Review: Volpone (City Lit Theater)

     
     

17th-century satire is sly like a fox

     
     

Don Bender and Eric Damon Smith in Volpone - City Lit Theater.  Photo credit: Johnny Knight

  
City Lit Theater presents
  
Volpone
   
Written by Ben Jonson
Music composed by Kingsley Day
Directed by Sheldon Patinkin
at City Lit Theater, 1020 W. Bryn Mawr (map)
thru March 27  | 
tickets: $25  |  more info

Reviewed by Allegra Gallian

Volpone, or The Fox, was written by Ben Jonson in the seventeenth century in just five weeks. It was first performed by the King’s Men at Shakespeare’s Globe Theatre in 1606. City Lit Theater’s production is the company’s fourth production of their 31st season.

Volpone tells the story of an old miser, Volpone (Don Bender) who, with his servant Mosca (Eric Damon Smith), fakes a deathly illness in order to convince a handful of wealthy men to shower him with expensive gifts after promising each that they are his sole heir. Bender fits into the part of Volpone like a glove. From his voice to his body language, Bender owns the part as well as the stage. Bender’s Volpone is slimy, greedy and everything you would hope to see from such a character. Likewise, Smith’s Mosca is simply entertaining as Volpone’s faithful servant. He plays up the character and is quite funny as he help to Don Bender as Volpone by Ben Jonson - City Lit Theater. Photo by Johnny Knight.work over the wealthy men as they arrive to pay tribute to the “dying” Volpone. Smith, like Bender, understands just want is required of the character, and Smith is both charming and persuasive as Mosca, like a good salesman who could convince anyone man to buy anything he was selling.

Written in the 1600s, Volpone is written in Early Modern English, but the cast does a wonderful job of making the script accessible to the audience. That being said, the script’s dense at times, and while the energy continues to run high through the performance, the action can seem to drag at times.

Occasionally, Volpone calls on his fool (Ben Chang), Castrone (David Fink) and Androgyno (Chris Pomeroy) to entertain him. Equipped with musical instruments, these three sing and play and are a joy. They never fail to get the audience laughing with the lightness and humor of their performances. They are not the best singers but that fact is pushed aside because they’re so enjoyable to watch on stage.

The men whom Volpone tricks are Corvino (Alex Shotts), Corbaccio (Larry Baldacci) and Voltore (Clay Sanderson). These three men deliver exact portrayals of rich and greedy men who think themselves quite clever when, in fact, there are gullible and easily duped. All three men do a fine job, but Shotts in particular as Corvino takes his character over-the-top, not in an obnoxious way, but in a way that works for a satire. He’s very funny in his characterization and his body language.

For the most part the staging is fine-tuned, although Laura Korn, who plays Corvino’s wife Celia, is stiff in her movements and does not completely commit to her actions.

The set, designed by William Anderson, is simple in its style and coloring. With an art deco style set in the 1920s, the palate is of muted colors like brown, beige, blue and black, and there’s not a lot of flair. The simplicity of the set design offers a nice backdrop for the crazy antics of the show and does not detract from the performance.

  
  
Rating: ★★★
   
       

Patti Roeder and Don Bender in Volpone - City Lit Theater. Photo by Johnny Knight.

Don Bender as Volpone in City Lit's VOLPONE.  Photo by Johnny Knight. Eric Damon Smith (left) as Mosca and Don Bender as Volpone in City Lit's VOLPONE.  Photo by Johnny Knight.

Volpone plays at City Lit Theater, 1020 W. Bryn Mawr, through February 27. Tickets are $25 and can be purchased by calling 773-293-3682 or visiting citylit.org.

All photos by Johnny Knight

  
  

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