Passionate passengers tell their stories
Waltzing Mechanics present |
El Stories: Red Line |
Adapted and Directed by Thomas Murray at City Lit Theatre, 1020 W. Bryn Mawr (map) through Feb 23 | tickets: $10 | more info |
Reviewed by Lawrence Bommer
As it crosses the city, the Red Line delivers its own cross-section within every car on each train. This inexhaustible supply of “war stories”–from bemused or outraged commuters and less than passive passengers–supplies the oral histories in Waltzing Mechanics’ hour-long trove of an urban travelogue.
As fluid as their material, the ten young performers, smoothly blocked by adaptor Thomas Murray, keep their imaginary el ride real. There’s a story for almost every stop from Jackson to Howard, with the action as random and revealing as accidental encounters and unintended intimacies deliver. Happily, given the Mechanics’ tough-loving sympathy for life’s underdogs, there’s little condescension in these vignettes.
So, not only do we hear about the homeless guy who took a dump on the Jackson stop’s platform, we also learn how in his crazy way he tried to warn his fellow travelers not to look before, well, nature took its course.
Imagine the craziest Red line trip you could take from downtown through Uptown to Rogers Park, with close encounters that are sometimes, well, too close for comfort. Along the wild way you meet a loud huckster who creates fake gospel songs to promote her incoherent promotions. A bicyclist who’s also a serial abuser of books from the CPL carefully wraps up evidence of his neglect. A cute blue-eyed stranger reluctantly reveals why he’s heading west–by showing the needle marks on his arms that he hopes will gradually fade away.
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A screamer discharges his mania at the station and suddenly silences himself on the train. Between naps, a drunk eats the world’s largest sub sandwich. News of Patrick Swayze’s death spreads like wildfire throughout a car. There’s a caped crusader, two very inept flash-mob “twins,” a diva who cleans her eyeliner brush on the seat, out-of-control kids, an imbecile who thinks the Union Jack is the Nazi swastika, a hand that goes up the wrong butt during a tight trip, a group of guys whose sexist rap is spread all over the car, a jerk who confuses a brush with a push, and all those who just don’t want to get involved, even when someone needs help.
All that the CTA provides so generously for only $2.25 is even more concentrated in this wacky assemblage (which at $10 is a bargain as well). Judging from the title, it’s far from finished, not when there’s still blue, brown, pink, purple and green lines left to expose.
Rating: ★★★ |
El Stories continues through February 23rd, with 8pm performances Monday-Wednesday @ City Lit Theatre, 1020 W. Bryn Mawr. $10 general admission at door; advanced tickets available here. More info: waltzingmechanics.org/EL_Stories.html
Artists
Adapted from original interviews and directed by Thomas Murray
Featuring Bryan Campbell, Nick Chandler, Zack Florent, Lance Hill, Keely Leonard, Eric Loughlin, Adrienne Matzen, Eleni Pappageorge, Shariba Rivers, and Margaret Scrantom.
Stage managed by Tina Frey
Filed under: 2011 Reviews, City Lit Theatre, Lawrence Bommer, Waltzing Mechanics | Tagged: Adrienne Matzen, Bryan Campbell, City Lit Theater, El Stories Red Line, Eleni Pappageorge, Eric Loughlin, Keely Leonard, Lance Hill, Lawrence Bommer, Margaret Scrantom, Nick Chandler, Shariba Rivers, Thomas Murray, Tina Frey, Waltzing Mechanics, Zack Florent | Leave a comment »