Review: Working (Broadway in Chicago)

  
  

Now extended through June 5th!

        

Talented Chicago cast gets the job done!

  
  

Michael Mahler, E. Faye Butler, Gabriel Ruiz, Emjoy Gavino, Gene Weygandt, Barbara Robertson in Broadway in Chicago's 'Working'

  
Broadway in Chicago presents
  
Working
   
From the book by Studs Terkel
Adapted by
Stephen Schwartz and Nina Faso
Directed by
Gordon Greenburg
at
Broadway Playhouse, 175 E. Chestnut (map)
through June 5  |   tickets: $67-$77   |   more info

Reviewed by Katy Walsh 

‘Everybody should have something to point to!’ At the end of a career, job, or just day, there is satisfaction in pointing to something well-constructed… building, memo, burger… to say ‘I did that!‘ Steel beam to corner office to cubicle, one building houses millions of work tales. Broadway in Chicago presents Working a musical. In 1974, Pulitzer Prize- winning author Studs Terkel published a collection of interviews in his Michael Mahler - Chicago 'Working'book entitled “Working: People Talk About What They Do All Day and How They Feel About What They Do.” In 1977, Stephen Schwartz and Nina Faso adapted the book into a musical about the working class. In the current production, both skilled director Gordon Greenburg, and additional songs, have been added to the resume. ‘Working 2.0 brings timeless employees’ woes into a new age. Working is the ordinary dreams of ordinary people sung by an extraordinary Chicago cast!

The show is cued with a behind-the-curtain glimpse at staged theatre. An unseen person calls out directions in a countdown to the start. A bi-level backdrop showcases four dressing rooms where actors-playing-actors-playing-workers are busy prepping. The intriguing set by Beowulf Boritt has a strong industrial framework influence. The beams work double-time to establish a construction feel as an ironworker kicks-off the interview series. Later, the metal structure is the screen for visual projections by Aaron Rhyne. Designer Rhyne adds magnificent depth to the stories with authentic location and people imagery. Studs Terkel haunts the stage from beginning to end. In the opening scene, his voice is heard as several reel to reel recorders play his historic interviews tapes. At the finale, projections of the working people series ends with his facial profile. In between the Studs, a hard-working ensemble of six dress and undress…sometimes right on stage… to tell 26 different stories in 100 minutes.

The marathon of memories is well-paced, with each character’s story transitioning into another’s. Sometimes, it’s natural… construction guy to executive to assistant. Sometimes, it’s just a little forced… retired to fireman or factory worker to mason or trucker to call center tech. Regardless, the stitching together adds to a rhythmic flow for the always-dynamic and ever-changing cast. There are lots of moments to point to with this talented 6 doing 26 parts, but here are some favorites: E. Faye Butler transforms effortlessly from humble housewife to vivacious hooker to amusing cleaning lady. Totally diva-licious, Butler belts out songs like an entire gospel choir squeezed into one uniform. Gabriel Ruiz - Chicago 'Working'Emjoy Gavino goes from sassy flight attendant to poignant millworker with an unforgettable solo. Despite a crackling microphone, Barbara Robertson is delightful and slightly disturbing as an old-school teacher. Then, as an amicable and career content waitress, Robertson serves up an impressive singing number complete with a side of splits. Gabriel Ruiz delivers burgers with playful energy, then later sings sweetly as a caregiver doing a job nobody wants. Michael Mahler plays it ruggedly funny as seasoned trucker then naively hilarious as a newbie student. Gene Weygandt bookends the show as the cocky ironworker bragging about heights and confessing his shortcomings in a powerfully nostalgic ‘Fathers and Sons.’

WORKING: a musical employs a talented Chicago cast! No matter what your current job status, this hard-working cast will entertainingly sing to you a familiar tune. It’s realistic, relatable, regularity life put to music. I’m pointing at Working as an enjoyable after-work happy hour.

  
  
Rating: ★★★★
  
  
Barbara Robertson - Chicago 'Working' Gene Weygandt - Chicago 'Working' E. Faye Bulter - Chicago 'Working'
Gabriel Ruiz - Chicago 'Working' Emjoy Gavino - Chicago 'Working' Michael Mahler - Chicago 'Working'

Working continues through June 5th, with performances Tuesdays, Wednesdays, Thursday, Sundays at 7:30pm, Fridays, Saturdays at 8pm, and Wednesdays, Saturdays, Sundays at 2pm.  The Broadway Playhouse is located on 175 E. Chestnut in downtown Chicago (behind Watertower Place). Ticket prices are $67 to $77, and can be purchased online HERE. Running Time: 100 minutes with no intermission.

