

Reviewed by K.D. Hopkins

I love a good Western. That may come as a surprise to some but maybe more of a surprise is the idea of a great Western opera – in Italian. Giacomo Puccini’s fascination with the American West is gloriously displayed in the Lyric Opera production of La Fanciulla Del West (or The Girl Of The Golden West). My dad used to call Westerns ‘horse operas’ because of all of the drama, brawling, greed, and damsels in distress. Luckily for us, Puccini’s Minnie is no mere damsel-in-distress when embodied by the fabulous soprano Deborah Voight.

Marcello Giordani and Deborah Voigt in the "Girl of Golden West", playing through February 21st at the Lyric Opera of Chicago. Photo by Dan RestMs. Voight emanates strength with a healthy dose of ‘don’t mess with me’, making one of the great entrances in an opera – shooting off two rounds from her pistol to break up a fracas at the Polka saloon. Puccini’s interest in the “Wild West” was piqued by the European tours of the Buffalo Bill Western shows that included sharpshooter Annie Oakley. The deal was sealed, then, when – on a visit to New York – Puccini attended the Broadway play Girl of the Golden West by David Belasco.

Ms. Voight’s Minnie has just enough brass and fire to play with the boys and fend off the lascivious charm of the sheriff Jack Rance, played by baritone Marco Vratogna. Mr. Vratogna’s baritone is sexy and sinister. Rance is a sheriff and a gambler who thinks he has a direct line on Minnie’s virtue. Vratogna channels the great Yul Brynner with a shaved head and piercing intense gaze. I wondered if Brynner had modeled his Gunslinger on Jack Rance in the 1973 science fiction Western “Westworld”.

In every Western there must be an outlaw, especially if the bad guy is a smoldering misunderstood one. Enter the great tenor Marcello Giordani as Ramerrez aka Dick Johnson the hunted leader of a murderous gang of thieves out to steal the gold from this mining backwater.

Mr. Giordani has a gorgeous voice with velvety tones that never border on the strident or maudlin. He is a wonderful counterpoint to Ms. Voight’s powerful and clear soprano. Their acting is top notch in portraying two thunderstruck lovers. Voight’s bedroom eyes and womanly countenance enhance her performance. Meanwhile Giordani is quite entrancing and smoldering as her true love enraptured at the thought of one kiss from Minnie.

     
Marcello Giordani and Deborah Voigt in the "Girl of Golden West", playing through February 21st at the Lyric Opera of Chicago. Photo by Dan Rest Act 1 of Girl of the Golden West playing at the Lyric Opera of Chicago. Photo by Dan Rest
Debra Voigt with the men of the camp in Act 3 of "Girl of the Golden West" at Lyric Opera. Photo by Dan Rest Marcello Giordani and Deborah Voigt in the "Girl of Golden West", playing through February 21st at the Lyric Opera of Chicago. Photo by Dan Rest

Mr. Vratogna (Sheriff Rance) and Ms. Voight have an excellent chemistry as well. Sheriff Rance’s intentions are less than honorable. He has a wife and Minnie is more of a trophy to be captured. There is a tense scene with Rance trying to force himself on Minnie and Ms. Voight’s portrayal is explosive in rebuffing him.

The supporting cast of “Fanciulla” is a combination of wonderful voices and fine acting. David Cangelosi is excellent as Nick the Polka bartender. He is a perfect comic relief as he pits the miners against one another in thinking they are at the top of the list for Minnie’s affections. Craig Irvin has a beautiful voice and excellent stage presence as Ashby the Wells Fargo man. I loved the portrayal of Sonora by the baritone Daniel Sutin. He has an exceptionally expressive visage to accompany the voice.

Puccini was my first exposure to opera with a Lyric production of La Boheme back in the 1970’s. His sense of theatre and drama are incomparable. He composed the lush and sweeping tragedies Tosca (recently produced at Lyric ★★★½) and Madama Butterfly. His works infuse humor, irony, and a wonderful sexiness to his characters for which I am grateful. He consistently wrote wonderful roles for women in particular. In “Fanciulla”, the role of Minnie is the only major female among at least forty men on the stage. It’s a powerhouse role to be undertaken by only the best and that is Deborah Voight.

Marco Vratogna, Marcello Giordani in "Girl of the Golden West" at Lyric Opera. Photo by Dan Rest.In my opinion, Puccini is the greatest theatrical composer history in history, and many have given homage or outright plagiarized his work. The Puccini estate sued Andrew Lloyd Webber over blatant lifts from “Fanciulla” in his version of The Phantom of The Opera – and the estate basically won, as Webber settled out of court. I also feel that Gene de Paul and Johnny Mercer owe a debt to Puccini for the Seven Brides for Seven Brothers score as well. Puccini’s rich and sweeping washes of sound are perfect for the Technicolor epics of John Ford and Stanley Donen, and – had Puccini he lived further into the 20th century – he  may have been witness to his influence on the American film soundtrack in Douglas Sirk melodramas and film noir classics.

