REVIEW: The Invasion of Skokie (Chicago Dramatists)

Kibitzing with Gentiles and Nazis in Suburbia

 

(L-R) Bradford Lund, Mick Weber, and Michael Joseph Mitchell star in Steven Peterson’s world premiere production of The Invasion of Skokie, at Chicago Dramatists, 1105 W. Chicago Ave., running 09/2-10/10/10, Thursdays through Saturdays at 8 PM and Sundays at 3 PM. Information about the show at www.chicagodramatists.org and 312-633-0630.  Photo by Jeff Pines.

   
Chicago Dramatists presents
   
The Invasion of Skokie
   
Written by Steven Peterson
Directed by
Richard Perez
at
Chicago Dramatists, 1105 W. Chicago (map)
through October 10th  |  tickets:  $32  |   more info

Reviewed by Katy Walsh

It’s 1978. The preservation of the Jewish heritage is threatened by neo-Nazis and a Gentile boy. Chicago Dramatists presents the world premiere of The Invasion of Skokie by playwright Steven Peterson. The Nazis have won their U.S. Supreme Court case and plan to hold a march in Skokie, a Chicago suburb. Skokie has a large Jewish community that includes Holocaust survivors. On the eve of the supremacy parade, a Jewish family gathers for a typical Shabbat dinner. Or is it typical? Shabbat has been shifted to Saturday. The goy-next-door wants to marry into the Chosen People. Dad is negotiating an arms deal with terrorists. Mom made sun tea! An ordinary family debates traditional and liberal forces infiltrating the homogeneous community. The Invasion of Skokie is Fiddler on the Roof meets “Schlinder’s List” without the music or killing. For a religious culture surviving slavery, persecution and genocide, the Jewish people must now face their toughest opponent, love!

(L-R) Tracey Kaplan and Bradford Lund star in Steven Peterson’s world premiere production of The Invasion of Skokie, at Chicago Dramatists, 1105 W. Chicago Ave., running 09/2-10/10/10, Thursdays through Saturdays at 8 PM and Sundays at 3 PM. Information about the show at www.chicagodramatists.org and 312-633-0630.  Photo by Jeff Pines.Playwright Steven Peterson and Director Richard Perez create a relatable homeland security threat. Dinner is overlapping conversations with generous helpings of tension and a side of ranch dressing diversion. In the lead, Mick Weber (Morry) drives the action with loud declarations and Nazi hate crime hate. Weber delivers a memorable patriarch performance from bull-headed fearless to vulnerable fearful. Weber’s anguish, in an final scene, is a haunting visual.  His match is Cindy Gold (Sylvia). As a Jewish stereotypical mother, Gold is funny pushing food for whatever the ailment or disagreement. Below the surface, Gold reaches gold with poignant musings over day lilies and marrying for life. Tracey Kaplan (Debbie) is the liberal, vegetarian, lawyer daughter. Kaplan and Weber spar with perfect father-daughter opposition. Although the issues are contemporary, the angst is deep rooted in their personal histories. Representing the ‘superior race’ notion, the blond and blue-eyed Bradford R. Lund (Charlie) is charming as a goy-in-love. Despite multiple reasons to flee, Lund is earnest in his willingness to stay. With Nazis in town and family feuding, comedy relief is a necessity. Arriving a week late for dinner, Michael Joseph Mitchell (Howie) is hilarious as the clueless dinner guest.

The Invasion of Skokie is a glimpse at a not-so-familiar but important moment in history. From the picturesque backyard patio (designer Grant Sabin) of suburbia, a Jewish family deals with menacing Nazis and Gentiles rallying against the tranquility.

An important moment in history – but is it still relevant? Today, when same sex marriages are at the forefront of controversy, is inter-religious marriages that big of a deal? This seems like a simplistic question that has an easy answer. The Invasion of Skokie magnificently represents multiple sides to the attacks on the Jewish heritage in 1978. Even now, I’m certain the debate continues. How to preserve 2010+ years of customs and history? Tradition, Tradition, tradition. Even as a shiksa, I get it!

   
   
Rating: ★★★½
   
   

(L-R) Mick Weber and Cindy Gold star in Steven Peterson’s world premiere production of The Invasion of Skokie, at Chicago Dramatists, 1105 W. Chicago Ave.,  running 09/2-10/10/10, Thursdays through Saturdays at 8 PM and Sundays at 3 PM. Information about the show at www.chicagodramatists.org and 312-633-0630.  Photo by Jeff Pines.