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Broadway in Chicago continues 2010-2011 Season

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Broadway in Chicago’s 2010/2010 season to include:

  • Wicked
  • Next to Normal
  • 9 to 5
  • Hair
  • Spring Awakening
  • Beauty and the Beast
  • Working
  • Peter Pan

TRACES

October 26, 2010 – January 1, 2011

Broadway Playhouse 

 

Broadway in Chicago - Traces - Broadway Playhouse7 Fingers (Les 7 doigts de la main) is an astonishingly talented French Canadian company that has pioneered a whole new brand of theatrical entertainment, and their smash-hit production, TRACES, will launch its U.S. tour in Chicago this fall. Combining awe-inspiring acrobatic training with infectious urban energy, seven performers deliver dazzling, gravity-defying displays of skill that produce “one of the most creative and inspiring pieces of entertainment I’ve ever witnessed” (Edinburgh’s The Sun)–balancing on each other’s heads, tumbling through hoops and leaping spectacularly up giant poles without using their hands. More than just a display of acrobatic brilliance, the audience is gradually drawn into the performers’ real life stories and, by the final, dramatic climax of the show, on the edge of their seats, willing them to pull off the seemingly impossible. “Mesmeric, spontaneous and unpretentious,” ( London ’s Metro), this thrill-a-minute show will leave you begging for more.

 

 


GOD OF CARNAGE

November 30 – December 12, 2010

small_God-carnage-logo The son of one couple has broken two teeth of the son of another. At first diplomatic niceties are observed, but as the couples meet to resolve things, and the rum begins to flow, huge tensions emerge and the gloves come off, leaving more than just their liberal principles in tatters. Winner of the 2009 Tony® Award for Best Play and Best Director (Matthew Warchus), GOD OF CARNAGE is “the funniest play on Broadway!” raves WOR radio.

 

 


WICKED

December 1, 2010 – January 23, 2011

wicked Entertainment Weekly calls WICKED “the best musical of the decade.” WICKED, the longest-running Broadway musical in Chicago theatre history, is returning to Chicago . Winner of 26 major awards, including a Grammy and three Tony® Awards, WICKED is Broadway’s biggest blockbuster, a cultural phenomenon and was just named “the defining musical of the decade” by The New York Times.  Long before that girl from Kansas arrives in Munchkinland, two girls meet in the land of Oz.  One–born with emerald green skin–is smart, fiery and misunderstood.  The other is beautiful, ambitious and very popular. How these two grow to become the Wicked Witch of the West and Glinda the Good makes for “the most ‘Popular’ piece of Chicago theatre in a generation” (Chris Jones, Chicago Tribune).

 


9 to 5: THE MUSICAL

January 18 – January 31, 2011

9-59 to 5: THE MUSICAL is a hilarious story of friendship and revenge in the Rolodex era. This new musical comedy, direct from Broadway, is based on the hit movie and features Dolly Parton’s original hit title song along with her new Tony® Award and Grammy nominated score. The book is by Patricia Resnick (co-writer of the original screenplay). 9 to 5: THE MUSICAL tells the story of three unlikely friends who conspire to take control of their company and learn there’s nothing they can’t do — even in a man’s world. Outrageous, thought-provoking and even a little romantic, 9 to 5: THE MUSICAL is about teaming up and taking care of business… it’s about getting credit and getting even… and it’s about to open in Chicago!

 


BURN THE FLOOR

February 1 – February 13, 2011

burnfloor The international dance sensation BURN THE FLOOR visits Chicago direct from its record-breaking run on Broadway! You’ve seen Ballroom dance on shows like “Dancing with the Stars” and “So You Think You Can Dance.” Now, with BURN THE FLOOR, you will feel, live on stage, all the passion, the drama and the sizzling excitement of 20 gorgeous champion dancers, in a true theatrical experience, a performance with a grace and athleticism that The New York Times calls, “Dazzling!” From Harlem’s hot nights at The Savoy, where dances such as the Lindy, Foxtrot and Charleston were born, to the Latin Quarter where the Cha-Cha, Rumba and Salsa steamed up the stage, BURN THE FLOOR takes audiences on a journey through the passionate drama of dance.  The elegance of the Viennese Waltz, the exuberance of the Jive, the intensity of the Paso Doble – audiences with experience them all, as well as the Tango, Samba, Mambo, Quickstep and Swing.  It’s Ballroom. Reinvented.