The conductor for the evening was Sir Andrew Davis, who led the orchestra with command and joyful gusto. He has such joy for the music and that translates into an overall beautiful production. The Lyric is also gifted with the legendary Harold Prince as the original producer of “Fanciulla” in 1978 in Chicago. The director Vincent Liotta previously worked with Mr. Prince and has once again directed an excellent production.

Take the time to get acquainted with the treasure that is Chicago’s Lyric Opera. This is theatre and music that has persevered because of its beauty and soul-touching quality. It’s a chance to get dressed nice, put on your Sunday manners, and sit in one of the world’s great opera houses. Brava! Bravo! Te amo Maestro Puccini!

  
  
Rating: ★★★★
   
  

Act 1 of "Girl of the Golden West" at Lyric Opera. Photo by Dan Rest

     
     

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Lyric Opera announces 2010-2011 season

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Lyric Opera of Chicago

 

2010/2011 Season

 

The Lyric Opera kicks off its 56th season on October 1st presenting 68 performances of 8 operas in a 24-week period. On January 26, 2010, the upcoming season schedule was announced by General Director William Mason. Joining Mr. Mason at the press conference to discuss next year’s performances were Sir Andrew Davis, Music Director and Barbara Gaines, Director for Macbeth and Artistic Director for Chicago Shakespeare Theatre.

by Katy Walsh 


Macbeth  October 1st through 30th 

By Giuseppe Verdi
Italian with projected English translation (libretto) 
Directed by Barbara Gaines*, Artistic Director of Chicago Shakespeare Theatre
Conducted by Renato Palumbo
Principals: Thomas Hampson, Nadja Michael*, Dimitri Pittas, Stefan Kocan*, and Carter Scott
Extra Special: New production by designers James Noone (sets), Virgil C. Johnson (costumes) and Robert Wierzel (lights).

 


Carmen October 13st through 29th and March 12th through March 27th

By Georges Bizet
French with projected English translation
Directed by John Copley
Conducted by Alain Altinoglu*
Principals:

  • October: Kate Aldrich*, Yonghoon Lee*, Elaine Alvarez, and Kyle Ketelsen
  • March: Nadia Krasteva*, Brandon Jovanovich, Nicole Cabell and Kyle Ketelsen

Extra Special: Fire burning Warhorse!


A Midsummer Night’s Dream November 5th through 23rd 

By Benjamin Britten
English with projected English translation
Directed by Neil Armfield
Conducted by Rory Macdonald*
Principals: David Daniels, Anna Christy, Peter Rose, Keith Jameson, Wilbur Pauley, Kelley O’Connor*, Shawn Mathey*, Elizabeth DeShong, Lucas Meachem, and Erin Wall

Extra Special: Lyric Opera premiere – new production designed by Dale Ferguson* (sets and costumes) and Damien Cooper* (lighting).

 


A Masked Ball  November 15th through December 10th 

By Giuseppe Verdi
Italian with projected English translation
Directed by Renata Scotto
Conducted by Asher Fisch
Principals: Frank Lopardo, Sondra Radvanovsky, Mark Delavan, Stephanie Blythe*, and Kathleen Kim

Extra Special: New San Francisco production by designers Zack Brown (sets) and Christine Binder (lights).


The Mikado  December 6th through January 21st 

By William S. Gilbert and Sir Arthur Sullivan
English with projected English translation
Directed by Gary Griffin
Conducted by Sir Andrew Davis, Lyric’s Music Director
Principals: James Morris, Neal Davies, Stephanie Blythe, Toby Spence*, Andriana Chuchman, Andrew Shore, Phillip Kraus, and Katharine Goeldner

Extra Special: New production by designers Mark Thompson* (sets and costumes) and Christine Binder (lights).


The Girl of the Golden West  January 22nd through February 21st 

By Giacomo Puccini
Italian with projected English translation
Directed by Vincent Liotta
Conducted by Sir Andrew Davis, Lyric’s Music Director
Principals: Deborah Voigt, Marcello Giordani, Marco Vratogna*, David Cangelosi, and Daniel Sutin

Extra Special: Premiering at the Metropolitan Opera in 1910, this Puccini classic is celebrating a centennial anniversary.


Lohengrin February 11th through March 8th 

By Richard Wagner
German with projected English translation
Directed by Elijah Moshinsky
Conducted by Sir Andrew Davis, Lyric’s Music Director
Principals: Johan Botha, Emily Magee, Michaela Schuster*, Greer Grimsley, Georg Zeppenfeld*, and Lester Lynch

Extra Special: New production designed by John Napier* (sets and costumes) and Christine Binder (lights).