Running Time: Two hours includes a ten minute intermission

Steven Peterson’s world premiere production of The Invasion of Skokie, at Chicago Dramatists, 1105 W. Chicago Ave., runs through October 10th – Thursdays through Saturdays at 8 PM and Sundays at 3 PM. Information about the show at www.chicagodramatists.org and 312-633-0630.  For information on parking, go to www.chicagodramatists.org/parking

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REVIEW: Beautiful City (Theatre Mir)

Solid cast punctuates this urban fairytale

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Theatre Mir presents

Beautiful City

 

Written by George F. Walker
Directed by
Rob Chambers
At Storefront Theatre, 66 E. Randolph,
thru April 3rd
(more info)

By Katy Walsh

“Make no little plans” is a phrase coined by Chicago’s infamous urban planner, Daniel Burnham. In Theatre Mir’s play Beautiful City, lead character Tony Raft embraces this philosophy despite opposition from his architect, a witch and the mob.  Performed at the Storefront Theatre in conjunction with DCA Theatre and the Beautiful_City10Chicago Department of Cultural Affairs, Beautiful City is the story of each person’s quest to get what they want by overcoming ‘the simple ugly truth.’ Tony wants a grandiose shopping mall. His mobster mama wants more money. His architect wants to be healed. The witch wants urban renewal and the freedom to dig through garbage. Beautiful City interconnects three families in an urban fairy tale of betrayal, greed and redemption.

The entire cast has been solidly constructed. Here are some of the pillar performances: Yosh Hayashi (Tony Raft) impresses with his vigorous audacity over a shopping mall obsession. Splendidly rotten in Steep Theatre’s Hollowlands, Hayashi exploits the humor in his every diabolical depiction. It’s Gilbert Gottfried as Hannibal Lector. Walking up and down stairs in 3 inch heels, Rachel Slavick (Mary Raft) is tough. Except for a wonderful salad thrashing scene, Slavick plays it stone faced cold. Mira Vasiljevic (Gina Mae Sabatini) contorts her look with an ongoing skunk face in her portrayal of the witch. Physically and vocally, Vasiljevic showcases her character as a bizarre source of life’s truth. She’s hilarious! C. Sean Piereman (Paul Gallagher) is the one to be rescued in this modern day fable. In the first few scenes, Piereman’s pain is so uncomfortably real, one feels the need to call 911. Other high energy moments of dramedy are Jeremy Kahn (Stevie Moore) as a fast-talking punk, Kristen Secrist (Jane Sabatini) as a wacky hospital volunteer, Kurt Brocker (Rolly Moore) as a desperate thug and Megan Kohl (Dian Black) as the confident gum -chewing cop. It is stellar acting wrapped up in Whitney McBride’s character-perfected costumes.

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Director Rob Chambers maximizes the physical space and the script to establish the framework of this adult fairy tale. Chambers is working from the foundation laid by playwright George F. Walker. Walker illustrates the issues of gentrification with an entertaining myth of mobsters verses witches. The parts are there for a solid built fortress. To nail it, Walker needs to sand it down for refinement. Some of the scenes are longer than necessary. In particular, a pivotal end scene is overly explanatory. This technique feels Hollywood-esque in “dumbing it down for the mainstream.” There are also some transitional moments of clunkiness, like, the scene where Paul is in the witch’s store. When did he decide to seek her out? It’s like realizing you are already in a room when you thought you were walking down a corridor. Walker’s blueprint needs a hallway connecting smaller rooms to more effectively imagine city dwelling. Nonetheless, even without a script renovation, Mir Theatre’s Beautiful City is an entertaining lesson of urban renewal for the entire community.

Making his own contribution to our city landscape, Frank Lloyd Wright says, “eventually, I think Chicago will be the most beautiful city left in the world.” Right with you, Frank!

Rating: ★★★

 

Post-show Discussions

  • Thursday, March 11, with cast and director Rob Chambers
  • Saturday, March 20, with Dr. Michael Bennett, executive director of DePaul University’s Egan Urban Center
  • Friday, March 26, with Al Gini, contributor at WBEZ Chicago Public Radio and professor of philosophy and business ethics at Loyola University, Chicago

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