LES MISERABLES

February 2 – 27, 2011

Cadillac Palace Theatre

Cameron Mackintosh presents a brand new 25th anniversary production of Boublil & Schönberg’s legendary musical, Les Miserables, with glorious new staging and spectacular re-imagined scenery inspired by the paintings of Victor Hugo. This new production has already been acclaimed by critics, fans and new audiences and is breaking box office records wherever it goes. The London Times hails the new show “a five star hit, astonishingly powerful and as good as the original.” The Western Mail says “an outstanding success.”  

 


RAIN: A TRIBUTE TO THE BEATLES

February 8 – February 13, 2011

Ford Center for the Performing Arts 

Rain BeatlesRAIN, the acclaimed Beatles concert, returns by popular demand, direct from Broadway! They look like them and they sound just like them!  “The next best thing to seeing The Beatles,” raves the Denver Post.   All the music and vocals are performed totally live!  RAIN covers The Beatles from the earliest beginnings through the psychedelic late 60s and their long-haired hippie, hard-rocking rooftop days. RAIN is a multi-media, multi-dimensional experience…a fusion of historical footage and hilarious television commercials from the 1960s lights up video screens and live cameras zoom in for close-ups. “A thrilling bit of time-warping nostalgia…Boomer Heaven!” raves The Fort Worth Star-Telegram. “Uncanny! RAIN are a quartet of fine musicians in their own right…as The Beatles, they triumph!” cheers the Boston Herald.  “An adoring Valentine to The Beatles,” declares the Washington Post.  Sing along with your family and friends to such favorites as “Let It Be,” “Hey Jude,” “While My Guitar Gently Weeps,” “Come Together” and “Can’t Buy Me Love,” and relive Beatlemania from Ed Sullivan to Abbey Road!

 


WORKING

February 15 – May 8, 2011

Broadway Playhouse

Working - Broadway Playhouse - ChicagoWORKING is a vital new musical based on the book by Pulitzer Prize-winning author and Chicago ’s own Studs Terkel.  Newly adapted by Stephen Schwartz (WICKED, PIPPIN and GODSPELL), WORKING is the working man’s A CHORUS LINE.  It is a musical exploration of people from all walks of life, with twenty-six songs by all-star composers Craig Carnelia, Micki Grant, Tony Award™ winning Lin-Manuel Miranda, Mary Rodgers, Susan Birkenhead, Stephen Schwartz and Grammy Award™ winning James Taylor.  WORKING celebrates everyday people, fills you with hope and inspiration and is the perfect musical for anyone who has ever worked a day in their lives.

 


HAIR

March 8 – 15, 2011

Ford Center for the Performing Arts

The Public Theater’s 2009 Tony-winning production of HAIR is an electric celebration on stage! This exuberant musical about a group of young Americans searching for peace and love in a turbulent time has struck a resonant chord with audiences young and old. Its ground breaking rock score paved the way for some of the greatest musicals of our time. HAIR features an extraordinary cast and dozens of unforgettable songs, including “Aquarius,” “Let the Sun Shine In,” “Good Morning, Starshine” and “Easy To Be Hard.” Its relevance is UNDENIABLE. Its energy is UNBRIDLED. Its truth is UNWAVERING. It’s HAIR, and IT’S TIME.


MERCHANT OF VENICE

March 15 – 27, 2011

Bank of America Theatre 

From the acclaimed Theatre for a New Audience, the first U.S. theatre to be invited to the Royal Shakespeare Company, comes Shakespeare’s tragicomedy following command runs Off- Broadway and in Stratford-Upon-Avon . Starring Oscar winner F. Murray Abraham in his riveting portrayal of Shylock, and directed by Darko Tresnjak (former Artistic Director, Old Globe), the play has been arousing controversies for centuries with raucous and gentle comedy, tender poetry, and its struggle with mercy and justice. In this riveting update, religion, race and sexuality collide with love, family and justice and the currency of society and humanity has never been so changeable.