 


Hercules  March 4th through 21st 

By George Frederic Handel
English with projected English translation
Directed by Peter Sellars
Conducted by Henry Bickett
Principals: Eric Owens, Alice Coote, David Daniels, Lucy Crowe*, and Richard Croft

Extra Special: Lyric Opera premiere! New production designed by George Tsypin (sets), Dunya Ramicova (costumes) and James F. Ingalls (lighting).

 


fleur_de_lis * Lyric Opera Debut

Twenty-three subscription packages will be offered with a 25% down payment plan option. Individual tickets for the 2010/2011 will be made available closer to the beginning of the season. It’s never too early to make a plan to experience the majesty that is the Lyric Opera.

REVIEW: Elixir of Love (Lyric Opera)

The elixir works, audience swoons!

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All photos by Dan Rest

Lyric Opera presents

The Elixir of Love

 

By Gaetano Donizetti
Libretto by
Felice Romani
Conducted by
Bruno Campanella
Stage directed by
Giulio Chazalettes
Thru February 22nd  (more info)

By Katy Walsh

09. Gabriele Viviani, Nicole Cabell. The Elixir of Love. DBR_4986 c. Dan RestWe’ve seen it before – a guy in love (lust?) uses alcohol to overcome his shyness and catch the girl. Lyric Opera presents their own version of this scenario in The Elixir of Love by Gaetano Donizetti. Nemorino is in love with Adina. Adina is playing the field by flirting with a touring soldier, Belcore. To win Adina’s heart, Nemorino buys an elixir from a traveling peddler, Dulcamara. The potion is actually of bottle of Bordeaux. Eager to make a little cash, Dulcamara proclaims the miracle tonic clears up the complexion, cures joint pain and makes people fall in love. Due to a series of circumstances, all the village women try to court Nemorino. Both Adina and Dulcamara are stunned to observe Nemorino’s popularity. And all ends up well in the end.

Sung in Italian with English subtitles, The Elixir of Love has the signature opera element of multiple characters singing different words simultaneously for a rich sound. Unlike many operas, this show is a light hearted romantic comedy.

To be a principal in an opera, the prerequisite is a fantastic singing voice; an ability to act is not a deal breaker. Making his Lyric Opera debut, Giuseppe Fillanoti (Nemorino) is the full entertainment package. He can sing. He can act. And he’s nice to look at. Fillanoti plays the romantic lead with innocent simplicity and comedic timing. In the show’s most familiar aria “Una furtiva lagrima” (“One furtive tear”), Fillanoti is flawless in his soulful celebration. Holding her own, Nicole Cabell (Adina) is a playful match for Fillanoti. She sings through a range of personas: light-hearted flirt to strategic game player to nervous competitor to woman in love. Although Fillanoti and Cabell are cast perfectly together, their harmonious coupling will end with their February 5th performance. Frank Lopardo (Nemorino) and Susanna Phillips (Adina) will take over the roles from February 7th thru 22nd. The rest of the cast will be featured for the entirety of the run including the wonderful performances of a cocky Belcore (Gabriele Viviani), smooth-singing salesman Dulcamara (Alessandro Corbelli), and village women leader Giannetta (Angela Mannino).

06. Act 1, The Elixir of Love. RST_2054 c. Dan Rest 11. Alessandro Corbelli, Nicole Cabell. The Elixir of Love. DBR_5233 c. Dan Rest
04. Nicole Cabell, Giuseppe Filianoti. The Elixir of Love. DBR_4630 c. Dan Rest 07. Giuseppe Filianoti, Alessandro Corbelli. The Elixir of Love. DBR_4818 c. Dan Rest

Though the cast shines, the creative design is lackluster. The costumes and set of The Elixir of Love are stagnant. Having anticipated the theatrical spectacle as is the Lyric Opera style, it’s a little disappointing. But as a consolation, LO does bring out a live horse on stage pulling the peddler’s wagon, though – because of the massive stage – the horse blends in with the 50+ villagers chorus. (I can’t help but question how Lyric gets a horse inside the Civic Opera House and where does it stand between scenes. As classy as the Lyric is, I like to imagine that the horse has his own dressing room equipped with the best carrots and saddle soap.)

Just in time for Valentine’s Day, The Elixir of Love is the perfect date opera. It’s a romantic comedy that has a happy ending. This is not always the case in real life or on the opera stage, so enjoy it while you can.

 

Rating: ★★★½

 

03. Nicole Cabell, Giuseppe Filianoti. The Elixir of Love. DBR_4609 c. Dan Rest 15. Alessandro Corbelli. The Elixir of Love. RST_1172 c. Dan Rest 13. Giuseppe Filianoti. The Elixir of Love. RST_1022 c. Dan Rest

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