 


WISHFUL DRINKING

April 5 – 17, 2011

Bank of America Theatre 

WISHFUL DRINKING, Carrie Fisher’s autobiographical solo show, follows Fisher’s life. Born to celebrity parents, Fisher lands among the stars when she’s picked to play a princess in a little movie called ‘Star Wars.’ But her story isn’t all sweetness and light sabers. As a single mom, she also battles addiction, depression, mental institutions, and that awful hyperspace hairdo. It’s an incredible tale–from having her father leave her mother for Elizabeth Taylor to marrying and divorcing singer/songwriter Paul Simon, from having the father of her baby leave her for a man to waking up one morning and finding a friend dead beside her in bed. Don’t miss this opportunity to see Carrie Fisher’s hit Broadway show.

 


NEXT TO NORMAL

April 26 – May 8, 2011

Bank of America Theatre 

 

Next to Normal - Broadway in ChicagoFrom the director of Rent comes the most talked about new show on Broadway, NEXT TO NORMAL, winner of the 2010 Pulitzer Prize for Drama and three 2009 Tony Awards including Best Score.  Alice Ripley who received the 2009 Tony Award for Best Actress in a Musical, will reprise her acclaimed performance in Chicago . Having been chosen as “one of the year’s ten best” by major critics around the country, NEXT TO NORMAL is an emotional powerhouse of a musical with a thrilling contemporary score about a family trying to take care of themselves and each other.  The New York Times calls NEXT TO NORMAL “a brave, breathtaking musical.  A work of muscular grace and power.  It is much more than a feel-good musical; it is a feel-everything musical.” Rolling Stone raves, “It is the best musical of the season – by a mile.  It’ll pin you to your seat.”


PETER PAN

Begins April 29, 2011

Chicago Tribune Freedom Center North

 

Peter Pan Chicago - Tribune Freedom Center North - Broadway in ChicagoBroadway In Chicago and threesixty° entertainment are excited to announce a unique event – a spectacular new production of J M Barrie’s classic story, PETER PAN, at the Chicago Tribune Freedom Center. Conceived by an award-winning creative team, the SMASH HIT Peter Pan features twenty-two actors, stunning puppets, epic music and dazzling flying sequences surrounded by breathtaking video projection using the world’s first 360-degree CGI theater set. Both cast and audience fly over Edwardian London. Performed in a state-of-the-art theater pavilion, this magical new “in-the-round” production of Peter Pan is an extraordinary experience for the whole family.

 


SPRING AWAKENING

May 3 – 8, 2011

Bank of America Theatre 

Spring Awakening - Broadway in ChicagoThe winner of 8 Tony Awards, including Best Musical – told by Duncan Sheik and Steven Sater through “The most gorgeous Broadway score this decade” (Entertainment Weekly) – SPRING AWAKENING explores the journey from adolescence to adulthood with poignancy and passion you will never forget. The landmark musical SPRING AWAKENING is an electrifying fusion of morality, sexuality and rock & roll that is exhilarating audiences across the nation like no other musical in years. Join this group of late 19th century German students on their passage, as they navigate teenage self-discovery and coming of age anxiety in a powerful celebration of youth and rebellion in the daring, remarkable SPRING AWAKENING. “Broadway may never be the same again!” NY TIMES

 


DISNEY’S BEAUTY AND THE BEAST 

June 28 – July 10, 2011

Broadway in Chicago - Beauty and the BeastThe romantic Broadway musical for all generations, NETworks presentation of DISNEY’S BEAUTY AND THE BEAST, the smash hit Broadway musical, returns to Chicago ! Based on the Academy Award-winning animated feature film, this eye-popping spectacle has won the hearts of over 35 million people worldwide. Hailed by the Chicago Sun-Times as “warm and winning performances, a tuneful score, and real heart,” the classic musical love story is filled with unforgettable characters, lavish sets and costumes, and dazzling production numbers including “Be Our Guest” and the beloved title song. Experience the romance and enchantment of DISNEY’S BEAUTY AND THE BEAST!



 

TICKETS

Group tickets are currently available for all of the 2011 Season Series shows.  Groups of 15 or more may receive a discount on most shows by calling (312) 977-1710.  2011 Season Series subscription packages will go on-sale to new subscribers on September 12, 2010.  Broadway In Chicago gift certificates, which can be redeemed for any production or for season ticket packages, can be obtained at Broadway In Chicago box offices, www.BroadwayInChicago.com or by calling Ticketmaster at (800) 775-2000.

 

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Broadway Playhouse set to open in September

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Above: Artist rendering of reconfigured Broadway Playhouse

 

Coming Soon:  “Traces”, “Working” and Sutton Foster

 

by Scotty Zacher

Get ready, Chicago, for Broadway in Chicago’s newest venue: the Broadway Playhouse at Water Tower Place.  Previously known as Drury Lane Water Tower, the space will join BIC’s current treasure-trove of venues: Cadillac Palace Theatre, Ford Center for the Performing Arts (aka Oriental Theatre) and Bank of America Theatre sutton-26(aka Shubert Theatre). BIC has signed a long-term agreement with General Growth Properties (owner/manager of Water Tower Place) that will allow for the renovation and management of the revitalized space.

“This theatre will give Broadway in Chicago the ability to attract those productions that are better suited for a more intimate theatre. We hope to be able to expand the theatrical experiences we offer with this intimate and unique venue in the heart of the Magnificent Mile,” says James L. Nederlander (president, Nederlander Organization).

Inaugural productions for the playhouse will include An Evening with Sutton Foster (music direction by Michael Rafter), Traces and a newly adapted version of Stud Terkel’s musical Working (fondly known as “the working-man’s Chorus Line”), in association Broadway-composer Stephen Schwartz.

Though not announced at today’s press event, speculative capacity is set for 550 seats, a nice-sized theatre that will still allow for a more intimate experience when compared to the super-sized venues in Chicago’s theatre-district.

In my view, there are two hurdles that the reincarnated space needs to tackle: the drawbacks of the location, as well countering the fact of high ticket-prices versus its less-than-opulent ambience.

  1. First of all, the location. Though there is a plus for being amidst the Magnificent Mile, there is also the fact that it’s actually more than a block walk from the main drag – and a rather cement-themed walk at that.  Though this might seem trivial, a non-pedestrian-friendly designation is detrimental to any business, be it a coffeehouse, flowershop or, yes, a large theatre.  Even though the product on stage is the main attraction for an audience member, another important aspect is pre-show/post-show experience.  And a nondescript marquee in a cement-canyon a full block away from Michigan Avenue does not a prospective customer make.  One suggestion to up-the-ante would be to build a flashy LCD banner, much like the State Street Channel 7 banner, directly on Michigan Avenue, just to the north of Water Tower Place (this technique has been effective for side-street Broadway houses).  This could be a win-win for the city as it would make Michigan Ave. more exciting (as attempted with the NBC ground-level studio) as well as give instant attention to the advertised show (I suspect, however, there might be blow-back from the Water Tower Place residents…)
  2. Drury Lane Water Tower many times expected their shows to have much longer runs than what actually occurred.  This can be partially attributed to the what I call the experience-gap: People are expecting an opulent feeling that they previously experienced at the Oriental and/or Cadillac Palace, but in fact get a more germane theatre that they might equate with many Captioned Photo - 6smaller cities.  Let’s face it, part of the draw of wildly-successful “Wicked” was not only the show, but the ooh-factor of the lobby and the painted ceilings and Asian-themed accents. You saw this on the faces of the adults and kids when entering the space, that then surely increased the probability of a strong word-of-mouth occurrence.  Obviously BIC can’t recreate the theatre to match a historic theatre-palace.  Instead, care can be taken in the actual production choices – productions need to have something special about them that supersedes the lacking inner ambience.  It looks like BIC has chosen just such productions, with high-def raucous shows like “Traces,” that take advantage of the intimate nature of the space to heighten the show’s energy (think “Blue Man Group”), as well as concerts that lend themselves to more intimate venues (i.e., “An Evening with Sutton Foster”). And fans will flock to see a reconceived version of rarely-produced Workingespecially being that it’s based on the book written by Chicago’s beloved Studs Terkel.

In the end, I have the highest respect and expectations for Broadway in Chicago’s new venue endeavor.  Through their vision and hard work they have helped elevate Chicago as a theater draw for the entire Midwest, as well as a starting point for numerous Broadway-bound shows (e.g., Spamalot, Producers, Addams Family).   We at Chicago Theater Blog wish them the best of luck.

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